Friday's Child

Not terrible. Not great. I was expecting a depressing film about aging out of the foster care system, but this was merely the setting for the film, although it's definitely depressing. The cinematography was interesting, and some scenes were shot quite beautifully. The actors did a fine job. Overall, it was just okay.

I was in a trance for most of the run time. It nosedives a little bit in the end, tacking on a plot that was barely introduced before and making it the main point of the film, but I'll give it a pass because that's not what the film is about. It's an experience. I could not take my eyes off the screen for a second. Amazing work from everybody involved. Definitely watching this one again!

An 18 yr old must leave foster care. He's never known focus or direction. His goal is survival. He goes from job to job without commitment to any of them. Eventually his life falls apart with no one to turn to but the only person who was actually nice to him once. It seems everybody else in this movie is there to be mean and uncaring to him.

This movie has stretches of movement without dialog. Long pointless scenes. Everything looks used. A bit difficult to watch because the plot is a long time coming. Imogen Poots as 'Joan' is a bright spot in his life in the viewers watching.

If you feel fragile, dont view this film, because its a socialrealistic gem for the scholard and artseeking part of the audience. its an uncomfortable saga about a young man that has aged out of the foster care system, and is thrown out to the wolfes in the jungle of real life and danger.

its a film that mirrors the weakneses sosciety has when it comes to the orphans among us, they are met with demands everywhere, and the odds they have to win this race are very low so, as with this main character, he is leaning up to the wall of law, having his mugshots doen. its a somewhat psychedelic chaotic way of life and living presented , and its a heavy piece of art to watch. the score eventually also amplifies this feeling, and in the end your deemed to carry it with you in your conciousness for weeks and years to come. the acting are well done, but the story are like an ekg-diagram with extreme ups and downs.

the grumpy old man might have missed the point, but it will not be a rewatch, its too saggy for me.

How can one of the least talked about films of the last couple of years - have such insanely good photography? It is truly beautiful. Frame after frame after frame - I couldn't look away. Anybody who is into cinematography should watch this movie, and you'll be dazzled.

The DoP is Jeff Bierman, who seems to have done a few music videos before this. The close ups, shots of nature, lateral camera movements, colour shcemes etc are breathtaking. It's like a Trey Shults movie photographed by Emmanuel Lubezki. That's not an exaggeration. It really is that well shot. Director AJ Edwards is another that has apparently worked with Mallick - and it really shows.

The cinematography is the best thing about the movie, which tells the story of an orphan trying to make a fresh start in life after being released from a care home. It's like the lovechild of Short Term 12 and American Honey with an indie crime movie element thrown in. Tye Sheridan is Tye Sheridan, and there are nice turns from Geoffrey Wright and Imogen Poots, but Caleb Landry Jones steals the show, so much so that I'm sure he's destined to be a huge star once he's given the right lead role. The guy can act.

The plot is a tad thin and somewhat predictable, which lets the movie down somewhat. The melodramatic 3rd act doesn't help. But the astounding cinematography bumps the rating back up again.