Arjun-826

The movie is so good it was full of suspense. The second half was so thrilling to find out the killer and the murderers. The actors role fitted perfectly to the storyline. No disturbances was in this movie such as romantic and love. This movie is full of mysteries to find out the criminals. The bgm and background sound was so good. The screenplay, bgm, editing all deserves more. All those cuts in the movie was perfectly matched and never let the audience find out the criminals. Kollywood actors did their best part. Even some silly jokes were in the movie. Some malaysian actors also have done their best part in this movie( Uthaya Raaga). The climax was so good that we cant even know the murderer till they expose.

Kaliyugram A no nonsense thriller pulled done by bad screenplay at times but majoy due to completely unknown cast Okie... You are not at fault if you could not find such movie released recently and came into OTT also... honestly I liked this thriller movie ... Compared to fan boy nonsense movies, this movie had a very interesting decent storyline and there was nothing wrong about the major part of movie screenplay... The director knew songs would be nuisance and did not make the mistake of including songs or duets... Also appreciable movie length to make it interetsing... Most of the characters were made suspicious making the movie interesting.... Had necessary twists also..There is something against SIBIRAJ in the industry as his movies are not taken seriously and he is not taken seriously as an actor...he has really put his hardwork and done a very decent job... He has matured surely as an actor from his student no.1 days.... The movie's fault of not making it to big league could be few reasons, very amateurish ending , very very weak villain who has nothing but bad face, no star power actors - infact most of them are unknown except hero and his police aide, pulling down screenplay in important points of the movie, Hurried unlocking the twists though logical but audience may be unclear... The above can be corrected in directors next movie but for that, this movie of his should be appreciated and he should be encouraged .... 6 RahulB-956 Ten Hours 2025 Ten Hours is a compelling Tamil-language thriller that keeps viewers on the edge of their seats. Directed by Ilayaraja Kaliyaperumal, the film follows Inspector Castro, portrayed by Sibi Sathyaraj, as he unravels a complex murder mystery aboard an overnight bus journey from Chennai to Coimbatore.

The narrative unfolds over a tight ten-hour window, adding urgency and intensity to the investigation. Sibi Sathyaraj delivers a commendable performance, capturing the determination and grit of a seasoned investigator. The supporting cast, including Gajaraj and Raj Aiyyappa, contribute effectively to the film's immersive atmosphere.

Cinematographer Jai Karthik's visuals enhance the suspense, while KS Sundaramoorthy's score underscores the film's tension. The screenplay maintains a brisk pace, weaving through multiple suspects and red herrings, keeping the audience guessing until the final reveal.

While some plot elements may feel familiar to genre enthusiasts, Ten Hours stands out for its focused storytelling and strong performances. It's a well-executed thriller that offers a satisfying cinematic experience for fans of crime dramas.

6 damitha_anuradha Gripping Thriller with a Bit Too Much Spoon-Feeding Ten Hours delivers a compelling thriller with strong direction, great cinematography, and excellent color toning. The plot is tight and keeps you hooked with its mystery, maintaining suspense until the very end without revealing the culprit too early-a major plus for fans of the genre. However, like many Tamil films, the main character is heavily layered with cultural clichés, which sometimes distract from the core narrative. Also, when the truth is finally revealed, it over-explains every detail, leaving little for the audience to ponder. A well-crafted film overall, but it could've been more powerful with some subtlety in the climax.

10 AshwiniS-14 10 hours 10 Hours is a taut and engaging Tamil thriller that unfolds in real-time, gripping the audience with its relentless pacing and focused storytelling. The screenplay stays sharp and streamlined, avoiding any distractions while steadily building tension as time runs out.

The actors deliver convincingly understated performances, which enhances the film's sense of realism. What really sets it apart is its ability to sustain suspense without relying on over-the-top background scores or melodramatic twists. It's a smart, restrained thriller that treats its audience with respect. While the modest budget is apparent, the strong narrative and execution more than compensate. A must-watch for those who enjoy tight, fast-moving thrillers.

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The film follows a college student's journey through dishonesty for success, ultimately facing repercussions. It underscores that true achievement stems from perseverance and integrity. The movie highlights education's importance and parental support's impact. Emotional depth, humor, and relatable characters enhance its engaging narrative, though some find the pacing slow and certain plot points predictable.

This movie is all about the main character finding his purpose in life. It stars The One Suriya, with Pooja Hegde, Prakash Raj, Nassar, Jayaram, and Joju George. The music is by Santhosh Narayanan, and the film is written and directed by Karthik Subbaraj.

Suriya, as always, did a great job. I think this is the first time he played such a violent role. His attitude, body language, and expressions were perfect. He really brought the character to life. Pooja Hegde was a surprise in this film. She didn't play a typical glamorous role, but she still looked cute and beautiful. More importantly, her acting was really good. I hope she picks strong scripts like this in the future. Jayaram's role was also very interesting, and he played it well. And the music by Santhosh Narayanan was one of the biggest strengths of the film it added a lot to the mood and energy.

In the first half, there's a long single-shot sequence that includes a song, action, and conversations and they pulled it off really well. Before Suriya's entry, the film takes its time to build up his character and show how violent he is. Those scenes also highlight the relationship between him and his father.

The story mainly follows Suriya's character. At one point, he ends up in jail, where he punishes himself, learns new physical skills, and eventually takes control of the place. After the jail scenes, the story moves to the Andaman Islands, where most of the second half takes place.

The chemistry between Suriya and Pooja Hegde is really good. Their love story is written nicely and feels natural. However, in the second half, a conflict arises between them, and Suriya's character enters a darker, more aggressive phase kind of like a fight club. That is when the tone of the story changes completely and becomes more intense and action-heavy. Overall, the first half is excellent. It follows the two taglines: Love and Laughter, and the film maintains that mood really well. The scenes are written clearly with proper emotion and setup. At the same time, the film hints that the second half will be all about War

Now, here is the issue the second half did not work as well as the first. The first half was strong, with well-developed characters and conflicts. So, people expected the second half to be even better. But the writer suddenly introduced a new plot, and that shifted the story from being about characters to being about a big plot, If the new plot had been solid, it would have worked. But sadly, it felt similar to the Jigarthanda DoubleX, The film started as a love story with action, but halfway through, it felt like a different movie. That is why I am pointing out the problem because the first half had great setup and payoff, but the second half didn't continue that level of quality.

Personally, I still liked the movie. The only problem was the second half. If they had written it as well as the first half, it would have been a blockbuster. Still, it is a strong theatrical comeback for Suriya. I hope he continues to get more good films.

There is a line in the film: "Once upon a time, there lived a ghost."That line really fits Suriya. About 10 years ago, his choice of films and box office performance were amazing. Everyone goes through difficulties. I hope this movie marks a strong comeback for him.

6 samxxxul THE ONE: "CUT & RIGHT" but also "HIT-AND-MISS.." Surya as "THE ONE"-an orphan with a Trishul birthmark and a destiny bigger than his brooding face-steals the show in this wild, episodic ride. The film's tagline promises Love, Laughter, War, and boy, do we get that... plus two more additions: Cult and Dhamam, which felt somewhat grafted on, diluting the initial focus.

Surya's going through, like, a really cool changes in this flick. There's the intense into the void zone, the "Anjala" reject, a rage-filled guy, someone trying way too hard to be funny (clown zone), the saviour type, and then straight-up God mode! Seriously, it's been ages since we've seen him this range, and honestly, he's the only reason this whole movie wasn't a complete snore-fest

Okay, so the coolest but also kinda messed up part? Watching Paari's journey from being treated like he's absolutely nobody, like he's invisible trash to everyone around him, to becoming the guy calling all the shots and finally finding what he's meant to do.

Now, about that ending-"Dei Subbu, how could you end it THERE?!" (Yes, I heard that in the theatre too.) But hey, it still wraps up well, and there are those extra scenes after the credits roll.

Okay, so not gonna sugar-coat it, this movie was a mess in parts. Pooja Hegde failed at attempting gravitas and all deep and meaningful. And that "rustic" makeup? Seriously looked like someone smeared her face with instant coffee! LOL. Total buzzkill. I just sat there thinking, "Man, they really couldn't find anyone else for this role?" And the villain more like a buffoon. What a joke! Just made the second half even worst. The music? Meh, felt like Santosh Narayan just recycled some old or rejected tunes from earlier films especially "Karnan." And that "Cult" episode? Officially the worst part of the film. The film also tried to be all clever with the social commentary and mythology, but it mostly just face-planted. You just wish the writing and everything else had half the effort Surya put in.

Ultimately, Karthick Subbaraj wants us to, like, engage with its deliberate, if uneven, resolution. There's this definite cerebral current, these thematic gestures, a message being attempted. You appreciate the intent. But you can't help thinking, with more developed context, a deeper emotional anchor, Chubbu's could've knocked this one out of the park. Still, gotta hand it to Surya, he's just there. He Makes "Retro" worth a look, a decent hang, for sure.

6 nathunvel Still waiting for Suriya's comeback film The story folds quite good for first half with good interval but after that the story began downhilled till the climax it has much potential to be a great film but got this stage because the director unable to properly connect the dots from first half in the second half as the second half give you a feels of watching another film hope he change that in his next film Now talks about acting Pooja's acting is good but expected more on her character little underfilled but on other note Suriya eppa dei eppadi ya ippadi ellam nadiara that mirror smilling scene !!!!!! What a acting but you need more focus on choosing better scripts and finally Santhosh narayan music is great and asset in the film, editing could have better,camera work is good other sides villian or to say Villain's easily describe in two word Dummy pieces. Its an decent film one time watchable because of Suriya's great acting and music other departments are ok with direction and editing below par

Best theatrical film for him since 24 film but excepting more from his.

5 best-review One more Karthik Subbaraj padam.

Karthik Subbaraj's latest offering follows in the footsteps of his earlier films-ambitious in length and stuffed with more elements than a buffet plate at a wedding. The story juggles fresh ideas with some relics from the cinematic Stone Age, creating a mix that's uneven but occasionally intriguing.

The narration bears Subbaraj's signature-stylized, layered, and occasionally indulgent. It's a heady cocktail of drama, crime, action, and a social message thrown in for good measure, though not always blended smoothly.

The period setting and costume design, unfortunately, don't do much to transport us. Some scenes are crafted with flair, but much of the film feels like a slow jog through mediocrity.

Surya, ever the dependable performer, delivers yet another stellar turn in the lead. Joju George is excellent, making the most of every frame he appears in. As for Pooja Hegde-let's just say we've set our expectations at sea level, and she comfortably meets them. Blame the makeup team for some unflattering moments, not the mirror. The supporting cast does their job without making much noise.

The background score is decent, though it never soars. Cinematography is competent, with a few standout shots that show visual creativity.

Watch it if the promos got your attention, but leave your expectations at the door. It's not a bad film-just one that settles for being average when it could have aimed higher.

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