Ajouter une intrigue dans votre langueIn a post-apocalyptic world where half the population is dead or missing and the sky is full of autonomous drones, a 16-year-old boy named Kitch sets out to find his father, joined by DR1, h... Tout lireIn a post-apocalyptic world where half the population is dead or missing and the sky is full of autonomous drones, a 16-year-old boy named Kitch sets out to find his father, joined by DR1, his drone companion.In a post-apocalyptic world where half the population is dead or missing and the sky is full of autonomous drones, a 16-year-old boy named Kitch sets out to find his father, joined by DR1, his drone companion.
Scott C. Davis
- Dr. Mitchell Scott
- (as Scott Davis)
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This film is an interesting concept in that its a community collaboration apocalyptic genre film with a strong focus on Drones "RotorDR1". For a small budget movie of this type they have done remarkable job i.e. Cinematography, Storyline, Acting, Directing etc.
Now if you're a Drone/RC enthusiast, then you're really going to love this movie. WOW.. was i surprised.. the first time I saw the racing it looked amazing but whole racing thing has really taken off in the real world!! Really hoping the non Drone Community like this story as much as my family do and it gets more media coverage. Would really love to see more from the Cast and Crew of Rotor DR1.
I think it's the sort of film/story that has so much potential!! Hoping to see a part 2 soon :D
Now if you're a Drone/RC enthusiast, then you're really going to love this movie. WOW.. was i surprised.. the first time I saw the racing it looked amazing but whole racing thing has really taken off in the real world!! Really hoping the non Drone Community like this story as much as my family do and it gets more media coverage. Would really love to see more from the Cast and Crew of Rotor DR1.
I think it's the sort of film/story that has so much potential!! Hoping to see a part 2 soon :D
Not all films need to be multi-million dollar action-packed epics bursting with Hollywood A-listers. Great films can be made with inexperienced or unknown actors, a shoestring budget and a more introspective tone. And, Rotor DR1 tries to be one of those films. But it doesn't quite succeed.
Conceptually, the film is decent though it undoes some good work in the final 15 or so minutes. It's pretty well shot. For the most part, the dialogue avoids falling into cliches or being too on-the-nose. The actors are a mixed bag - some are quite good, most are passable and a couple are very wooden. Sadly, the lead actor is somewhere between the latter two groups.
Where the film truly falls down, though, is in the plotting. There are just so many gaping plot holes that it completely undermines the motivations of some characters.
Conceptually, the film is decent though it undoes some good work in the final 15 or so minutes. It's pretty well shot. For the most part, the dialogue avoids falling into cliches or being too on-the-nose. The actors are a mixed bag - some are quite good, most are passable and a couple are very wooden. Sadly, the lead actor is somewhere between the latter two groups.
Where the film truly falls down, though, is in the plotting. There are just so many gaping plot holes that it completely undermines the motivations of some characters.
Wish they would've spent more on it bc I think it could've been so much better but I definitely loved it.
OK--the acting is like the Disney Channel rejects. The plot is plodding along. The soundtrack is techo-un-inspired. The exterior shots are somewhat interesting in this post-apocalyptic film. I cannot recommend this film to you because of the observations above. I can say if you have an hour and a half to kill, there are far worse things you could be doing.
The acting is simply bad and I hope that this poor show is due to the near amateur-status of these leads. Christian Kapper (same last name as the director) and Natalie Welch are the leads who essentially cannot act themselves out of a wet bag. They show one look. They deliver lines like a rehearsal reading of the script. They do not create any sort of spark which could have mitigated the bad acting.
The plot is supported with the voice-over narration of Kapper and this voice-over does not help move the plot along. Things happen at random and the pointlessness of the narrative is further underscored. The ending is pretty clear from the first part, so there is not compulsion even to see how things sort of end.
Since we are seeing drone/human interaction, the techno-music seems appropriate, but it is simply not inspiring. There is a lame musical interlude on the bus, but that does not assist with anything.
The only light spot (if you will pardon this obvious pun) are the exterior shots, apparently of Ohio. Whether it is a snowy field after the drone race or the abandoned mall (where Kapper is reflecting with a voice over), the shots are of interest particularly given both the film's theme and our current politics vs. climate milieu. You might find these images part of your justification for seeing this film.
I cannot recommend this film, but I cannot say avoid it at all costs. There are some aspects worth the 90+ minutes, if you believe you have to explain yourself. I--on the other hand--don't need an explanation for anyone.
The acting is simply bad and I hope that this poor show is due to the near amateur-status of these leads. Christian Kapper (same last name as the director) and Natalie Welch are the leads who essentially cannot act themselves out of a wet bag. They show one look. They deliver lines like a rehearsal reading of the script. They do not create any sort of spark which could have mitigated the bad acting.
The plot is supported with the voice-over narration of Kapper and this voice-over does not help move the plot along. Things happen at random and the pointlessness of the narrative is further underscored. The ending is pretty clear from the first part, so there is not compulsion even to see how things sort of end.
Since we are seeing drone/human interaction, the techno-music seems appropriate, but it is simply not inspiring. There is a lame musical interlude on the bus, but that does not assist with anything.
The only light spot (if you will pardon this obvious pun) are the exterior shots, apparently of Ohio. Whether it is a snowy field after the drone race or the abandoned mall (where Kapper is reflecting with a voice over), the shots are of interest particularly given both the film's theme and our current politics vs. climate milieu. You might find these images part of your justification for seeing this film.
I cannot recommend this film, but I cannot say avoid it at all costs. There are some aspects worth the 90+ minutes, if you believe you have to explain yourself. I--on the other hand--don't need an explanation for anyone.
I introduced that I am active in the RC airplanes and quad copters and tricopters in Netherlands. after having heard I'm about ROTOR DR1 immediately joined the community. I'm excited to see what cool series ROTOR DR1 has become. and the film will definitely be better. if you have not seen the series, you must certainly do this. it's also nice to see that there is such a large group of people who think along. and sees that it appreciated by seeing things back where you've thought about it. I hope in the future to see more of ROTOR DR1. and receives more attention in the media.
proud to be a part of ROTOR DR1.
greetz from Netherlands.
proud to be a part of ROTOR DR1.
greetz from Netherlands.
Le saviez-vous
- AnecdotesThe film features many easter eggs to popular video games and pop culture like Mother 2: Gîgu no gyakushuu (1994), Portal (2007), Mission des Dieux (1999), and The Hitchhiker's Guide to the Galaxy (1984).
- ConnexionsReferenced in The Reel Show: Behind the Scenes Special (2015)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Drone DR1
- Lieux de tournage
- Akron, Ohio, États-Unis(Rolling Acres mall)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 350 000 $ US (estimation)
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