For a whimsical yet sumptuous evocation of urban Philippines as seen through the eyes of a child mourning the loss of his father.

(2nd place)

For effectively distilling characters' headspace and emotions through purposeful shots, and imbuing each frame with propulsive energy, synchronized with every camera movement.

(2nd place)

For a monumental work of diary filmmaking that juxtaposes one's personal woes in the context of larger forces that have shaped ideas of nationhood and identity in the modern world.

(2nd place)

For a poignant profile on a man out of time who discovers that his papel (as in role) in the community has to do with his expert craft in papel (as in paper).

(2nd place)

For playfully repurposing images from the legendary filmmaker Lino Brocka's oeuvre, showcasing a compelling ability to shape a new narrative around his politics and legacy.

(2nd place)

For delivering a veritable embodiment of a wide range of beliefs and ideas by its uniformly stellar cast, compelling viewers to recognize the significance of meaningful discourse.

(2nd place)

For employing queer and regional lenses that provide a refreshing perspective on the individual's quest for identity, skillfully navigating the delicate balance between nostalgia and the journey forward.

(2nd place)

For artfully evoking themes of faith, heroism, and sacrifice without overwhelming the narrative, and recognizing that for the music to soar, moments of quiet are essential.

(2nd place)

For its deliciously poignant examination of the diverse ways we connect, whether through words or silence.

(2nd place)

Japan (For showcasing a compelling young queer narrative with its powerful multidimensional portrayal that sheds light on unwarranted prejudice and hate while maintaining a hopeful tone.)

Japan and Germany (2nd place)

United States

United States and United Kingdom

United States

For skillfully subsuming the role of a translator fluent in five languages on a quest for a like-minded individual who can comprehend her, with a performance marked by restraint and interiority.

(2nd place)

For the intentional use of sensory overload to depict a radioactive tale of an unlikely friendship between a girl and her talking fish amidst a dictatorship fever dream.

(2nd place)

For its intricate use of space, structures, and props, propelling the narrative while instilling a sense of dread and horror with each newly opened door.

(2nd place)

For its seemingly straightforward narrative that is actually built on layers of a complex structure that plays around with languages in their specificity and universality.

(2nd place)

For his effortlessly naturalistic interpretation of the main character's roguish yet sincere best buddy.

(2nd place)