As You Are

This is the best film i have ever seen...the filming! the editing!! the story!!! heartbreaking and tender and wonderful. i wish i could have learned a little more about jack and sarah's backstories though. otherwise i H I G H L Y recommend this to everyone i know on planet earth. loved it. loved it loved it loved it.

As You Are is a powerful, emotional and wonderfully directed movie. In the film, all characters personalities were deeply flawed, and clearly this young trio were trying their best to figure out the world around them, as well as themselves and their sexualities. Watching this movie i found the natural chemistry between all 3 of the young actors; Charlie Heaton, Owen Campbell and Amandla Stenberg was so obvious and made the characters they depicted so realistic and connected. The director, Miles Joris-Peyrafitte knew what this movie should be and executed it amazingly. the dark and depressive, yet quietly beautiful mood was obvious throughout the whole film. The soundtrack, which Joris-Peyrafitte also had a hand in matched this tone astonishingly well. Listening to it by itself is positively haunting and paired with the cinematography and performances of these talented actors made for a treat. The plot is slow, but the quiet moments between the drama is welcomed and balanced well. I do have a soft spot for gay "love" story films, especially for those set in the 90's. I use the term love loosely because it isn't what this movie is about. On paper, maybe. But the themes of mental health, politics, growing up, nostalgia are sprinkled artfully throughout and give the movie much more depth. As well as this, the choice of setting the story in a police interview, looking back was smart, as it envelopes the whole film in mystery and suspicion until the very last moment, but this last moment still leaves viewers questioning and confused. (as well as emotional and crying for me ;-;) I love love loved As You Are and can watch it 3 more times and it will still have the same imprint on me as the first time i watched it, and the more times i do, I just grow to love the setting, characters and cinematography more and more.

There is quite a good film here, from excellent cinematography to a brilliantly lo-key cast. The screenwriter and director should be commended for creating a film which is both a convincing coming-of-age drama (set around 1994), and a rumination on reality and truth. Whether it was influenced directly by Kurosawa's Rashomon is unclear, but the similarities are too striking to not be commented on. Formally, As You Are can be seen as a formal imitation of Rashomon, as it is structured upon a murder investigation, chapterized by the interrogations of the law official, and different flashbacks developing the story, but without ever coming to straight out answers to the mystery. A director could do worse than imitate and develop structures and themes first put on film by the great Japanese master. And this fine film results in a brilliant homage, rather than a plagiarized pastiche.

Miles Joris-Peyrafitte does a spectacular job in conveying the complex emotions of his teenage characters. The film does its best to relate to viewers while also making them largely uncomfortable; in the best way possible for the story. While it does follow in the traditional route most LGBT coming-of-age movies in their ways of sadness and struggle with self-acceptance, it does so rather tastefully.

However, it does seem that I am one of the few folks who enjoy the way the movie has split up its time-line. Similar to Dunkirk, the director makes a bold choice in shifting between the present interviews and past memories. This makes what viewers tend to believe as the climax or "end of the story" a prevalent force throughout. While I do agree that the foreshadowing could have been done with just a tad more mystery, I do not believe that doing so was what the cast intended with the story. Therefore, I feel there should be a respect for the decision to leave the ending so raw and out in the open.

As it begins, As You Are opens wounds and has you hoping for even more heart-warming moments but leaves you glad it is done exactly the way it is. It truly opens discussions on many topics and while not necessarily happy, the film touches its audience with its profound messages. This film is definitely worth the watch.

I loved this movie. The acting was great, as was the cinematography. Best coming of age story I've seen in a long, long time. I can't believe this was the director's first film! More details below. It was great seeing Mary Stuart Masterson on the big screen again. She does a wonderful job as a vulnerable, yet still sexy, single mom. Scott Cohen is very believable as the tough, bullying military-type dad. And the actors who play the 3 teenage friend are all fantastic! I remember Amanda Stenberg from "Hunger Games", and she is wonderful as the smart, yet isolated, adopted daughter of a white family. Owen Campbell deserves an Oscar for his fantastic performance as Mary Stuart Masterson's lonely but loving son. And watch out for British actor Charlie Heaton, whose strong acting and brooding good looks are reminiscent of a young James Dean or Marlon Brando. Last but not least, I can't wait to see future films directed by the young prodigy Miles Joris-Peyrafitte. Oh, and he was the screenwriter too, along with his friend and co-author Madison Harrison. In summary, a great film, well-directed, well-produced and well-acted.