dikanyamiss

The more I think about it, the more frustrated I get. ORV revolves around stories, history, and myths-their significance is at its core. Yet, the live-action production is already disregarding key elements that are fundamentally tied to storytelling, which is honestly baffling.

The live-action adaptation of Omniscient Reader's Viewpoint (ORV) has sparked an intense backlash, and rightfully so. What was supposed to be a long-awaited moment for fans has turned into a disaster, riddled with careless changes and outright disrespect for the source material. Even before seeing the movie, fans were already skeptical, they were prepared to expect the worse, and the live action did well with giving us something way lower than our expectations with how badly this adaptation would butcher the essence of the novel. Instead of an authentic, faithful retelling, what we got was a generic action film with a misleading title, out-of-character portrayals, and baffling creative choices that make it clear the production team either didn't read the novel or simply didn't care.

One of the most ridiculous decisions was the title change to The Prophet. Anyone who has actually read ORV knows that Kim Dokja is not a prophet-he briefly pretends to be one, but the true prophet in the story is Anna Croft. Renaming the adaptation this way is misleading and sets the stage for a version of the story that doesn't even try to stay faithful to its original themes. Even if fans initially wanted to give the production team the benefit of the doubt, the trailer alone proved that the adaptation had already gone off the rails. Then there's the blatant modernization of the weaponry, which completely ignores ORV's fundamental power system. The novel revolves around the idea that myths and historical narratives shape reality, which is why characters wield swords, spears, and bows instead of guns. And yet, the trailer features Lee Jihye holding a sniper rifle, an image so absurd that it immediately raised alarms for longtime fans. Even worse, Yoo Joonghyuk-a man who has mastered the sword across countless regressions-is also seen holding a gun, despite his well-established hatred for firearms.

These changes don't just tweak minor details; they strip ORV of its identity, turning it into a generic action film rather than the deep, lore-driven narrative that made it so beloved. The sword in the story is more than just a weapon-it carries deep symbolic meaning for various characters and is central to many scenes. Its significance cannot simply be replaced by a gun. Casting was another major point of contention, as the actors chosen fail to match their characters in both appearance and presence. A key detail-Kim Dokja being shorter than Yoo Joonghyuk-was ignored entirely, with the actors looking almost the same height or, even worse, Kim Dokja appearing taller.

For fans, this is yet another sign of the production's disregard for accuracy. But what made matters worse was the influx of K-drama and K-pop fans who defended the casting based purely on their idol biases rather than whether the actors fit the roles. Some even went as far as romanticizing inappropriate dynamics and twisting relationships beyond recognition, further alienating the dedicated ORV fanbase. The production team had the audacity to claim they were following the webtoon, yet every choice they've made contradicts that statement. Key elements, like the Dokkaebi-creatures central to the entire plot-are shown with an appearance completely different from how folk lore portrayals are. How can they claim to be staying true to the story when they ignore some of its most defining aspects? But this doesn't even reach half of why this movie is a disgrace, a disrespect to ORV's name.

Now that we have the actual movie-this just honestly contributes to the disappointment fans are feeling. You can't even call it disappointment, a feeling too shallow to express the hatred and anger this excuse for an adaptation deserves that the only solution would be to delete this movie entirely. There is no such thing for solutions and negotiations now, this movie obviously deserves the highest digits of rating in the negatives!

Aside from those I've previously discussed regarding the weapons, actors, appearance, and the portrayal of history-this just keeps getting lower and lower. Such monstrosity riding in the profit of ORV by residing under its name is just down right insulting. You can't even compare this to ORV anymore-even SSSSS-Infinite Grade Regressor is better than this eyesore.

First of all, they made Kim Dokja hate the novel despite the same book being his sole salvation-the reason he was able to endure all these years of suffering alone. The audacity? There wasn't even a reason to change it in the first place, the story revolves around Kim Dokja's love for the novel! Even the word love feels too low to express the complexity of emotions he feels stemming from all those years of enduring. He didn't call himself "Yoo Joonghyuk" repeatedly if he was going to end up hating on the novel. The only reason his story exists was because he was the ONLY reader of "Three Ways to Survive an Apocalypse." Making him hate it would just kill the purpose of this story. He didn't read 3149 chapters for nothing, it was the only thing that kept him going. Without the swarm of feelings he feels for TWSA-he wouldn't even exist in the first place, a possibility would be Kim Dokja disappearing from the surface of the earth. Yes, without TWSA, he could have died alone already. TWSA were written by HSY for 10 years solely to keep him alive. Clearing all the scenarios simply by being the only reader of a novel that he stayed and endure whatever life throws at him for, do you really think that's something someone could have done if they hated it? Unless it's Shen Yuan, who was able to read 3000 chapters yet ended up hating it, but we're talking about Kim Dokja here.

This movie is nothing but rotten trash made by a misogynistic director who mischaracterizes and warps female characters beyond recognition, disregarding their importance in the story simply by watering down their capabilities. Firstly, with JISOO being the highlight of the movie for K-pop fans, who's playing the character Lee Jihye-the director undoubtedly used JISOO's name and recognition to hurdle fame for the movie, so that it would overshadow the criticisms made by the original fans of the novel. They reduced her scenes, saying that Lee Jihye didn't have many lines despite being an important character in the story and the discipline of our protagonist. They also made Yoo Sangah a healer, who was originally an assassin, someone who does the opposite of healing to others-which just removes the point of Lee Seolhwa's character, Kim Dokja's Company's healer who have helped them through tough times and have prevented the deaths of many. And Lee Sookyung, Kim Dokja's mother, who was said to be taken care of KDJ in the movie-which just honestly contradicts the suffering both have experienced in the original story. Reducing Lee Sookyung's character to just a woman being looked after by her son when she's someone completely capable of taking care and saving herself-she didn't take years of abuse, taking the blame for her husband's and Kim Dokja's dad's murder, spending years in prison and writing a novel underground-for nothing. Kim Dokja wouldn't want to be involved with her due to the trauma that has separated them both. And in the movie, Jung Heewon-who had declared herself as Kim Dokja's sword-was seen using daggers instead of a sword. She was also said to be the main character or TWSA and KDJ's favourite character, when it was Yoo Joonghyuk's story he had been following for a decade, not Jung Heewon's. In the novel TWSA-Jung Heewon is an unnamed character that would later die, but Kim Dokja prevented that, but that doesn't mean she's the main character of TWSA. They also removed Jung Heewon's sa scene, as expected of a misogynist.

These aren't the strong, capable females ive seen in my years of reading ORV.

At this point, it's clear that the adaptation isn't for the fans-it's for the general public, an attempt to cash in on ORV's popularity without respecting what made it great. And that's what hurts the most. Fans who have loved this story for years, who have supported it through web novel updates, webtoon releases, and discussions, are now being told to "just don't watch it" if they don't like it. But if this adaptation wasn't meant for the fans, then why use the ORV name at all? Why borrow its characters, its world, its hype, only to tear it apart and reshape it into something unrecognizable? Do us a favour and resign from your position, Director.

The more I think about it, the more frustrated I get. ORV revolves around stories, history, and myths-their significance is at its core. Yet, the live-action production is already disregarding key elements that are fundamentally tied to storytelling, which is honestly baffling.

The live-action adaptation of Omniscient Reader's Viewpoint (ORV) has sparked an intense backlash, and rightfully so. What was supposed to be a long-awaited moment for fans has turned into a disaster, riddled with careless changes and outright disrespect for the source material. Even before seeing the movie, fans were already skeptical, they were prepared to expect the worse, and the live action did well with giving us something way lower than our expectations with how badly this adaptation would butcher the essence of the novel. Instead of an authentic, faithful retelling, what we got was a generic action film with a misleading title, out-of-character portrayals, and baffling creative choices that make it clear the production team either didn't read the novel or simply didn't care.

One of the most ridiculous decisions was the title change to The Prophet. Anyone who has actually read ORV knows that Kim Dokja is not a prophet-he briefly pretends to be one, but the true prophet in the story is Anna Croft. Renaming the adaptation this way is misleading and sets the stage for a version of the story that doesn't even try to stay faithful to its original themes. Even if fans initially wanted to give the production team the benefit of the doubt, the trailer alone proved that the adaptation had already gone off the rails.

Then there's the blatant modernization of the weaponry, which completely ignores ORV's fundamental power system. The novel revolves around the idea that myths and historical narratives shape reality, which is why characters wield swords, spears, and bows instead of guns. And yet, the trailer features Lee Jihye holding a sniper rifle, an image so absurd that it immediately raised alarms for longtime fans. Even worse, Yoo Joonghyuk-a man who has mastered the sword across countless regressions-is also seen holding a gun, despite his well-established hatred for firearms. These changes don't just tweak minor details; they strip ORV of its identity, turning it into a generic action film rather than the deep, lore-driven narrative that made it so beloved. The sword in the story is more than just a weapon-it carries deep symbolic meaning for various characters and is central to many scenes. Its significance cannot simply be replaced by a gun.

Casting was another major point of contention, as the actors chosen fail to match their characters in both appearance and presence. A key detail-Kim Dokja being shorter than Yoo Joonghyuk-was ignored entirely, with the actors looking almost the same height or, even worse, Kim Dokja appearing taller. For fans, this is yet another sign of the production's disregard for accuracy. But what made matters worse was the influx of K-drama and K-pop fans who defended the casting based purely on their idol biases rather than whether the actors fit the roles. Some even went as far as romanticizing inappropriate dynamics and twisting relationships beyond recognition, further alienating the dedicated ORV fanbase.

The production team had the audacity to claim they were following the webtoon, yet every choice they've made contradicts that statement. Key elements, like the Dokkaebi-creatures central to the entire plot-are shown with an appearance completely different from how folk lore portrayals are. How can they claim to be staying true to the story when they ignore some of its most defining aspects?

But this doesn't even reach half of why this movie is a disgrace, a disrespect to ORV's name. Now that we have the actual movie-this just honestly contributes to the disappointment fans are feeling. You can't even call it disappointment, a feeling too shallow to express the hatred and anger this excuse for an adaptation deserves that the only solution would be to delete this movie entirely. There is no such thing for solutions and negotiations now, this movie obviously deserves the highest digits of rating in the negatives!

Aside from those I've previously discussed regarding the weapons, actors, appearance, and the portrayal of history-this just keeps getting lower and lower. Such monstrosity riding in the profit of ORV by residing under its name is just down right insulting. You can't even compare this to ORV anymore-even SSSSS-Infinite Grade Regressor is better than this eyesore.

First of all, they made Kim Dokja hate the novel despite the same book being his sole salvation-the reason he was able to endure all these years of suffering alone. The audacity? There wasn't even a reason to change it in the first place, the story revolves around Kim Dokja's love for the novel! Even the word love feels too low to express the complexity of emotions he feels stemming from all those years of enduring. He didn't call himself "Yoo Joonghyuk" repeatedly if he was going to end up hating on the novel. The only reason his story exists was because he was the ONLY reader of "Three Ways to Survive an Apocalypse." Making him hate it would just kill the purpose of this story. He didn't read 3149 chapters for nothing, it was the only thing that kept him going. Without the swarm of feelings he feels for TWSA-he wouldn't even exist in the first place, a possibility would be Kim Dokja disappearing from the surface of the earth. Yes, without TWSA, he could have died alone already. TWSA were written by HSY for 10 years solely to keep him alive. Clearing all the scenarios simply by being the only reader of a novel that he stayed and endure whatever life throws at him for, do you really think that's something someone could have done if they hated it? Unless it's Shen Yuan, who was able to read 3000 chapters yet ended up hating it, but we're talking about Kim Dokja here.

This movie is nothing but rotten trash made by a misogynistic director who mischaracterizes and warps female characters beyond recognition, disregarding their importance in the story simply by watering down their capabilities. Firstly, with JISOO being the highlight of the movie for K-pop fans, who's playing the character Lee Jihye-the director undoubtedly used JISOO's name and recognition to hurdle fame for the movie, so that it would overshadow the criticisms made by the original fans of the novel. They reduced her scenes, saying that Lee Jihye didn't have many lines despite being an important character in the story and the discipline of our protagonist. They also made Yoo Sangah a healer, who was originally an assassin, someone who does the opposite of healing to others-which just removes the point of Lee Seolhwa's character, Kim Dokja's Company's healer who have helped them through tough times and have prevented the deaths of many. And Lee Sookyung, Kim Dokja's mother, who was said to be taken care of KDJ in the movie-which just honestly contradicts the suffering both have experienced in the original story. Reducing Lee Sookyung's character to just a woman being looked after by her son when she's someone completely capable of taking care and saving herself-she didn't take years of abuse, taking the blame for her husband's and Kim Dokja's dad's murder, spending years in prison and writing a novel underground-for nothing. Kim Dokja wouldn't want to be involved with her due to the trauma that has separated them both. And in the movie, Jung Heewon-who had declared herself as Kim Dokja's sword-was seen using daggers instead of a sword. She was also said to be the main character or TWSA and KDJ's favourite character, when it was Yoo Joonghyuk's story he had been following for a decade, not Jung Heewon's. In the novel TWSA-Jung Heewon is an unnamed character that would later die, but Kim Dokja prevented that, but that doesn't mean she's the main character of TWSA. They also removed Jung Heewon's sa scene, as expected of a misogynist. These aren't the strong, capable females ive seen in my years of reading ORV.

At this point, it's clear that the adaptation isn't for the fans-it's for the general public, an attempt to cash in on ORV's popularity without respecting what made it great. And that's what hurts the most. Fans who have loved this story for years, who have supported it through web novel updates, webtoon releases, and discussions, are now being told to "just don't watch it" if they don't like it. But if this adaptation wasn't meant for the fans, then why use the ORV name at all? Why borrow its characters, its world, its hype, only to tear it apart and reshape it into something unrecognizable? Do us a favour and resign from your position, Director.