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Gok-seong

Titre original : Gokseong
  • 2016
  • 14A
  • 2h 36m
ÉVALUATION IMDb
7,4/10
95 k
MA NOTE
POPULARITÉ
1 783
117
Gok-seong (2016)
A foreigner's mysterious appearance in a quiet, rural village causes suspicion among the locals -- suspicion which quickly turns to hysteria as the townspeople begin killing each other in brutal outbursts for seemingly no reason.  As the investigating officer watches his daughter fall under the same savage spell, he agrees to consult a shaman for answers - unknowingly escalating the situation into something far more dangerous.
Liretrailer1:51
3 vidéos
99+ photos
CoréenHorreur corporelleHorreur populaireTragédieDrameHorreur

Peu de temps après l'arrivée d'un étranger dans un petit village, une maladie mystérieuse commence à se propager. Un policier entraîné dans l'incident doit résoudre le mystère afin de sauver... Tout lirePeu de temps après l'arrivée d'un étranger dans un petit village, une maladie mystérieuse commence à se propager. Un policier entraîné dans l'incident doit résoudre le mystère afin de sauver sa fille.Peu de temps après l'arrivée d'un étranger dans un petit village, une maladie mystérieuse commence à se propager. Un policier entraîné dans l'incident doit résoudre le mystère afin de sauver sa fille.

  • Réalisation
    • Na Hong-jin
  • Scénariste
    • Na Hong-jin
  • Vedettes
    • Jun Kunimura
    • Hwang Jung-min
    • Kwak Do-won
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,4/10
    95 k
    MA NOTE
    POPULARITÉ
    1 783
    117
    • Réalisation
      • Na Hong-jin
    • Scénariste
      • Na Hong-jin
    • Vedettes
      • Jun Kunimura
      • Hwang Jung-min
      • Kwak Do-won
    • 424Commentaires d'utilisateurs
    • 248Commentaires de critiques
    • 81Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 34 victoires et 57 nominations au total

    Vidéos3

    Official Trailer
    Trailer 1:51
    Official Trailer
    THE WAILING - Official US Trailer
    Trailer 1:51
    THE WAILING - Official US Trailer
    THE WAILING - Official US Trailer
    Trailer 1:51
    THE WAILING - Official US Trailer
    The Wailing Official Trailer
    Trailer 1:43
    The Wailing Official Trailer

    Photos121

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    Distribution principale73

    Modifier
    Jun Kunimura
    Jun Kunimura
    • Japanese Man
    Hwang Jung-min
    Hwang Jung-min
    • Il-gwang
    Kwak Do-won
    Kwak Do-won
    • Jong-goo
    Chun Woo-hee
    Chun Woo-hee
    • The Mysterious Woman
    Kim Hwan-hee
    Kim Hwan-hee
    • Hyo-jin
    Heo Jin
    • Mother-in-Law
    • (as Jin Heo)
    Jang So-yeon
    Jang So-yeon
    • Wife
    Kim Do-yoon
    Kim Do-yoon
    • Yang Yi-sam
    Son Kang-kuk
    Son Kang-kuk
    • Oh Sung-bok
    Park Sung-yeon
    Park Sung-yeon
    • Kwon Myung-joo
    • (as Seong-yeon Park)
    Chang-gyu Kil
    Chang-gyu Kil
    • Park Choon-bae
    Jeon Bae-soo
    Jeon Bae-soo
    • Deok-gi
    Jeong Mi-nam
    Jeong Mi-nam
    • Heung-gook
    • (as Mi-nam Jeong)
    Choi Gwi-hwa
    Choi Gwi-hwa
    • Byeong-gyoo
    Baek Seung-chul
    Baek Seung-chul
    • Friend
    Hyeok-Joon Kwon
    • Friend
    Chae-ik Park
    Chae-ik Park
    • Friend
    Kim Ki-chun
    Kim Ki-chun
    • Dispatch Captain
    • Réalisation
      • Na Hong-jin
    • Scénariste
      • Na Hong-jin
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs424

    7,495.4K
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    10

    Avis en vedette

    oddeveneven

    A movie that almost makes sense, but not quite, and this may be the whole point

    Some movies have a coherent plot that is told in a non-straightforward fashion, or that is open to several interpretations, or that leaves out some parts requiring the audience to fill-in (e.g. an open end), and possibly this filling-in can be done in more than one way. These movies require several viewings and considerable thought to make sense.

    After watching The Wailing for the first time, I had the impression that it was this kind of movie. However, after watching it again, pondering it, and then reading and watching attempts by various people to interpret/explain it, I have come to a different conclusion. Namely, this movie does not have a coherent underlying plot. No matter how you shift the pieces of the puzzle in an attempt to recreate a coherent narrative, some pieces will never fit together, and not due to your incompetence, but because the underlying story is - possibly intentionally, possibly not - fundamentally inconsistent. It's like one of those optical illusions or Escher drawings that appear to describe a physical object, but in fact don't make physical sense.

    Accordingly, whether one enjoys this movie or not boils down to whether one can be content with a movie that is technically well-made (cinematography, acting, costumes, etc.), but (a) its plot makes no sense, and (b) it is told in a deceptive way as to lure you into thinking that the plot would make sense if only you gave the matter sufficient thought, thus leaving you with a lingering, irritating feeling of dissatisfaction and confusion.

    And maybe this is precisely the point of the movie: rather than telling a story, its purpose is to instill in the audience a feeling of confusion in the face of a sequence of events that almost, but not quite, makes sense. Much like life at times, no?
    d34dt00n

    One hell of a ride

    About 40 minutes into the movie, I stopped to look at how much time was left and was actually RELIEVED to see that there was still so much left. That's how engaging and interesting the story was for me.

    Before watching the movie I read one review on here that said it was a "smorgasbord" of genres (it was a positive review), but it doesn't really feel like it. I mean, yes, I can see it, but the storytelling is so fluid and well written that the multiple genre aspects didn't feel out of place at all. It works. It works so well that I almost feel like it's redundant to point out that there are "so many genres."

    I found the second half of this movie quite similar to The Witch. Not necessarily in terms of the storyline, but the pace, the severity, the terror. Both movies are quite psychological. But The Wailing delivers somewhat of a more complex storyline.

    Cinematography was breathtaking. Jun Kunimura was ridiculous (in a good way). All the actors were on point. I'm not going to point out or mention "Asian horror" here (although, technically I just did I guess, lol). I just don't think that it's necessary to pigeonhole this movie into anything other than what it is; a great horror.
    9coldman-70099

    Mix of every genre buy perfect

    I remember that I had a gut(Korean traditional exorcism by mudang like shaman) when I was 13. Back then, I was the most weakest student in my class. So my grandma always worried about my health and I met mudang with my grandma. After finishing ceremony, I got to her house by old truck. she said " Don't look back" "If you look back, bad spirits follow us and it will be harmful to us".and then I closed my eyes tightly until I got to her house.Because It was so sacred.

    In a word about this movie, It feels like I looked back even if my grandma warned me.

    That's all I can't say anymore.

    You can find every good perspective of Korean movies. Moreover, You can taste a lot of texture of flavor such as Comedy, Horror(Exorcism,Gore,Traditional),philosophy(Religion, identity,suspicion),thriller. This movie is so ambitious. but It is very successful.

    If you are interested in this movie, You should watch Bulshinjiok(http://www.imdb.com/title/tt1535472/) before this movie. It will be helpful to understand Korean traditional ceremony and shamanism also you can see improvements of Korean movie.
    CinemaClown

    A Diabolical Work Of Mythic Weirdness That's Drenched In Blood, Sickness & Devilry

    After catapulting himself into the league of South Korea's brightest up-n-coming filmmakers with his extremely polished & mercilessly violent directional debut and then following it up with another thriller that was more or less a misfire, director Na Hong-jin makes a splendid return to form after six years of inactivity, and delivers a cinema that's drenched in blood, sickness & devilry.

    The story of The Wailing unfolds in a small South Korean village where a mysterious illness begins to spread & claim many lives after the arrival of a strange Japanese man in the nearby mountains. Investigating the case is a police officer who becomes all the more involved after his own daughter begins exhibiting similar symptoms and enlists the help of a shaman to solve the mystery before its too late.

    Written & directed by Na Hong-jin, The Wailing finds the budding filmmaker stepping into the realms of supernatural horror and features numerous elements that made his first film an instant classic. It is a considerable improvement over Hong-jin's previous film, plus his direction exhibits more confidence & comfort this time. The script is just as impressive although it still could've used a bit more refinement.

    The film doesn't hold back on violence & gore and keeps the element of doubt alive until the very end. Also admirable is how successfully it manages to force its viewers to switch their allegiance from time to time and keeps them in the dark throughout its runtime. Humour is brilliantly utilised whenever it's required but the tone is grim for the most part and only intensifies as the plot nears its conclusion.

    The technical aspects are finely executed. The rural setting & isolated surroundings provide a big enough canvas for the horror to play out. Camera-work is expertly carried out, filming each n every moment in fine detail. Editing is definitely a highlight, given the unpredictable nature of its plot in addition to unforeseen twists n turns, and despite its 156 minutes runtime, it is never boring and is actually cleverly paced from beginning to end.

    Coming to the performances, the entire cast chips in with apt contributions in their given roles and play their part responsibly. Kwak Do-won plays the police officer investigating the mystery illness & killings and although a comic relief at first, he wises up as the plot progresses. Hwang Jung-min is in as a shaman and goes bonkers with his role. But the two most measured inputs comes from Jun Kunimura & Chin Woo-hee who play the Japanese stranger & a mysterious woman respectively.

    On an overall scale, The Wailing is a fresh, fascinating & ferocious entry in the world of horror that makes terrific use of its atmosphere & supernatural elements to deliver a thoroughly unsettling & consistently engaging experience. There are, however, times when it may leave you a little lost or unsure of what's happening but the interest is never lost for once and only gains momentum as it heads towards its long-awaited finale. A work of mythic weirdness that's diabolical in every sense of the word, The Wailing comes highly recommended.
    Red_Identity

    Surprising

    I expected this to be a slow pace,d very atmospheric horror film. Instead, I was surprised by how crazy and intense it is. It never really allows you to completely wrap your head around it because it is constantly pulling the rug from under you. The cast does a great job from verging in both drama, horror, and even comedy, which the film is able to balance with the other genres very well, for the most part. Because of that the film sometimes feels a little messy and a little jumbled in its very ambitious aims, and as a result it suffers. I wouldn't call it a great film, but I do recommend it simply for the sheer effort and ambition on display here. Certainly a horror film to remember.

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    Intérêts connexes

    Choi Min-sik in 15 ans volés (2003)
    Coréen
    Jeff Goldblum in La mouche (1986)
    Horreur corporelle
    Florence Pugh in Midsommar: Solstice d'été (2019)
    Horreur populaire
    Casey Affleck and Michelle Williams in Manchester sur mer (2016)
    Tragédie
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
    Mia Farrow in Le bébé de Rosemary (1968)
    Horreur

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      For his ceremony scene, actor Hwang Jung-min filmed for 15 minutes without break. It was one long-take scene.
    • Citations

      Il-Gwang: Even among other demons, he's a master of evil.

      Jong-Goo: If that's true, why did it have to be...

      Il-Gwang: ...your daughter? What sin did that young girl ever commit?

      Jong-Goo: Yes.

      Il-Gwang: If you go fishing, do you know what you'll catch?

      Jong-Goo: No.

      Il-Gwang: He's just fishing. Not even he knows what he'll catch. He just threw out the bait, and your daughter took it.

    • Connexions
      Featured in Renegade Cut: The Wailing (2017)

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    FAQ19

    • How long is The Wailing?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 mai 2016 (South Korea)
    • Pays d’origine
      • South Korea
    • Sites officiels
      • Official Facebook
      • Official Site
    • Langues
      • Korean
      • Japanese
    • Aussi connu sous le nom de
      • En Présence du Diable
    • Lieux de tournage
      • Corée du Sud
    • sociétés de production
      • 20th Century Fox
      • Fox International Production
      • Side Mirror
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 420 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 786 633 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 77 892 $ US
      • 22 mai 2016
    • Brut – à l'échelle mondiale
      • 49 851 770 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 36m(156 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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