Toni Erdmann

Toni Erdmann starts slow and is in general a movie that takes its time. 162 minutes might suggest an overlong or very slow paced film, but in this 162 minutes we get a firework-like examination of a relationship between a father and a daughter. And yes, Toni Erdmann is a comedy. There are some moments that are so hilarious, that they gained applause mid film from the audience at my screening. But it is also a tragedy. A really complex one actually. There is so much loneliness in those characters, so much longing. Toni Erdmann is constantly entertaining, extremely well acted and emotionally compelling. A masterpiece of German cinema.

Germans don't have a reputation for being extremely funny. In cinema, they are better known for their dramas than for their comedies. 'Toni Erdmann' is the exception to the rule. It's a German comedy and - surprise! - it has funny moments.

On the other hand, this film is as much a drama as a comedy. The focus is not so much on the humor, but rather on the relationship between a father and his daughter. The daughter is a tense career woman, who lives in Bucharest and doesn't really seem to enjoy her life. When her father visits her, he tries to make her unwind a bit by performing crazy pranks and practical jokes. It's because of these jokes, sometimes leading to hilarious situations, that the film is classified as a comedy. But on the other hand, there is always a bitter aftertaste to the humour, because it is secondary to the father-daughter theme.

As irritating and embarrassing the father sometimes is to the daughter, at last he succeeds in changing her attitude. This in itself leads to some bizarre and also dramatically strong scenes.

In my opinion, the script could have used some streamlining and there was no need to stretch the movie to 162 minutes. On the plus side: this film offers an original view to the question how seriously we should take life. And the two lead actors do a great job.

I liked this movie a lot. I met "these" people over the last 25 years in Bucharest and in Germany.

In this "new global world", the most of the time everybody is so deep into the details of "knowing how to be" because everybody is already like this, that if you take a step back and watch from a different angle you might wonder if anyone still remembers what it is to be a human. To remember the pleasure of feeling secure and loved by the ones that are guaranteed to be the ones that will do so. And finally if you get the right angle, you have to admit that everyone around you looks ridiculously, trying to find the detail in the detail that would make a difference, even if everybody does everything identically and there is obviously nothing else. The game about being a tough global business-woman/man, up to the most disgusting proofs to be the tougher one, is finally just flat and meaningless.

The whole story is wonderful true. The actors are doing a fantastic job making you feel the frustration and discomfort that should be seen and felt by everyone living in such a world. It is not a slow movie ... it is the shortest version of an never-ending slow life with nothing that would make your heart pound for the true meanings.

This movie brought two points to my mind. Einstein defined madness: - Trying the same thing again and again while expecting a different outcome. - Google was build on the simple idea that everybody is searching for something that everybody is already mentioning... Try to type "Apple" in the Google search field

There's just something really magical about this film. I had heard so much praise bestowed upon it but had never really read anything about its premise or plot. I found it to be a very lovely, touching, and brilliant drama, although it also functions as a comedy in more ways than one. I think the real gift of the film is that it's able to be so touching and charming without actually trying to be overly cute and sentimental. The screenplay does so many things and takes so many turns for us to keep on going on this ride with the lead characters. Peter Simonischek and especially Sandra Huller are really fantastic and give us here one of the best pairings of 2016. This is a film to cherish and adore and I really hope it finds an audience. I'm sure it will and I can't wait to see it again.

I watched this movie due to its high mark (especially by the meta-score)and in the last seconds I asked myself: so what ? Like we never saw solitude, loneliness movies ever...The acting is OK, but the subject is stretched over limits, and at a certain time I stopped to watch and went for a cigarette ! My understanding about this movie is about two societies with their characteristics (the German and the Roumanian) both mixed in a capitalistic globalization, I won't say without mercy but without care for real people. Perhaps the last or one of the last sentences of the father was that we work all time to accomplish some targets (typically German !) and don't pay attention to details along our life and then is too late....As a Romanian born young person, the atmosphere of Bucarest is very well depicted as well people surrounding the personages. But one shouldn't wonder, as these days the Romanian cinema is among the highest in its achievements, for example Mungiu's recent film "Bacalaureat" (aka Graduation)stands much above the present one. Sorry folks, but I wasn't left with a great impression.