Au début du XVIIIe siècle en Angleterre, une frêle reine Anne occupe le trône et son amie proche Lady Sarah dirige le pays à sa place. Quand une nouvelle servante arrive, elle se fait appréc... Tout lireAu début du XVIIIe siècle en Angleterre, une frêle reine Anne occupe le trône et son amie proche Lady Sarah dirige le pays à sa place. Quand une nouvelle servante arrive, elle se fait apprécier de Sarah.Au début du XVIIIe siècle en Angleterre, une frêle reine Anne occupe le trône et son amie proche Lady Sarah dirige le pays à sa place. Quand une nouvelle servante arrive, elle se fait apprécier de Sarah.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 1 oscar
- 187 victoires et 352 nominations au total
- Servant, Upstairs
- (as Everal Walsh)
Avis en vedette
delicioius
This is a wonderful competition of female relationships. It is deliciously passive-aggressive. All three performances are amazing. The visual style is impeccable. It is a movie of singular vision and great actors.
Wow!!
The actors, the photography, the costumes, the 18th century atmosphere despite voluntary anachronisms, the rhythm, the dialogues, the soundtrack, ... This is an excellent achievement. Smart, dark, irreverent, cruel and immoral.
Too long; not very engaging
acidic dark comedy/costume drama
I enjoyed the other movies directed by Lanthimos that I've seen (Dogtooth, The Lobster, The Killing of a Sacred Deer), but he strikes new ground here, turning in his most accessible movie to date and perhaps his most polished. There are shades of Kubrick in the editing and cinematography, both of which are excellent. The use of natural light and distorted lenses is visually interesting. The costumes are also top notch, as one would expect from a period piece.
The performances are the main event, with all three women turning in at or near career bests. Colman won the Best Actress Oscar, but her's is the most in line with a supporting turn, as the film is told from the points-of-view of Weisz and Stone. Their increasingly nasty one upmanship is hilarious. Lanthimos throws in some anachronistic touches (the dance scene is very amusing), the dialogue is sharp as a dagger, and the film isn't afraid to go grotesque. Recommended.
The Absurdity of This Film Was Too Much for Me
Now STOP. Before you flag my review or declare me unhelpful. Let me say this: I think the film had a unique score, excellent acting all around, an intriguing story, and played off the tropes of stereotypical British historical dramas, but the film was not for me.
Because honestly, the absurdity of this film was way too much for me, and I hardly ever say that. I will acknowledge the film was great technically and narratively, but I couldn't stand it.
The Favourite is supposed to be a historical drama with tons of comedy and a light bit of thriller thrown into it, but when it came to the comedy, I couldn't get with it. While the Laemmle Playhouse audience laughed at every single line of dialogue that would come out of someone's mouth, I could not take it. I think throughout the whole film, I laughed maybe 15%, and about 80% of that laughter was cringe laughter. A lot of the film was pure bonkers, and I couldn't really get into it.
The concept of playing against the trope that British historical figures are normally conservative and well spoken, and having them instead be balls-to-the-wall mentally insane and outlandish in this film, is an interesting idea, but it did not work for me. There is literally a scene where a character gives a monologue to the camera about their evil plan, while stroking her newlywed's member. And I was thinking, what in the actual hell?? It was funny, but it was more weird than anything.
The film as a whole is just weird. I don't think it really cares as much about the narrative or the characters, but with how weird the setting can be. Whether it is really out of place dancing in the ball room (the only scene I burst out laughing at), the queen declaring how much they want to get oral pleasure, girls bathing in mud, really loud and obnoxious screaming, an annoying fish-eye lens, continuous rubbing of old women's feet, and even more screaming, I just couldn't find a point to any of it.
It is almost like the director is like "hey bro, look at how outlandish I made these uptight British royalty look. HAHA! Funny, funny!" I did not even really care.
I will give the film a rewatch when it comes out on digital, and have subtitles included, because sometimes that improves my film experience. But from what I can tell, The Favourite is definitely not really my cup of tea.
I will say this though: I will probably enjoy The Lobster and Dogtooth more than I will with this. Perhaps because they are not in a British royalty setting, which I have a hard time getting to in the first place.
Anyways, try not to hate me please. Remember, I acknowledge the achievements of the film, but it does not work for me. Think of that before you lynch me.
The Movies of Yorgos Lanthimos
Blocage sonore
Le saviez-vous
- AnecdotesMost of the costumes and wigs were made from scratch. The budget was very tight, so renting them was not feasible. The early 18th century is rarely depicted on film, so few costume houses had much appropriate stock available. Clothes and wigs were custom built, then deconstructed and re-used in other scenes.
- GaffesIn the film, Robert Harley is a young man. In real life, he was 47-49 years old during this period. His youthful portrayal is probably inspired by William Pitt the Younger, who became Prime Minister at 24 in 1783.
- Citations
Lady Sarah: Abigail has done this. She does not love you.
Queen Anne: Because how could anyone? She wants nothing from me. Unlike you.
Lady Sarah: She wants nothing from you. And yet somehow she is a lady. With 2000 a year, and Harley sits on your knee most nights.
Queen Anne: I wish you could love me as she does!
Lady Sarah: You wish me to lie to you? "Oh you look like an angel fallen from heaven, your majesty." No. Sometimes, you look like a badger. And you can rely on me to tell you.
Queen Anne: Why?
Lady Sarah: Because I will not lie! That is love!
- Générique farfelu"Fastest Duck in the City : Horatio"
- ConnexionsFeatured in WatchMojo: Top 10 Early Oscar Contenders You NEED to See (2018)
- Bandes originalesConcerto Grosso, Op. 6, No. 7 in B - Flat Major, I. Largo
Composed by George Frideric Handel
Performed by Alexander Titov & Orchestra
Classical Music Studio, St Petersburg
Courtesy of Cugate Ltd.
Meilleurs choix
Détails
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 34 366 783 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 422 410 $ US
- 25 nov. 2018
- Brut – à l'échelle mondiale
- 95 918 706 $ US
- Durée
- 1h 59m(119 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1






