A Dark Song

As other reviewers have noted, if you're looking for an "Insanitarium"-style splatter-fest then this film is not for you. The first hour of "Dark Song" is a mysterious, deliberately-paced psychological thriller with two interesting characters stuck together in a house for months, feeling each other out. An occultist (Joseph) is trying to help a woman (Sophia) contact her dead son. This requires dark rituals, fasting episodes, and sleep deprivation. Their motivations and honesty are both in question, leading to plenty of dramatic tension. What's real, in terms of both past and present? Who's lying to whom? The film takes its time exploring these questions, and for the first hour at least, the viewer's patience is well-rewarded. I especially liked Steve Oram's occultist character, who doesn't fit the classic mold of "actor" or "hero" one bit, and is all the more fascinating for it. I won't go into deeper detail for spoiler reasons, but suffice to say that both characters fall into the logical traps of mistrust, manipulation, and frustration after being cooped up for so long.

My problem with "Dark Song" was its ending. It made sense from a dramatic standpoint, and of course there were several directions it could have taken. The fact that I wasn't satisfied doesn't mean you won't be. But along the way I had some really freaky ideas that I hoped would be explored, and they weren't.

In any case, I still recommend "Dark Song" as a mature, well-made, and disturbing psychological thriller.

Horror movies come in many forms. Some are about the gore, some are about the creatures, and some are just plain disturbing. Though i like many a horror film with those qualities, a true horror fan of the genre also has to appreciate the horror films that try to get under your skin without trying have someone's face ripped off. A Dark Song may be subtle but it is a horror tale nonetheless. What makes this a gem is the ride to the climax. With great performances from the two main characters and it's haunting score it's able to create a tense dark atmospheric mood so that when the horror elements do begin to appear it makes them far creepier than most films with a bigger budget. Most horror movies can be compared to other horror movies because they're filled with the usual clichés but this is a unique horror film with a redeeming quality that is very rare in films of this genre..if your looking for a movie where people are being chased by monsters or tortured by inbreds then this movie is not for you..but if your looking for a horror movie with an intelligent approach then turn down the lights, get your popcorn and let this movie work its magic

A really unusual idea; just 2 people stuck in a house performing a ritual. The realism of the setting and acting creates a foreboding atmosphere and you're left unsure if this film is about the supernatural or just human psychology. The final quarter of the film goes at a slightly different pace and overall I preferred what comes before but this film was really trying something new and different and is a really effective horror.

At first, I was interested by the ambiguous circumstances, i.e. is this guy really helping her do magic or is he just some weirdo that's tormenting her for some reason? The premise and characters are solid enough that this is compelling enough to string you along for a while, despite a glacially slow pace, but then the big questions are answered and the mystery disappears and then things just start kind of meandering for an uncomfortably long while.

There are many more attempts to build suspense later on, but none of it really stands out. Things do take a turn that I did not expect near the end, which I won't mention, but by this point you're already 1h20m into a 1h40m movie. The "payoff" is brief and handicapped by some really lackluster effects, and the final scene will just leave you scratching your head wondering why. No, not in the sense that it's confusing in any way, it's very simple and straight forward, but it's one of those endings that's just TOO simple and sappy. So much that it makes you wonder just what the hell the point of everything the characters did over all that time was. All of that effort? For that? Ugh.

Edit: P.S. Who else is wondering what exactly all the reviews calling this movie intelligent and cerebral are about? I notice people love to throw around terms like that when referring to movies like this, yet somehow never seem to get around to explaining what was so clever about them. The movie had good dialogue and acting, but the plot couldn't have been simpler and the underlying message of the film is one we've all seen many times before across various genres, so I'm at a real loss trying to see what exactly anyone found intelligent about this movie. A lack of creatures and gore doesn't automatically make a movie intelligent, kids.

This writer has always felt that the job of a reviewer was not merely to whine and prattle about what does (or does not) happen on screen, but rather to try to introduce the film to the discerning viewer in a way which assists the decision as to whether to see it ... or not? It is projects like Dark Song, however, that make such a simple ambition seem ever so complex.

For starters, I will suggest that the best (and most recent) analog I can name is the excellent 2016 Autopsy of Jane Doe. Both films are clearly of the horror genre, both films work their magic by confining two strong personalities (and superb actors) in a confined space, and both films follow the Prime Directive of possibly every horror film ever made, namely "whatever can go wrong will go wrong."

But that's where the similarities end. Autopsy of Jane Doe is merely a solid and workmanlike exposition of a clever, entertaining, theme. Dark Song is simultaneously the debut of a writer/director with a distinct, clear and uncommon "voice"; and, at the same time, a horror tale so intricately involved with the minutiae, the moment-to-moment, of true ritual magic (is there any other kind?) that at times you almost, just for a split second, wonder if you are watching a reality show instead of a fictional drama?

No small feat, that. Especially from a country that can lay legitimate claim to having produced one of the only genuine, verified, ritual occultists in western history (Aleister Crowley). To watch a film like this aware that there are individuals who literally dedicate their lives to such practices takes the viewer to new levels of awareness ... and terror.

The end result is something about as distant from the dozens of currently popular "found footage" films ... as the earth is from the moon.

Plainly put, to appreciate this film, to drink in and savour every nuance, the viewer himself (or herself) must be willing to commit to the movie to the same extent that the central characters commit to the core ritual.

That is to say, lock yourself in, don't leave your seat, and, whatever happens, do not break the circle of salt.

If you do all that, you may not get to meet an "angel" willing to grant your special boon, but you will get a film experience you will likely never forget.