Évolution

This movie is the equivalent of watching a famous painter perform his craft; you stand there, amazed at the beauty being demonstrated, and then when it's all over, you wonder, "What did he just paint?". I am all for films that make you think and create an ambiguous air in both storytelling and message, but this film is beyond absurd. The premise, the events that transpire throughout the movie, the lack of rhyme or reason as to why the events are taking place in the first place, etc. It was like a puzzle with not only missing pieces, but with each piece a part of a different puzzle. It's beautiful shot with some amazing cinematography, so be prepared to be amazed at some of the vistas shown throughout the film. But the movie just does not make any sense, and the ending does not clarify anything, nor does it bring it all together. Had it clarified some of the events, it actually would have been a great art film. As it stands, it's quite possibly the most nonsensical movie I have ever seen. I would not recommend watching it.

Evolution looked interesting in the previews, which left me wanting to see more. Sadly, after watching the movie, I was left feeling like I had walked somewhere but stayed in the same place.

The movie is a very stylistic an artful rendering of some place near the water where children play and their mothers care for them. The strangeness of the place slowly (and I mean slowly) becomes obvious. We soon notice that there are no grown adult males, for instance. There is very little that I can say that will spoil the movie, but I will refrain from going into anything that might be construed as a plot element. Suffice it to say, the movie is about 90% ambiance, with some beautiful shots. The underwater shots contrastingly more beautiful than the starkness and dullness of the village life. There were shots in which I measured a character literally staring at the lens for nearly one minute - and yes, I looked at my watch.

Evolution is, sadly, like riding in a beautiful elevator with some soothing background music playing through ceiling-mounted speakers. We feel like we are enveloped in the ambiance of that moment, staring in the same direction as everyone else. We may or may not notice the music, the ornate trim, or the polished floor. We just want to get to our floor. Or, perhaps, if it takes too long, we may consciously notice what song is playing. Nevertheless, at the end, the doors open and we get out, the elevator not leaving any impression on us. It got us somewhere, but we don't care, we are here where we always thought we would be, no thanks to the elevator. That is Evolution, a mildly satisfying piece of semi-conscious background images and sounds that dumps us at the end of the ride and lets us go on with our lives - we don't know if we liked it, it was beautiful but we are indifferent and only thankful that we did not go crashing, because it could have been worse.

OK, so where was I going before? .... oh yes, here is my floor.

A young boy begins to wonder about the isolated community he has grown up in; one populated only with boys his age and young women.

This French film is an example of a recent type of development that I have noticed in horror cinema in that it is a film that is played out in such a self-consciously arty style that it seems to think engaging with the audience may in actual fact be beneath it. The events depicted have some genuine potential but they are played out in such an overwhelmingly downbeat manner that their effect is seriously compromised. The tone of the film is more or less one note from start to finish, resulting in a pretty unsatisfying experience. This is an especial shame when the overall setting of the story and its enigmatic qualities are fairly promising. Details are not fully revealed about what is going on but this fact didn't concern me too much – aspects such as the strange medical experiments and odd events that played out on the beach in the dead of night were intriguing. But the material was not served well in my opinion by the excessively po-faced execution and it was ultimately quite difficult getting very involved with the events that played out in this one.

I never write reviews, but I feel compelled in this instance to do so. It seems to me that this movie is done a grave injustice by giving it the moniker of "horror" film.

Horror implies a lot of things, and some of them are present here. There is a sense of unease and tension. The main character certainly has reason to doubt the sincerity of those who are "caring" for him. For some people, there are elements which might be "disturbing." However, the same can be said for films like Boys Don't Cry and Eraser Head. Though these two films have little to nothing in common either with each other or with Evolution, they two contain "distressing" elements, but are not horror movies.

The reason this seems important to me is that horror comes with expectations that this film is not meant to fulfill. This film would better be viewed with the idea, instead, that it is portraying, beautifully, an archetypal dream world, that it is something of a Jungian fantasy.

It is full of references to the chthonic nature of the mothers - the ocean, the cave, dark mysterious rooms, the mysterious nature of the mothers themselves. The androgynous nature of the mothers is important, as well. The doors left open through which the boy can, if he chooses, pass.The boy's sketch book in which he draws his OWN archetypes, ferris wheels and cars among other things which we are to understand are not among those he has consciously experienced is perhaps the most brilliant example. All of these things are part of the boy's hero myth, of his gradual act of individuation as he questions his way through this world. There are two possible fates awaiting this boy as there are for any active mind. Will he passively accept his fate among the mothers, or will he rebel? The thing is, you don't have to be interested in psychology to feel these things - they are natural. They are dream elements, and this film is, in a way, a beautiful dream. If it is watched without an expectation of that which makes a horror movie "horrible," there are layers and layers here that can be enjoyed without reference to terminology. You can FEEL them. You can SEE them.

In the latter department, this film succeeds wondrously. Every single frame is perfectly positioned to draw us in. It is glorious to look at. The score is also very subtle and beautiful.

It really is an amazing film. I just think you have to come at it with as few preconceptions as possible. And you definitely should leave the notion of "horror" at the door. If, then, you DO experience horror, it will be a genuine reaction, and if you don't, you won't feel like the film has failed you.

This is not a movie for everyone - or at least - you should be aware that it's not a Sci-fi nor a horror movie as we know them - before selecting this movie.

The movie is beautiful - it is just like meditation at the sea. I guarantee lower blood pressure after watching this move. I loved it. (It almost reminds me to the universe of Myst - the old computer game from the 90s- where you are totally alone on a abandoned Island and you don't know how you got there.)

Furthermore - the move makes you think. It may be a far future situation or it may be a dream of a child. As children we can have fantasies or anxiety for loosing our parents - or we may misenterpret a situation as dangerous etc. this movie may be a dream or a post apocalyptic movie.

Either way - this movie works, but I understand that some people don't like it. This is like entering a gallery. Sometimes you are not in the mood. But, if you are - this movie is unique and genial.

A true artwork.