Ajouter une intrigue dans votre langueA former cop-turned-militia man investigates a shooting at a police funeral.A former cop-turned-militia man investigates a shooting at a police funeral.A former cop-turned-militia man investigates a shooting at a police funeral.
- Prix
- 1 victoire et 1 nomination au total
Michael W. Bunch
- Cop
- (as Michael Bunch)
Avis en vedette
I'm a big fan of single-location mystery/thrillers. They have produced some of my favourite movies in fact over the years. There's just something about them. I think it stems down to the fact that the director doesn't have the variety in locations to drive his movie, so he has to use the story and dialogue to carry things. Give me that any day of the week. 'The Standoff at Sparrow Creek' won't go down in the category of greats, but it's a pretty solid effort from a debut filmmaker.
The film is very dark for a large majority of the runtime. It can be quite difficult to tell what exactly is going on at certain points. There's a decent sized cast for a clearly low-budget film. Some of the characters are really interesting, others not so much. The interesting ones luckily have the most screen time and carry the weaker ones when they share a scene.
There are some really strong lines of dialogue in this movie too. Some of them caught me off-guard by just how thought-provoking they were. They film does sometimes struggle to justify its already short runtime and it feels like things are being stretched out just a little at times. All in all though I had a good time with 'The Standoff at Sparrow Creek' and if this is where writer/director Henry Dunham is starting his career then the sky is the limit.
The film is very dark for a large majority of the runtime. It can be quite difficult to tell what exactly is going on at certain points. There's a decent sized cast for a clearly low-budget film. Some of the characters are really interesting, others not so much. The interesting ones luckily have the most screen time and carry the weaker ones when they share a scene.
There are some really strong lines of dialogue in this movie too. Some of them caught me off-guard by just how thought-provoking they were. They film does sometimes struggle to justify its already short runtime and it feels like things are being stretched out just a little at times. All in all though I had a good time with 'The Standoff at Sparrow Creek' and if this is where writer/director Henry Dunham is starting his career then the sky is the limit.
Certainly intriguing enough to keep me engrossed throughout and it kept me guessing. But some of the plot elements were nonsensical and the ending seemed more convoluted than it needed to be. Good debut for the writer and director Henry Dunham.
Militia members gather underground in the aftermath of a mass shooting to discover something disturbing. An AR-15 semi-automatic rifle, the type used in the attack, is missing from their cache. Interrogations ensue, tempers flare and threats fly as they try to discover who among them knows something before the police arrive. Confusion, mistrust and fear spike as word comes that an extensive plot is underway and neighboring militias are involved in something ominous. Everything depends on where and who the information comes from and truth is in short supply.
This fast flowing and gripping gun culture thriller contains a wonderful cast of characters including a lone wolf, informant, tech geek, ex police officer, quirky and enigmatic leader, old timer and white supremacist with a criminal past. Lines are delivered like rifle fire and it takes concentration to follow the action. There is pleasing depth in this dialogue and intriguing mystery about where the conversations will take the story. Actions seem plausible and the actors are more than convincing. Lots of testosterone and guttural grunting all around. The film was shot in Dallas. This was according to the director who was at this world premiere and midnight madness showing of the 2018 Toronto International Film Festival.
This fast flowing and gripping gun culture thriller contains a wonderful cast of characters including a lone wolf, informant, tech geek, ex police officer, quirky and enigmatic leader, old timer and white supremacist with a criminal past. Lines are delivered like rifle fire and it takes concentration to follow the action. There is pleasing depth in this dialogue and intriguing mystery about where the conversations will take the story. Actions seem plausible and the actors are more than convincing. Lots of testosterone and guttural grunting all around. The film was shot in Dallas. This was according to the director who was at this world premiere and midnight madness showing of the 2018 Toronto International Film Festival.
Seems more like a play than a movie and is well enough acted.
I liked the performance of young Ned Stark Robert Aramayo who for me was the standout with his small contribution to the story.
The tale overall was pretty implausible but it made an interesting 90 minutes. Certainly not as brilliant as some of the reviews say and the ending was a bit daft.
Still worth a watch all the same.
The tale overall was pretty implausible but it made an interesting 90 minutes. Certainly not as brilliant as some of the reviews say and the ending was a bit daft.
Still worth a watch all the same.
I get that people either hate movies or love them, but this was a middle of the line movie. It had a pretty decent story, with a good twist at the end. Th acting was done very well, and the writing was decent. Yes the cinematography could have been better, but for a low budget movie, I think it was pretty good. It isn't a 10, but it aint a 2. If you want a movie that gives you some action, (but is shot in one location like reservoir dogs, so it can get a little slow), and is an ok thriller then this is your movie. It is a good Monday night movie. 6.4
Le saviez-vous
- AnecdotesThe Detroit area does have Mound and Middlebelt roads, but both roads run north-south and are several miles apart. The intersection mentioned in the film does not exist. [ nor does Sparrow Creek, Michigan, where this story supposedly occurs ]
- ConnexionsReferenced in Film Junk Podcast: Episode 676: The Predator (2018)
- Bandes originalesWhen Ever I Get Lonely
Performed by Gigi and the Charmaines (as The Charmaines)
Written by Paul Trefzger
By arrangement with D2 Music
Courtesy of Saxony Records
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Détails
Box-office
- Budget
- 450 000 $ US (estimation)
- Durée
- 1h 28m(88 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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