L'âge doré

What's not to like? Fabulous sets, beautiful and authentic costumes, Broadway actors, and an intriguing story line. This isn't something to over-analyze; just enjoy it!!

There are a metric ton of poor reviews for the Gilded Age, most of which seem disappointed that it's not Downton Abbey. Of course it's not. Nor is it Gosford Park, Belgravia, The English Game, Doctor Thorne, nor any number of other series and movies that the Baron Fellowes of West Stafford has written or produced.

The Gilded Age is best reviewed as a stand-alone series, and not any sort of spin-off or successor to the immensely successful Downton Abbey. Yes, the costumes and sets are spectacular, and the casting is sublime, led by the magnificent Carrie Coon (not "Coons", good grief. If you're going to put down her acting, the very least you can do is spell her name correctly). Other standouts are Morgan Spector, as robber baron. George Russell, and the always entertaining Nathan Lane, Cynthia Nixon and particularly Christine Baranski, as the witty, but sharp tongued Aunt Agnes.

It's not necessarily the best show on television, but it's far from the worst, and an easy binge watch, with consecutive story arcs that are well conceived and written. It's not historical drama, it's a costume drama, with a superb cast, and tightly scripted dialogue. It's not Downton Abbey, nor does it pretend to be. It is, however, a peek into the extravagant lives of the very rich in Post Civil War America.

Reading some of these reviews is almost as entertaining as the show itself. Some proclaim to love Downton Abbey (which by the way also raised sensitive issues such as class, heritage and sexuality) but when it makes a small subplot in an American show - the trolls emerge proclaiming "no, no 'woke' stuff."

Anyway: The first episode is long but it does a good job of setting the stage. Love Baranski, Nixon did a fine job, Farmiga was not the right choice. Although I adore Coon as an actress (I'll never forget her performance in Leftovers), she didn't get to really flex in this role, yet.

I eagerly await the continuation and will update my rating as the season moves on. Which it will as I am sure irritates quite a few but gives the majority of us no reason for concern.

I'm really enjoying this show. Don't know what took me so long to start watching it, but here it is December 2023 and I've started watching season one. I love period dramas and this one is no exception. Most of the period pieces are British which is great but a New York point of view is refreshing, The best part about this show is that it's not a slow burn. Something happens in every episode. I am so tired of Netflix slow burns where nothing happens and an 8 episode series could boil down to one or two episodes.. This one keeps me interested. I really enjoy the costumes. Wow the dresses are just gorgeous and the homes and furnishings are beautiful. I mean could you imagine having money and living in a time like that.

Julian Fellowes' mighty pen is back (and even more cheekier) in this lavish production. This time dealing with aristocratic socialite snobbery of the ugly kind, ruthless business affairs, political sabotaging, hidden homosexual relationships, racial prejudices, and society control freaks. (But I'm sure there is more after only viewing three episodes.)

And we're talking about the year - 1882! A radical period in New York upper-society with the changing of the guard among the wealthy, and the young radical breed coming into play. All carried out in the delicious Fellowian style. With snappy and sassy dialogue, infused with a grand soap opera worthy of a Verdi music score.