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Pokkhirajer Dim is a rare Bengali fantasy adventure that balances folklore, science, and childhood wonder. Soukarya Ghosal weaves a tale where a curious boy, his eccentric teacher, and a loyal friend stumble upon a mythical stone that can alter reality. What follows is a magical yet thoughtful journey that questions knowledge, greed, and the ethics of discovery.

The film shines in its performances-Anirban Bhattacharya's quirky yet layered scientist is a delight, while young Mahabrata Basu brings warmth and sincerity as Ghoton. The visuals transport viewers into a whimsical Bengal, blending rustic landscapes with imaginative dreamscapes. The music, too, deepens the sense of enchantment.

Though the narrative sometimes lingers and the pacing dips in the middle, the overall experience is charming. It feels like a tribute to Bengali fantasy traditions-from Ray to Leela Majumdar-while carving out its own modern identity.

Birangana doesn't just tell a story-it dares you to look deeper. Set in the backdrop of Kolkata's quiet, grieving lanes, this crime-thriller emerges as an emotionally intense, socially driven narrative with sharp teeth and a haunting heart.

At its core, the show unravels a series of disturbing deaths, each woman-a bride, each death-staged as a suicide. Enter Chitra Basu, a tough, wounded sub-inspector brought to life with quiet brilliance by Sandipta Sen. Her character, resilient yet scarred, becomes the emotional anchor of the series. Chitra isn't a superhero cop. She's broken, compassionate, and burning for answers. And that's what makes her unforgettable.

Director Nirjhar Mitra avoids the trappings of flashy crime dramas and instead, leans into mood, atmosphere, and character. Birangana doesn't rush-it unfolds. Every frame is laced with subdued menace: empty alleyways, floral arrangements dripping with symbolic dread, and shadowy silences that say more than dialogues. The pacing is taut, yet patient-like a poem that flirts with pain.

The presence of Niranjan Mondal (Laughtersane), in a surprising and eerie turn as Chirayu Talukdar, adds a disarming stillness to the chaos. His portrayal is wordless, almost spectral-but magnetic. He's not the villain you understand; he's the one you feel watching you.

One of Birangana's strongest suits lies in its psychological depth. Rather than obsessing over 'who did it', the show masterfully explores why these crimes happened and how society silently watches. It addresses trauma, grief, police bias, and misogyny-not through monologues, but through emotional moments and layered storytelling.

Technically, the show impresses. Even its all episodes feel tight, cinematic, and purposeful.

"Birangana" is more than a thriller-it's a slow-burn elegy wrapped in suspense. Haunting, humane, and cinematically sharp, it proves that silence can be more chilling than screams.

Highly recommended for viewers who crave emotional thrillers with a conscience.

Court: State vs A Nobody is a thought-provoking Telugu courtroom drama that explores injustice, class bias, and legal loopholes. It follows Chandu, a young man falsely accused under the POCSO Act due to a relationship that clashes with political power. When no seasoned lawyer agrees to represent him, a rookie advocate, Surya Teja (played earnestly by Priyadarshi), takes the case head-on.

The film balances emotion and legal drama well. Though the first half moves at a measured pace, the courtroom scenes later pack a punch. Priyadarshi shines as the underdog lawyer, and the antagonist (Sivaji) adds real tension. With relevant social themes and strong performances, Court delivers a compelling and meaningful watch.