American Girl

I cannot put my finger on what was wrong with this movie. The story was good. I am not sure where it went wrong. It could have been Mila's performance, the perfect rich unicorn boyfriend, the one dimensional characters or the editing. First of all, the movie could have been much shorter. Second of all, it failed to make me care much about Mila's character. I don't know why. She had a good story and I understood what she went through. I think it's how she acted, it was a bit off, one dimensional. Actually all the characters were one dimensional. It was annoying in a sense, same stereotypes and say exactly what you expect them to say. And the boyfriend was just so patient and perfect it makes one nauseous. It felt unrealistic. It's one of those movies, that I am not sure if I am happy I watched or not.

Film is an interesting blend.

A "boss girl" type film, the protagonist even has the typical sassy inner monologue.

However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.

Many films portray victims as weathered survivors.

This film shows the victim as extremely put-together and successful.

It's a take I haven't seen before, and it's definitely one that is good to see.

The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.

But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.

The movie starts slowly as we get to know Ani, through her actions, inner monologue, and a series of flashbacks.

We get hints that she has suffered a terrible trauma while at an expensive high school, but has done her best to push all of the trauma down.

Her resulting life is hollow, obsessed with status, and her writing focused on sexualizing every topic.

That Ani is finally forced to confront her trauma, to let it ooze out of the dark corners where she's repressed it, is predictable. The story, however, is not nor is her reaction.

Not to give anything away, but the movie confronts a serious, important subject and gets better as it moves along.

Acting and editing are highlights. Visuals, however, are rather dull.

(This, however, may be on point as well given how the character lives life at a distance every day since high school.)

I'm glad I didn't go to see this in a theater, but it's a solid enough movie to screen on Netflix, with a follow up conversation in your friend-group almost mandatory.

The luckiest girl alive, had to dig deep to survive, to establish a career, to crack down on all her fear, give the scars their time to heal, reconnect the nerves that feel, gain the courage to fight back, after multiple attacks.

Sadly, a not unfamiliar story of abuse against a young woman in a culture that even to this day wants to bury its head in the sand and pretend these far from isolated incidents don't take place (the world over unfortunately). Two spectacular performances from Chiara Aurelia and Mila Kunis, with brilliant dialogue (both spoken and narrated, especially the narrated), make this an excellent companion piece to Promising Young Woman.

The 1st 30 minutes of this movie is almost unbearable. I'm not a fan of voice overs at the best of times but this was overkill beyond belief. Just when I was thinking I can't stand having every scene described to me in detail like I'm a complete imbecile, the voice over narrative backed off a bit and allowed the story to tell itself. Apparently the Novelist adapted her own book. Big mistake. She's clearly just lifted chunks from her Novel and used as voice over to set the scene rather than use dialogue. As I say, once the story got going and the writer didn't feel so compelled to have a voice over explain everything, the story became quite compelling. It's a pity someone didn't step in and re write at least the 1st half of the film. Could have been so much better. If you can get past the 1st 30 mins, it's worth a watch.