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BrittanyA-52

jul 2025 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

Distintivos3

Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Explora los distintivos

Calificaciones8

Clasificación de BrittanyA-52
Good Girl Gone Bad
9.710
Good Girl Gone Bad
A Vampire in the Alphas Den
8.610
A Vampire in the Alphas Den
Episode 1
10
Episode 1
MatriMoney
8.610
MatriMoney
Forever Begins Now
7.810
Forever Begins Now
Fires of Love
9.110
Fires of Love
Playing Pretend
8.610
Playing Pretend
Under the Hood
9.210
Under the Hood

Reseñas3

Clasificación de BrittanyA-52
Good Girl Gone Bad

Good Girl Gone Bad

9.7
10
  • 28 ago 2025
  • Addictive, Electrifying, and Worth the Rewatch

    Good Girl Gone Bad hooked me from the very first scene and didn't let go until the end. This is exactly the kind of vertical drama that raises the bar-passionate, sharp, and addictive to watch.

    Cayman Cardiff delivers one of his strongest performances as Knox, a man who commands the screen with every glance and every whispered line. He carries a mix of danger, charm, and protector energy that makes you lean in closer every time he appears. His voice alone could melt a whole audience.

    Rebecca Stoughton is the perfect match as Madeline. She brings warmth, wit, and a fiery spirit that makes you root for her. There's a beautiful balance in her performance-shy yet daring, intellectual yet deeply vulnerable. She doesn't just play a love interest; she owns her role and makes the character magnetic.

    Nico Locco rounds out the cast with a villain you love to hate. His delivery is spot on-controlling, manipulative, and just the right amount of infuriating. It takes real skill to make you want to yell at the screen, and he nails it.

    What makes Good Girl Gone Bad stand out isn't just the cast-it's the chemistry, the one-liners, the tension you can feel through the screen. Every look, every pause, every daring line hits exactly where it should. And paired with Vigloo's fresh approach to storytelling, it's a series that absolutely deserves a rewatch.

    If you love vertical dramas with sharp writing, electrifying performances, and that "can't look away" kind of energy, Good Girl Gone Bad is the one to watch.
    A Vampire in the Alphas Den

    A Vampire in the Alphas Den

    8.6
    10
  • 31 jul 2025
  • Emotional Roller Coaster!

    This film took me on a full emotional roller coaster - I laughed, cried (real tears), shouted at the screen, and honestly wanted to punch the villains more than once.

    This is not your typical Alpha werewolf vertical - and that's exactly why I loved it. Cayman Cardiff completely flips the script on what you'd expect from him. His character goes through massive growth - real learning, vulnerability, and emotional depth that caught me off guard in the best way. And Erin Orcutt as the last vampire? She's fierce, brave, and watching her slowly let her walls down and learn to love again was genuinely moving.

    Their chemistry is off the charts, and the performances from everyone were next level. The script was smart, layered, and emotional in all the right ways. It's intense, raw, and honestly one of the most powerful things I've seen from both of them. Highly, highly recommend.
    Under the Hood

    Under the Hood

    9.2
    10
  • 24 jul 2025
  • A must watch and rewatch

    "Under the Hood" delivers a punch of southern grit, emotional depth, and realism that sets it apart from the usual vertical drama fare. Cayman Cardiff shines as Jaxon, blending sincerity and that irresistible southern charm into a performance that feels deeply authentic. His chemistry with Quincy Leigh Szymeczek's Selene is electric - she's fierce, grounded, and finally, a heroine who doesn't trip over thin air or faint under pressure. Nico Caruccio, meanwhile, nails the villain role so well I was tempted to reach through the screen myself.

    What truly sets this film apart? No tired tropes. No toxic leads. No overplayed secret billionaire plots. Just two everyday people - broken, determined, and relatable - reclaiming their power. The writing is packed with standout lines, and even the steamier moments feel earned and grounded in character growth.

    It's the kind of story that reminds you healing doesn't always look heroic - sometimes it looks like holding your ground, finding your voice, and fighting for something real. My only complaint? At just over an hour, I wasn't ready to say goodbye.

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