L'heure la plus sombre

Very good film with nice production design , notable performances and historical events about Man who took the power of leadership to unite the Nation . Dealing with Winston Churchill : Gary Oldman , First Lord of Admiralty, and his process to be appointed as Prime Minister , in fact he wasn't their first choice, but he became their last hope . As he must decide whether to negociante with Adolph Hitler , or fight on knowing that it could mean the end of the British Empire. While the powerful Wehrmacht is destroying the European armies and rampaging across the continent to Dunkirk, and an impeding encroachment over England by Nazis is nearly . As Chamberlain : Ronald Pickup renounces his charge , and after the resignation is named a successor , Winston Churchill . As Churchill carries out Dynamo Operation to save the British army and French soldiers from Dunkirk siege and he will fight the Nazi enemy at whatever cost. Never , never surrender¡ Never give up. Never give in!

This is an exciting film based on facts with biographic elements about the turbulent life of the great Prime Minister Winston Churchill , a man who took a stand that changed history , as he has to explore a negotiated peace treaty with Nazi Germany or going on the war, while his own Conservative Party is plotting against him . There are several historical happenings well developed and well paced , but especiallty focusing on May 1940 when Neville Chamberlain is forced to resign due to the opposition Labour Party that accused being too weak in face the Nazi enemy , in fact he signed the useless Covenant of Munich in 1938 , then Churchill is appointed P.M. , along the way he manages to convince the different parlamentary forces , as well as he prepares Dynamo operation to rescue the European armies in Dunkirk .

The cast is frankly excellent as Gary Oldman giving an awesome acting who won deservedly Academy Award , Stephen Dillane as the coward Halifax , Ronald Pickup as the failed negotiator Chamberlain , Ben Mendelshon as the skeptical King George VI , Dame Kristin Scott Thomas as his beloved wife and Lily James as his personal secretary, and other secondaries in brief appearances as Samuel West , David Schofield , David Bamber , Nicholas Jones , and David Strathairn diving voice to President Franklyn D Roosevelt . The motion picture was competently made by Joe Wright . This professional filmmaker Joe Wright has directed good films such as : Pan, Anna Karenina, Hanna , The Soloist , Atonement and Pride and prejudice, among others. Rating 7.5/10 . Better than average.

Churchill takes over a failing Government as Germany rages war on Europe.

It's a fascinating piece of history, there are countless films about world war two, but this focuses on the story from Churchill's point of view, how he came to power, and the obstacles he had in his way.

An incredible production, the visuals are staggering, I remember being blown away at the cinema, years later it's still as impressive.

It's a powerhouse performance from Gary Oldman, I believe he studied Churchill for quite some time, he is captivating from start to end here, he's always immensely watchable, here though, even by his standards, this was dazzling, the mannerisms, the eyes, the irascibility, it's perfect.

Kristin Scott Thomas, Lily James and Samuel West are all terrific in their respective roles, the acting throughout is first rate, plenty of well known faces for you to recognise.

It's one of those films I never get bored of watching.

A classic, 10/10.

This biopic of a very narrow period in Winston Churchill's life - May 1940 to be exact - was probably made to earn British actor Gary Oldman the academy award, but man, did he ever earn it! This film won Oscars for Best Actor for Oldman and for makeup, and I'd say they definitely earned that. Great trouble is taken to make sure you believe you are looking right at Sir Winston. Oldman literally disappears into the part.

The film opens with Parliament in open rebellion over Prime Minister Neville Chamberlain's failure to deal with Hitler and the opposition party demanding his resignation. Chamberlain wants Halifax to replace him, another appeasement advocate cut from the same cloth as he, but Halifax refuses saying his "time has not yet come". So Winston's party picks him literally - while holding their noses - because nobody else wants the job. And for good reason. Hitler is knocking over European countries with the ease of dominoes and the entire British army is trapped at Dunkirk, with so many damaged ships blocking the harbor that no other ship can get into it to rescue them.

Next we meet Oldman's portrayal of Sir Winston. He is a man of enormous appetites - food, drink, cigars - and sometimes tremendous temper. His spending brings him to the brink of bankruptcy multiple times. His party doesn't like him. The king resents him for how he advised his brother when he was planning to marry Wallis Simpson. And Chamberlain and Halifax STILL want to appease Hitler and because Churchill does not, they are working to undermine him, particularly with the king.

The film uses two obvious plot devices that are probably not based in fact. One is Churchill's young secretary who at first he scares to death with his tantrums, but later the two become close as he softens his approach with her . The other is a trip into a subway to get "the man on the street's opinion" about Hitler that just seems eye-rollingly over the top. There is a baby that the mother oddly says looks like Churchill, what seems like an interracial couple in 1940, and a woman who, from the way she is dressed, appears to be a socialist. Yet they to a man, to a woman, to a child, encourage Churchill to fight Hitler to the end. This fictitious event seems to be stolen from Shakespeare, but if you must steal, then steal from the best.

Honorable mention has to go to Kristen Scott Thomas as Clementine, Winston's supportive wife who is often overlooked by history. Also deserving mention is Ben Mendelsohn as King George VI, who is portraying a man much more comfortable as monarch than he was portrayed in Then King's Speech, but then this is not his story.

Yes, it is not historically accurate, but if Churchill did confront the situations and people he confronted in this film, he probably would have acted exactly as he was portrayed here.

I knock off one star for not at least TRYING to explain to the audience WHY - with Hitler obviously not trustworthy - members of Parliament would not realize the choice was between slavery and war. The answer is that WWI cost Britain a generation of young men. Literally every British young man who went to war either died or was maimed. And in the end the entire conflict seemed like it had been for nothing. And so many of the British - and more of the Americans - did not want to go through this a second time with the exact same country, not realizing until it was almost too late that the Kaiser was no Hitler.

As a film this is quite good; it's not dull, the performances are good, the production design is excellent, the script is a professional piece of work and even Oldman's make-up is not too distracting.

However, something is not right. If most people get their history from movies, this is concerning. It's obvious that actual events occurred with real people and what they did and said but in a movie this gets pasteurized into what smart people believe will be more thrilling, more sympathetic, more emotional. That process necessarily alters things into something that is even anachronistically rendered and therefore not in the record.

This defect occurs frequently in this movie , so it's not history but myth making. A good example is Churchill's dive into the Underground to meet the common person to steel his resolve. Now Churchill had a mixed view of the average voter, and he was a patrician, but even that aside, he did not need to take a Tube train survey to gauge opinion.

This scene is poached from Shakespeare's Henry V where the king goes among his soldiers the night before battle to hear them and take courage from their strength. Steal from the best is a good policy, but it's not history. It's Shakespearean history and that trades effect for accuracy too.

The audience is given this scene to present Churchill as an instrument of democracy; he's acting for what the people want, therefore he's doing the right thing. It's called pandering.

Well, it is just a movie.

Darkest Hour shines a light on a crucial moment in British and world history - the initial month of Churchill's term as he stand resolutely in the face of Hitler's advance while his peers wish to sue for peace.

The standout in this film really is Gary Oldman, who is as deserving of an Oscar for this performance as any actor ever has been. He toed the line perfectly, giving a powerful and accurate portrayal of Churchill without it every feeling like a gimmick or impression. He quite simply was Churchill. The physical transformation was a part of this, and the costume and makeup departments should be extraordinarily proud of what they achieved, but the majority of the credit goes to Oldman himself. The task at hand for was not an easy one. Churchill's speeches that he tackled perhaps go down as some of the finest in the English language, being so recognisable and quotable, and he delivered them flawlessly. Simply tremendous from Gary Oldman.

What I also thoroughly enjoyed about Darkest Hour was its attention to detail in bringing to life the period. The costumes, sets, score and supporting cast all blended together perfectly to recreate May 1940 so finely. With this alongside Oldman's performance you will get completely lost in this film and the era, perfectly capturing the spirit of the British people at the time. This was demonstrated particularly well during a spectacular scene on the underground, which was a real highlight for the film.

The camera work in Darkest Hour also stands out as we navigate the murky and claustrophobic tunnels of the Cabinet War Rooms, which adds to the sense of the British having their backs against the wall, trapped by the Germans.

If you love history, fine acting, and accomplished cinema, look no further than Darkest Hour.