sparklecat

Woody Allen's "The Purple Rose of Cairo" is a film that speaks to the heart of anyone who has been mad about the movies. In a now-legendary scene, intrepid explorer Tom Baxter (Jeff Daniels) steps off a movie screen and into the life of Cecilia (Mia Farrow), an unhappily married, unemployed, movie-lover. Together, Tom and Cecilia brave the complications of the real world, including the arrival of Gil Shepard, the actor who plays Tom.

Farrow is sweet as Cecilia and Daniels is wonderful in his dual role. Brimming with quotable dialogue, "The Purple Rose of Cairo" toys with reality while maintaining a feather-light touch. This is a valentine to the movies, and more so, to movie-lovers.

"The War at Home" was a labor of love for director/star Emilio Estevez, and the care he took with this story is evident on screen.

Adapted for the screen by original playwright James Duff, the film focuses on Jeremy Collier (Emilio Estevez), a veteran of the Vietnam War who is deeply scarred by his experiences. Jeremy's family can't understand his pain or deal with his erratic behavior. On Thanksgiving Day, each family member reaches their breaking point.

The cast is just about perfect. They look, sound, and act, like a family; albeit one that is struggling mightily. Real-life father and son Estevez and Martin Sheen are great opposite one another (look for Estevez's sister Renee and daughter Paloma in small roles). Kimberly Williams also does quite well as Jeremy's sister Karen, and the amazing Kathy Bates virtually inhabits Jeremy's mother Maurine.

One of the most striking things about "The War at Home" is the domesticity of it all - a real sense of a family trying to keep up appearances - which is so well-established that the film's explosive finale is all the more shocking. This is a different and very effective presentation of a Vietnam veteran's experiences. Don't hesitate to check out this movie, which should have received more attention back when it was released.

Wes Craven's "The Serpent and the Rainbow" is one of the more original and ambitious horror movies to come out of the '80s. Not only does it seek to reconnect cinematic zombies with their voodoo roots, ala classics like "White Zombie", but it also uses the creation of zombies as a political allegory. The film is set in Haiti during the last days of the dictatorship of "Baby Doc" Duvalier.

Based - very loosely one surmises - on a true story, the plot follows Dr. Dennis Alan (Bill Pullman) as he investigates a powder that is said to turn people into zombies. He is aided in his quest by Dr. Marielle Duchamp (Cathy Tyson), who he quickly falls for, and Louie Mozart (Brent Jennings) an expert in voodoo. Dargent Peytraud (the chilling Zakes Mokae) is the snarling villain of the piece, a man with sinister powers both government-sanctioned and supernatural.

The film abounds with creatively gruesome imagery - a man is buried alive, screaming, in a coffin as it fills with blood, a fiendish hand reaches out from a bowl of soup - this is one of those rare films that genuinely makes your skin crawl. Horror fans should not miss it. It's a shame that the film runs just a little longer than it should and becomes disappointingly routine in its final moments.

There is a sense that this movie was aiming a bit higher than it ending up reaching. I can't quite hold that against it.