Ajouter une intrigue dans votre langueA gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 4 oscars
- 60 victoires et 194 nominations au total
Gherghina Bereghianu
- Innkeeper's Mother-in-Law
- (as Georgina Bereghianu)
Katerina Bila
- Virgin on Horseback
- (as Kateřina Bílá)
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Sommaire
Reviewers say 'Nosferatu' is lauded for its visuals, gothic atmosphere, and strong performances by Lily-Rose Depp and Bill Skarsgård. The film's meticulous detail and haunting score are appreciated, though some find the pacing slow and story unoriginal. Themes of isolation and obsession are well-explored, but narrative clarity is criticized. Practical effects enhance the immersive experience, yet the film's length is seen as tedious by some.
Avis en vedette
It's..... something
I was very excited to see this movie and finally went to see it. And it is....... Fine.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
Ridiculous overacting
It is boring. The acting is way too much and ridiculous overacting. The crying, the terrified faces and behaviour all felt so overplayed and unnecessary. The scenes, images and costumes are very impressive but that's about it. I didn't like any of the characters, Lily Rose Depp and her husband are not my definition of beautiful or handsome. The count's "breathing" is very annoying too.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
No more than mediocre revisionism
F. W. Murnau's (illegally adapted) 1922 film Nosferatu presented the vampire as a sickly, batlike elf. In the new 'Nosferatu,' Robert Eggers introduces an off-putting new look for Count Orlok, but Nosferatu (2024) is an unnecessary retelling of Murnau's original film wrapped in mediocrity. It reflects a trend of nostalgia and reboots. Innovation takes a backseat to reverence in the foreground. This is an exercise in indulgence that only the MMXXV Generation will enjoy. Visually, the film is overblown in its impressionistic palette. Coppola's Dracula was visually more imposing, combining opulent gothic imagery with operatic intensity. Herzog's Nosferatu (1979) had more haunting, austere beauty. And Carl Dreyer's Vampyr (1932) was more dreamlike.
Good, but I prefer Herzog's version
It wouldn't make much sense to compare this efx heavy remake to the black and white original (an unauthorized rip-off of Dracula). But I couldn't help comparing this to Herzog's 1979 version and would recommend any fan of this movie who hasn't already seen that one to check it out. Here's why:
Unlike Lily Depp, Isabelle Adjani projected a vulnerability that made her sacrifice all the more brave.
Eggers' screenplay basically just dresses up the original with some long-winded dialog, particularly dragging the last half out to annoying lengths. His biggest changes were the addition of shock efx imagery inserted at critical moments to amp up the horror. For me, they had the opposite effect - distracting reminders that we were watching an "artsy" film.
The CGI enhancements add some stunning visuals in places, but by lessening the authenticity they lower the horror aspect. For example, in Herzog's version, seeing thousands of real rats flooding the dock (a marvel of animal wrangling) evokes the utter horror of the moment while the rats in the new version just look like background rats in a video game.
Eggers' biggest strength is his eye for detail. The costumes are gorgeous. The settings as well. The film comes alive when Hoult arrives in Eastern Europe. The gypsy and peasant scenes are the best in the movie.
Ralph Ineson is excellent. The rest of the cast is good. I found Depp too cold and unlikeable from the start. I gave up trying to catch all her whispery dialog, ditto for the garbled rumblings of Nosferatu in a few scenes.
This film will no doubt be more enjoyable to those who haven't previously seen Herzog's, as it will seem more original and the drawn-out scenes less laborious.
I should add I'm a huge fan of The Witch and I appreciated much that was good in this film. It just wasn't a grand slam for me.
Unlike Lily Depp, Isabelle Adjani projected a vulnerability that made her sacrifice all the more brave.
Eggers' screenplay basically just dresses up the original with some long-winded dialog, particularly dragging the last half out to annoying lengths. His biggest changes were the addition of shock efx imagery inserted at critical moments to amp up the horror. For me, they had the opposite effect - distracting reminders that we were watching an "artsy" film.
The CGI enhancements add some stunning visuals in places, but by lessening the authenticity they lower the horror aspect. For example, in Herzog's version, seeing thousands of real rats flooding the dock (a marvel of animal wrangling) evokes the utter horror of the moment while the rats in the new version just look like background rats in a video game.
Eggers' biggest strength is his eye for detail. The costumes are gorgeous. The settings as well. The film comes alive when Hoult arrives in Eastern Europe. The gypsy and peasant scenes are the best in the movie.
Ralph Ineson is excellent. The rest of the cast is good. I found Depp too cold and unlikeable from the start. I gave up trying to catch all her whispery dialog, ditto for the garbled rumblings of Nosferatu in a few scenes.
This film will no doubt be more enjoyable to those who haven't previously seen Herzog's, as it will seem more original and the drawn-out scenes less laborious.
I should add I'm a huge fan of The Witch and I appreciated much that was good in this film. It just wasn't a grand slam for me.
Fell short of the hype it received
The movie doesn't quite live up to the hype it has built over time. While the cinematography, costumes, and sound design are impressive, the film falls short where it matters most-delivering real horror. Lily shows promise as an actress, but her tendency to over-exaggerate certain scenes takes away from the immersion. The slow pacing and lack of genuine scares make you double-check if you're even watching a horror movie. Despite a few good moments, it ends up feeling underwhelming and forgettable. Nosferatu felt less of a creepy vampire but more of a old man with a deep and weird voice. Not the worst, but definitely not memorable.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesThe exteriors of Orlok's castle were filmed at Hunedoara Castle, also known as Corvin Castle, a Romanian castle located in Transylvania and one of the largest medieval castles extant in Europe.
- GaffesWhen Willem DaFoe sets fire to Knock's coffin, you can clearly see the gas jets igniting under the coffin.
- Citations
Ellen Hutter: Professor, my dreams grow darker. Does evil come from within us, or from beyond?
- Générique farfeluThe Universal Pictures, Focus Features, Maiden Voyage Pictures and Studio 8 production logos are 1920-styled versions, in homage to the era Nosferatu le vampire (1922) released.
- Autres versionsThe "Extended Cut" features four minutes of new footage, lengthening two scenes that were already included in the theatrical version. The first new scene is a Count Orlok monologue, responding to Thomas's mention of the ritual witnessed at a tavern during his journey, where the townspeople dug up a body from the forest and impaled it with a stake. The second scene shows more of the Second Night and foreshadows Ellen's eventual acceptance of agency over her own fate.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ma Cà Rồng Nosferatu
- Lieux de tournage
- Corvin Castle, Transylvania region, Roumanie(Castle shown in the trailer, 40-second mark)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 95 608 235 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 652 560 $ US
- 29 déc. 2024
- Brut – à l'échelle mondiale
- 181 764 515 $ US
- Durée
- 2h 12m(132 min)
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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