Ajay-145
jul 2025 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Calificaciones7
Clasificación de Ajay-145
Reseñas7
Clasificación de Ajay-145
Review of Tehran
A good storyline riding on a slightly bumpy screenplay - but the concept and vision of the movie are fresh.
So far, we've mostly seen Indian heroes fighting Pakistan, China, or sometimes LTTE. This one brings a new flavor, and I give the makers 100/100 for the idea alone.
John Abraham breathes life into characters like this. Personally, I feel it would have been even better if he were a RAW agent - maybe a rogue one - avenging a killing close to his heart, rather than a Delhi Police officer. But whatever the case, he justified his role. As the hero of the film, some "above-normal" feats are expected and accepted.
Madhurima Tuli was perfect as a spy's wife. Ma'am, we are waiting to see you as Rekha ji in her biography - you'd be a natural fit.
Hadi Khanjanpour delivered a solid performance as Afshar. Being an Iranian playing an Iranian role, he felt natural and authentic - clearly a gifted actor.
Neeru Bajwa was good, as was Manushi.
One note to the makers - we loved Baby the most in recent times because everyone survived. We understand this is fiction, and sometimes, at the end, we just want a smile on our faces. Please, stop sacrificing our beautiful actors in the name of intensity (half-joking, but half-serious).
Overall, I liked Tehran in bits and parts. I'll give it 5 out of 10, but to John, a well-deserved 11 out of 10.
A good storyline riding on a slightly bumpy screenplay - but the concept and vision of the movie are fresh.
So far, we've mostly seen Indian heroes fighting Pakistan, China, or sometimes LTTE. This one brings a new flavor, and I give the makers 100/100 for the idea alone.
John Abraham breathes life into characters like this. Personally, I feel it would have been even better if he were a RAW agent - maybe a rogue one - avenging a killing close to his heart, rather than a Delhi Police officer. But whatever the case, he justified his role. As the hero of the film, some "above-normal" feats are expected and accepted.
Madhurima Tuli was perfect as a spy's wife. Ma'am, we are waiting to see you as Rekha ji in her biography - you'd be a natural fit.
Hadi Khanjanpour delivered a solid performance as Afshar. Being an Iranian playing an Iranian role, he felt natural and authentic - clearly a gifted actor.
Neeru Bajwa was good, as was Manushi.
One note to the makers - we loved Baby the most in recent times because everyone survived. We understand this is fiction, and sometimes, at the end, we just want a smile on our faces. Please, stop sacrificing our beautiful actors in the name of intensity (half-joking, but half-serious).
Overall, I liked Tehran in bits and parts. I'll give it 5 out of 10, but to John, a well-deserved 11 out of 10.
Saare Jahan Se Achcha - Review
A tight spy thriller depicting the birth of R&AW and the Indian government's race to prevent our neighbour from becoming a nuclear power.
I've seen a similar theme in Hotstar's Salahkaar. Whether it's cricket, a battlefield, or the silver screen - we always love to see India win. This series captures the behind-the-scenes efforts and sacrifices that lead to such victories.
The highlight is undoubtedly the brilliant performances by the three lead actors - Pratik Gandhi, Sunny Hinduja, and Suhail Nayyar. The makers have done an exceptional job with looks, costumes, and dialects, adding authenticity to the period setting.
However, Kritika Kamra, Tillotama Shome, and Rajat Kapoor felt underutilised. This story could have easily been expanded into 10-12 episodes to give these talented actors more scope to shine.
One scene that felt unrealistic was the depiction of a local Pakistani woman openly sipping vodka. I'm not sure whether alcohol was permissible during the Bhutto regime, but it felt out of place.
The climax, too, falls short and strains believability. If the whole city is under surveillance, how could five or six agents roam freely with fireworks? And after the tunnel exposure, targeting an entire ship still seemed implausible.
A recurring pattern I've noticed in Special Ops 2, Salahkaar, and now Saare Jahan Se Achcha is that makers and directors lose patience toward the end. They should give more freedom to their writers to craft satisfying, believable conclusions.
That said, for fans of spy thrillers or anyone who wishes to celebrate our veterans' victories, this is a must-watch.
A tight spy thriller depicting the birth of R&AW and the Indian government's race to prevent our neighbour from becoming a nuclear power.
I've seen a similar theme in Hotstar's Salahkaar. Whether it's cricket, a battlefield, or the silver screen - we always love to see India win. This series captures the behind-the-scenes efforts and sacrifices that lead to such victories.
The highlight is undoubtedly the brilliant performances by the three lead actors - Pratik Gandhi, Sunny Hinduja, and Suhail Nayyar. The makers have done an exceptional job with looks, costumes, and dialects, adding authenticity to the period setting.
However, Kritika Kamra, Tillotama Shome, and Rajat Kapoor felt underutilised. This story could have easily been expanded into 10-12 episodes to give these talented actors more scope to shine.
One scene that felt unrealistic was the depiction of a local Pakistani woman openly sipping vodka. I'm not sure whether alcohol was permissible during the Bhutto regime, but it felt out of place.
The climax, too, falls short and strains believability. If the whole city is under surveillance, how could five or six agents roam freely with fireworks? And after the tunnel exposure, targeting an entire ship still seemed implausible.
A recurring pattern I've noticed in Special Ops 2, Salahkaar, and now Saare Jahan Se Achcha is that makers and directors lose patience toward the end. They should give more freedom to their writers to craft satisfying, believable conclusions.
That said, for fans of spy thrillers or anyone who wishes to celebrate our veterans' victories, this is a must-watch.
Review of Salakaar
Salakaar is a gripping story with a well-paced narrative, and I feel every actor has done justice to their role. The central character, young Adhir, played by Naveen Kasturia, delivers a steady performance, though in a few frames his straight-faced expression feels a bit too restrained. Mouni Roy looks glamours although her dressing in series is more like Bengali rather Pakistani. Surya Sharma is under-utilised as he has fire in him.
The highlight of the show is undoubtedly veteran actor Mukesh Rishi as General Zia-ul-Haq. He leaves a strong impression whenever he appears on screen, commanding attention and lending authenticity to the role.
That said, the screenplay has a few noticeable flaws. For example, the Sarpanch of a village is shown openly consuming alcohol-something quite unrealistic given that during Zia's regime, alcohol was completely banned in Pakistan. Similarly, the ease with which characters gain entry into a high-security nuclear power plant-simply by having a villager disguise himself as a sepoy-feels overly simplified.
The final airport sequence is tight, engaging, and easy to follow, though it also stretches believability in parts. Still, these minor lapses are forgivable because overall, this is an entertaining spy thriller that keeps you hooked.
I enjoyed watching Salakaar and am looking forward to the next segment-hopefully with even higher stakes.
Salakaar is a gripping story with a well-paced narrative, and I feel every actor has done justice to their role. The central character, young Adhir, played by Naveen Kasturia, delivers a steady performance, though in a few frames his straight-faced expression feels a bit too restrained. Mouni Roy looks glamours although her dressing in series is more like Bengali rather Pakistani. Surya Sharma is under-utilised as he has fire in him.
The highlight of the show is undoubtedly veteran actor Mukesh Rishi as General Zia-ul-Haq. He leaves a strong impression whenever he appears on screen, commanding attention and lending authenticity to the role.
That said, the screenplay has a few noticeable flaws. For example, the Sarpanch of a village is shown openly consuming alcohol-something quite unrealistic given that during Zia's regime, alcohol was completely banned in Pakistan. Similarly, the ease with which characters gain entry into a high-security nuclear power plant-simply by having a villager disguise himself as a sepoy-feels overly simplified.
The final airport sequence is tight, engaging, and easy to follow, though it also stretches believability in parts. Still, these minor lapses are forgivable because overall, this is an entertaining spy thriller that keeps you hooked.
I enjoyed watching Salakaar and am looking forward to the next segment-hopefully with even higher stakes.