The Pass

Russell Tovey plays Jason who is with his team mate Ade (Arinze Kene) in a hotel room in Romania on the night before a big game. They spend the night talking of dreams, the chances they may take and horsing around just this side of being overtly homoerotic.

The air is crackling with sexual tension and then the story moves on into the future and that is where it gets very interesting and quite deep. To say more would ruin the plot. Now this is essentially a play in three acts and it could easily be staged. The cast is minimal and that means that everyone has to be on top form and they all are. Tovey has to carry most scenes but he is ably supported by the others involved.

This is a gay based film but it is not a bedroom fest but does feature a fair bit of nakedness but not the Full Monty type either. This is a film for those who like a very human story and have an interest in why so few football professional players have ever come out of the very packed footie closet.

The 4 actors in this movie are better than a lot of those main stream actors praised by the media. The plot is so meaningful that reflects the lives o at least 3 of the best football players in our generation, because if they come out, they are done. The movie is not "claustrophobic", the rooms reflect how they have to live their intimate life, in a box. But for the unsophisticated "revivers", most likely either homophobic or the type who can only post negative views - reflecting what they feel inside - did not get the main message of the movie: Power - Shame - Insecurity Societal and Professional Homophobic rules -and bad choices that can all lead to deep unhappiness and misery.

Great movie, great actors, great story but sad and reflective of how unfair life can be.

This was such a pleasant surprise. I truly did not know anything other than this being an LGBT- film, and boy was it more than that. It's not exactly an LGBT romance film, and surely not one of a couple blossoming. Instead, it's a quiet heavy and quiet dark character study of one broken man. Arinzé Kene is very good and I hope this helps him get more roles, but it's truly Russell Tovey's film and he delivers. I thought he was quite good in Looking, but I never knew he would be possible of the deeper places he goes to here. It's an incredibly performance that should stand as one of the year's best.

I love how concentrated this film is. The movie even without heavy plot surrounds its focus on just one night that impacted both characters for the rest of the film. What I really was able to appreciate about Russell and Arinze was their ability to add such a nuance to their emotional back-and-fourth conversations. You felt each actor process and think each delicate situation in the film.

This movie didn't need constant emotion and many characters because the focus is on something more detailed and less dramatized. This is the type of film you see as snip-its from an actors day-to-day life rather than a cherry picked group of scenes with dramatic moments that make the viewer always on the edge or emotional. In the mix of dramatic and emotional moments, there are solid moments of lighter dialogue and body language that speak heavily to how the characters are feeling throughout the whole film and that's what sold it for me.

I almost skipped this film due to some bad reviews I read about it, and therefore was surprised to find that it is quite enjoyable and interesting. Acting is great, especially Tovey Russel's performance which I found excellent in spite of a somewhat exaggerated character script. I admit the subject treatment is a bit outdated, and the script is more suitable for chamber theater than for a film. But still, this is a very good gay flick.