Uniquely Erotic Scenes In Conventional Films & Television

Late in this otherwise very ordinary and generally unfunny comedy is an incredible fencing segment pitting dominatrix Faye (played by Dallas Cole) against gay bodyguard Brucie (Dan Spearker). It is an extensive segment as Brucie slowly removes articles of Faye's leather outfit until she is reduced to thigh high black boots, panties, corset, and a string of pearls. It ends with his fencing foil snapping her necklace, sending pearls flying everywhere as the exhausted Faye climaxes. They go out on Brucie's line "Times like this I wish I had been born a lesbian".

An inspired bit of military comedy where the general brings his eye candy WAC secretary (played by Susanne Benton) to the bomber crew pre-flight briefing. She is parked in a chair at the front of the room in her ultra tight uniform where she wiggles around, crosses her legs, gives the men a little tongue action, and soon elicits a chorus of pleading moans.

Here is one that is exactly what this list is about.

Incredibly sexy Susanne Zenor plays the joyfully sadistic younger sister in a rather twisted family. In one sequence she is trying to distract a family friend from other activities in the house and does so with this incredible combination of fire and tongue action. The scene simply breaks the erotic meter and leaves the visitor and the viewer with a changed world view.

Midway into this 2001 parody of teen comedies is a "Never Been Kissed" homage between Mia Kirshner and character actress Beverly Polcyn, which for most viewers will explore entirely new erotic territory.

Polcyn passed away last year at age 90. Do the math! It takes a while to just process what you are seeing . Check it out - it may fry your brain and give you a whole new set of hot buttons.

Funny thing is that this is so much more erotic and mind blowing than the getting to first base scene in "Cruel Intentions" that it parodies. Testimony to the less than zero attraction qualities of Selma Blair.

Janet Leigh plays Bess Houdini, Harry's real life wife and his on stage assistant. In the film's best sequence she is dressed in a gold sequined traditional showgirl costume with fishnet tights. Sizzling costume with some bondage.

Erotically creative 1936 Popeye cartoon featuring a beautiful, curvy, and physically dominating female boxer with the voice of Mae West and big flirty eyes. She is drawn very seductively with just a few bust concessions for censorship reasons. At the beginning of their fight each punch to Olive's head scrambles Olive's hair into a different style and leaves her looking dazed and with her tongue hanging out. Finally she slowly slumps to the floor - out for the count. Ignored by Popeye and the girl Olive feebly gropes for Popeye's spinach and is energized after eating it. In a surprisingly long sequence she rains dozens of punches on her opponent, completely overpowering the female boxer. The artists transform the Mae West type into a disheveled mess with her hair and costume in pleasing disarray. Her physical size is reduced and her stunned face takes on a youthful daze.

"Popeye and Olive pass a gym where an attractive woman is demonstrating boxing equipment. Popeye gets Olive to come in, where he teaches her to box. She has trouble at first, but when a sizzlin girl comes on to Popeye, she's inspired. They fight over Popeye."

.. Female Boxer: You tall, dark and handsome baby!
Popeye: Aw, I'm not so tall, but the rest of it goes.

"1999 Transformation (1999) – Turley
This is all about this one episode S1.E7, featuring Roberta Angelica in bondage and mud wrestling sequences that will literally leave you staring in awe and disbelief at what you are seeing. Assuming that is your idea of a good time. There are some photos on the episode page that illustrate the attractions.

It is so obvious that it could be parody and leaves you wondering why others have not rushed to include erotica of this nature in their productions. I would love to know who came up with the idea and how they persuaded those involved to include it.

Truly a national treasure!

These guys do it right with the catfight scene, because it is a parody they are free to incorporate a menu of erotic elements without the constraints of believability. It leaves you puzzled as to why more of this kind of creatively soft core fantasy stuff has not been incorporated into films. There is even more to be viewed in the special features section of the DVD.

Whimsy like this sure beats any conventional titillation sequence.

Keri Lynn Pratt, Miss Teen New Hampshire 1994, has a lengthy equestrian scene that will change your worldview.

There is a scene near the end where Sharon Tate's air-headed secret agent character is in a classic "Perils of Pauline" situation. The bad guy has activated a trap door on the floor of his moving locomotive, the curvy Tate has managed to stop her fall but is dangling above the moving rails with only her hands and feet touching the sides of the door opening. An especially original moment of female bondage made all the more erotic by Tate's look of distress.

The Tate - Nancy Kwan catfight before this is also a cinema classic as is an early scene with Tate and Dean Martin at the hotel check-in desk.

"1982 Alarmed (1982) - Christina Hart

In this Season #5 episode "Bonnie is worried that someone she knew in the academy is now stealing cars." This turns out to be Hart's character Toni who is a key player in a luxury car theft ring. When the gang's garage full of stolen cars is raided, Bonnie ends up tackling a fleeing Toni and the two of them roll around in a large pool of mud. After a relatively realistic struggle Bonnie cuffs Toni and pulls her out of the mud, completely disheveled and with a muddy top that would win any wet t-shirt contest. Hart was one of television's sexiest actresses and this erotic sequence was the highlight of her career. Being reduced to such obvious viewer titilation probably signaled that her career was about over.

A young Lucy plays the title character. Lucy's title character impersonates a showgirl in order to get backstage where she surprises bad girl Ruby (Gale Robbins) in her dressing room. She overpowers and binds Ruby, finishing by gagging her with her own powder puff and leaving her for the police.

Well muscled Linda Blair in her assorted ultra-tight skating outfits is uniquely erotic if not exactly creatively erotic. Although it was rather creative casting to select a body like Blair's for encasing in costumes where body and costurmes produce such an eyeball scorching synergy.

"1966 The Clock King's Crazy Crimes (1966) – Millie Second

For all the wonderful eye candy in this series it was this Season Two episode which provided the most erotic moment. The absolutely sizzling Eileen O'Neill sitting with Clock King as they view their spy camera footage of the interior of a jewelry store. She wears this same incredible outfit throughout the episode but her first scene is the best one.

1966 The Joker's Provokers (1966) – Cornelia

Kathy Kersh was not much of an actress but she was perfectly cast for the role of the Joker's air-headed blonde eye candy in these season 2 episodes. Cornelia's shiny purple vinyl costume with gold chain belt is legendary, easily the sexiest outfit in television history.

The producers of the series must have also been quite impressed because they soon gave viewers a more curvy and less beautiful version of starlet hotness when Lisa Gaye Scott was poured into the costume for an appearance with the Riddler. But this time a cape was added which took away from the rear view. Both versions are fine but I prefer Kersh's.

Edwin Antony (Hywel Bennett) is emasculated in an accident which kills a young philanderer. Doctors successfully replace his member with that of the dead man. During Edwin's recovery from the surgery, stripper Rita La Rousse (Antonia Ellis) is hired to dress up as a nurse and then perform a dazzling striptease number in the hospital to determine if the transplant has been a functional success.

I'm not sure how I would react to this segment today but in 1971 it was the most erotic thing that I had ever seen.

Ann Miller's sexiest role culminates with a knock down drag out fight with Penny Singleton's good girl. Although a saloon singer featured in various musical numbers early in the film Miller's character Lola turns out to be the girlfriend of a cattle rustler Killer Pete. Lola has changed into a cowgirl outfit with a pistol belt and leather pants when she is confronted at the door of her cabin by Singleton. Singleton disarms and subdues her but not before a real slapfest between the two woman, which leaves Lola disheveled and limping.

If you talk to long-time fans of the series, Amy Thomson's appearance would rank as the most memorable and Episode 2.9 "A Case of Red Turnips" 1968 A Case of Red Turnips (1968) - Iris as the favorite episode. Amy plays an Eastern European agent who Al hires as a temporary secretary, replete with glasses and severe hair style, but wearing a mini-skirt and a top tight enough to effectively show off her enormous talents. In the series' most memorable segment Al ties her up with the phone cord and gags her, she is dressed in a harem costume for the masked ball they are to attend. After a lengthy departure kiss from Al, the bound beauty slowly wiggles off the couch and across the floor to plug in the phone and call for assistance.

This film has the all-time most erotic opening three minutes. We see Miss Eckman (Elke Sommer), a professional assassin, posing as the stewardess on an oil billionaire's private jet. She opens his cigar case but then raises her skirt to reveal a booby-trapped cigar under her garter. After killing him she sheds her dress, straps on a helmet and a parachute, sets a time-bomb, and jumps from the plane which explodes as she is floating down to the ocean.

If you have never seen this series you need to check it out. Lynda Carter (Miss World USA - 1972) plays the title character. While a 70's Carter was absolutely sensational "physically" she came across brittle & sterile. So while seeing her poured into a costume that is cut exactly like a Playboy Bunny outfit will certainly scorch your eyeballs, Carter looks so uncomfortable wearing it that her haughty demeanor actually amps up the erotic energy. Go figure.

All that is good about this comes together especially well in 1977 The Deadly Toys (1977) , which includes a lengthy Diana Prince bondage sequence and a decisive catfight between two Wonder Women.

The beauty of a parody is that they can go totally over the top with their erotic stuff. In Scary Movie 2 they openly and playfully exploit sizzling Kathleen Robertson and you get the idea that Robertson found the whole idea quite liberating. It is mostly her outfit which includes extremely tight leather pants (at times in extreme close-up).

In a film full of eye candy and erotic moments Daliah Lavi (playing duplicitous bad girl Tina) pretty steals the film from the other female members of the cast. She goes out with the film's most erotic sequence, having been stunned or wounded in an explosion she gropes for the alarm button and then passes out. But her groans and pain stricken face are much more suited to a woman experiencing extreme orgasmic delight.

In this same film there is a astonishing sequence where Stella Stevens' character suffers extreme frustration and degradation during a rainstorm. It has to be seen to be believed.

The prim and proper Lee Remick was an extremely odd casting choice for Lola in this television remake of the musical. But somehow playing so completely against type produced a contrast that generated an incredible erotic fusion during the "Whatever Lola Wants" sequence. Two years earlier much the same thing happened when she played temperance lady Cora Templeton Massingale in "The Hallelujah Trail".

1996 Return of Sinbad: Part 1 (1996) – Rumina

Julianne Moore appeared a number of times as extreme "bad girl" Rumina during the series and each time nicely tapped into the whole erotic "bad girl" vibe. But Rumina was most sizzling in the first two episodes, which culminated in a weeping breakdown as she curses Sinbad and pounds her fist while the tears roll down her cheeks. Conclusively proving that nothing is hotter than a bad girl stripped of all her dignity.

A funny movie but the reason to watch is an extended sequence with Maria Perschy and Paula Prentiss in ultratight rubber wetsuits. The studio obviously knew the fetish titillation potential of these outfits because they are cut to emphasize the curvy actresses and were periodically sprayed with water during production to maximize the shininess of the black rubber.

At one point in this feature version of this Man From U.N.C.L.E.'s pilot episode, Patricia Crowley, (everyone's ultimate wholesome super cute heroine), is tied to a overhead pipe for a lengthy bondage sequence which includes considerable squirming. What makes it special is that Crowley has been poured into a sizzling full length black sequined gown. There are enough erotically contradictory images in this sequence to melt your brain.