Lovesong

Lovesong is an intimate relationship drama, lovingly told, the kind of indie that hangs not on the script or dialogue, but on the beauty of the images and the mostly silent performances of its leads. And while the story is intriguing and the actors good, it never really rises up to become something memorable.

Lovesong is, true to its title, a bittersweet love story about two best friends, Sarah and Mindy. Sarah married young and now finds herself isolated as a single mother who only has a toddler to talk to, her husband travelling around the world. She calls her friend Mindy who immediately, like a breath of fresh air, arrives to reassure her, tell her that she's a good mom and to urge her to have fun. The two friends along with Sarah's daughter go an impromptu road trip. But while discussing their past some tension comes up and the two end up pushing their relationship into a more romantic capacity. Things go a bit awry and the movie picks up three years later just as Sarah's relationship is dissolving and Mindy is about to get married.

Writer/director So Yong Kim keeps things simple and naturalistic for her leading ladies (no makeup and a distinct lack of over the top reactions). The two main actresses Jena Malone and Riley Keough both work with her very well. But while the two have a soft chemistry that suits the style of the movie it isn't the kind of burning passion that would have made this film really stand out. And everything feels too subtle, too subdued. I liked this movie well enough while I was watching, but I also have the distinct feeling that it won't exactly stick in my mind.

Still worth watching.

'LOVESONG': Four and a Half Stars (Out of Five)

A drama about two best friends that take an unplanned road trip together, along with one of the woman's toddler daughter. They then become romantically involved together, until one of them suddenly leaves. They then meet again, three years later, at the disappearing woman's wedding. It stars Jena Malone, Riley Keough, Brooklyn Decker, Amy Seimetz, and Jessie OK and Sky OK Gray. It was directed by So- yong Kim, and written by Kim and Bradley Rust Gray. The film had it's world premiere at the 2016 Sundance Film Festival, and it's gotten mostly positive reviews from critics. I found it to be a very beautiful, and exceptionally well made, love story.

Sarah (Keough) is an unhappily married mother of a three-year-old daughter named Jessie (Jessie OK Gray). As she feels like she's starting to have a mental breakdown, Sarah decides to call her best friend Mindy (Malone). Sarah, Mindy and Jessie then go on a road trip together. As Sarah and Mindy talk more and more, they become closer and closer (in a very intimate way). Then Sarah's husband calls. As the reality of the situation starts to set in, Mindy decides to suddenly leave. This leaves Sarah heartbroken. The two best friends meet again though, three years later at Mindy's wedding.

The movie is beautifully shot and acted. The characters definitely seem like real people, and as a viewer you feel like you can really relate to their love and pain. I think the film is an outstanding indie love story. It's pretty subtle and short, and it might leave some viewers wanting more, but I think it's a nearly perfect film. It's a great examination of relationships, and how people react to them. Malone and Keough both give great performances in it, and I think So-yong Kim makes a very good impression as a talented filmmaker to watch out for.

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It's not an exciting movie. It moves very slowly but it's only about an hour and 20 minutes long. There's no big payoff. But the writing, directing and acting are superb. It feels like you're watching a documentary. I wonder if most of the dialogue was ad libbed because it feels so natural. Riley Keough (as she did in "The Girlfriend Experience") has an incredible ability to convey all of her character's feelings without saying a word. There are many scenes when the camera focuses on her eyes, body language, wrinkle of her mouth, tone of her voice, body movements and expressions which move the scene along better than any dialogue could ever do.

Jena Malone is also very good but despite her top billing, this is clearly Keough's movie. The movie will disappoint those who want action or suspense or a tidy ending. But for people who appreciate superb acting, writing and directing, the film is rewarding and Riley Keough is amazing.

I knew nothing about Lovesong going into it and was initially pleasantly surprised by what was going on. The direction and somewhat minimal dialogue was creating a real vibe that drew me in. The main character Sarah has some things going on inside her but as the film progressed I felt like she was drifting away and I knew her less, not more as things progressed. Then her friend Mindy comes for a visit and things come into focus again. You can tell these two are close but Sarah is the type of person in my mind is kind of hard to be friends with as she seems to always be holding back. Some people are just that way but it was a bit frustrating at times. The ending felt a bit abrupt but overall Lovesong is worth checking out if you're genuinely interested but not essential viewing.

Right from the beginning of the movie I sat with a weird feeling of wanting to participate in the illusion of the film but to never be able to submerge in it. The actors all seemed strangely aware of the cameras - like they throughout the film were trying to conceil an awkward smile - even though we are talking about highly experienced actors (this fact rises a lot of questions: Was there a lot of improvising? Did the actors feel unsafe? Did the director fail? Was the cinematographer of an odd character? All of this popped into my head while watching the film which was quite distracting). The choice of telling the story through mainly closeups feels somewhat misguided since the actors didn't have very much to work with - the storytelling didn't provide them with proper background for their characters and didn't build up the proper emotions within the viewers to justify the astetic choices that have been made. The cinematography promise much more emotional rawness and intensity than the director/script/actors could provide and the movie feels like it's missing some pieces in order to make the audience feel what it so eagerly is trying to make them feel.