- Naissance
- Décédé(e)11 mars 1970 · Temecula, Californie, États-Unis (cancer)
- Surnoms
- Charles J. Kenny
- Carelton Drake
- A.A. Fair
- Erle Stanley Gardner est né le 17 juillet 1889 dans le Massachusetts, États-Unis. Il était scénariste et acteur. Il est connu pour Perry Mason (1957), The Case of the Howling Dog (1934) et Granny Get Your Gun (1940). Il était marié à Agnes Jean Bethell et Natalie Talbert. Il est mort le 11 mars 1970 en Californie, États-Unis.
- Conjoints(es)Agnes Jean Bethell(9 août 1968 - 11 mars 1970) (son décès)Natalie Talbert(9 avril 1912 - 1935) (séparé, 1 enfant)
- The creator of Perry Mason, arguably the most famous fictional lawyer in history, was himself a practicing attorney for over 20 years.
- He passed the bar exam at the age of 21.
- His Perry Mason stories were so popular that he wrote six novels a year plus short stories for magazine publication.
- Used pseudonyms for some of his works, including Carleton Kendrake and Charles J. Kenny. However, A.A. Fair was the most popular of his pen names. Since Gardner was such a prolific writer, the pseudonyms were necessary to sell other works, lest the market be flooded.
- Wrote for the popular pulp detective magazine "Black Mask" on a sporadic basis in the early 1920s (creating wildly popular "Ed Jenkins, Phantom Crook" stories in 1925). He continued to write pulp stories for the magazine into the 1940s.
- [on Perry Mason, as explained to his publisher] The character I am trying to create for him is that of a fighter who is possessed of infinite patience.
- If you started to write, you did it because you had an urge to express yourself. That urge is a part of you. It's still there....
- I still have vivid recollections of putting in day after day of trying a case in front of a jury, which is one of the most exhausting activities I know about, dashing up to the law library after court had adjourned to spend three or four hours looking up law points with which I could trap my adversary the next day, then going home, grabbing a glass of milk with an egg in it, dashing upstairs to my study, ripping the cover off my typewriter, noticing it was 11:30 p.m. and settling down with grim determination to get a plot for a story. Along about 3 in the morning I would have completed my daily stint of a 4,000-word minimum and would crawl into bed.
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant