Meurtre à Wind River

Written & Directed by Taylor Sheridan, 'Wind River' is an absorbing & atmospheric Neo-Western Murder-Mystery Thriller Film, that works due to its strong making & solid performances. It may not be perfect, but it weighs higher on pluses way more than on minuses.

'Wind River' Synopsis: A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.

'Wind River' grippingly unfolds a brutal murder & how the people in charge get to the culprits. Cory Lambert, the protagonist (Jeremy Renner) is a man who's dealing with his own demons & gets a shot at redemption when this brutal murder occurs. The lady in command, Jane Banner (Elizabeth Olsen) is a complete contrast to Cory, a rookie FBI special agent, who teams up with a man who's confronting way too many battles to get into another. And its the diversity & the connection of these 2 characters that make 'Wind River' all the more interesting. And Taylor Sheridan's Screenplay intelligently intertwines the extreme gap of its leading characters in a world of brutality & crime. The Writing builds up slowly, but never loses the momentum. What works more so for the Writing is the consistently serious tone, that never changes gear for the sake of cheap thrills.

Sheridan's Direction, too, is competent. Ben Richardson's Cinematography stunningly captures the wilderness as well as the brutality. Gary D. Roach's Editing is sharp. Art & Costume Design are authentic. Action-Sequences are nicely choreographed, but are too violent.

Performance-Wise: Renner & Olsen do some of their best work here. Renner, a splendid actor, portrays the guilt-sickened protagonist with genuine heartache & also flexes machismo when required. Olsen is beautifully restrained & proves her mettle as a performer. Others lend remarkable support.

On the whole, 'Wind River' is moody, chilling & engrossing. Don't miss this one.

When actors decide they want to make the transition to the other side of the camera and direct films, it can be a dicey proposition. It makes me even more nervous when said actor to director decides they don't have the acting out of their system and want to keep acting, but with "Wind River," Taylor Sheridan (best known for "Sons of Anarchy," but also the writer of both "Sicario" and "Hell or High Water" with this completing his American Frontier Trilogy) separates himself in order to focus on directing a wonderful based-on-a-true-story tale.

Jeremy Renner plays Cory Lambert, a tracker who works for the Fish and Game Commission in Wyoming who gets caught up in the investigation of the murder of a young Native American woman on a local reservation during a series of brutal snowstorms. He partners with FBI agent Jane Banner (Elizabeth Olsen) as they try to navigate the elements and even the law as it pertains to the reservation itself and a very thin law enforcement department headed up by Gen (Graham Greene).

I know there is not much to the above summary, but that is all you really need to know about this film, besides the fact that I REALLY enjoyed it as one can do with the material involved. Make no mistake: this is a dark film that deals with very haunting subject matter, so there is quite a bit of weight to it, but Sheridan treats this story with the highest level of respect by allowing his very well written script to drive it while still shooting it beautifully. To see such beautiful landscaping (actually shot in Utah) take my breath away while still understanding the danger of what the elements bring from the wildlife to the weather and even the inhabitants add a great layer to the story, but what takes it to the next level is the score from Nick Cave and Warren Ellis (not THAT Warren Ellis) that frames each and every scene perfectly without giving what is coming up ahead.

From a performance standpoint, I really dug the way that both Renner and Olsen dialed it WAY back within their characters with Renner keeping Lambert simple and focused on the task at hand and Olsen showing how Banner is just trying to do the right thing while attempting to understand the situation she in AND asserting the authority she has representing the Bureau. Greene gives great balance and levity to their dynamic while keeping his character involved as a reminder of the heightened sensitivity of their situation.

The Weinsteins' eye for film strikes again here, and I am also looking forward to where Sheridan's career behind the camera goes as well. For this being the second time he has helmed a film, this is incredibly impressive and should at least be on your "need to check out" list if not all the way to "must see".

There has been next to no fanfare for the release of this murder mystery. Which is surprising, considering the talent involved in front of the camera (Jeremy Renner, Elizabeth Olsen) and behind it (writer-director Taylor Sheridan). Fresh from joining the ranks of top-tiered screenwriters after the amazing one-two punch of Sicario and Hell or High Water, Sheridan continues his stellar run with a heart-wrenching study of loss and grief wrapped in a taut crime thriller narrative. Also having a crack at directing, Sheridan allows the snowy Wyoming setting to completely envelope the characters in a world that feels like it has no exits, both physically and emotionally. When this Native American community is hit with a homicide it feels like another tragedy in a long line of tragedies; their shock is replaced with deeper sorrow, their outrage is replaced with solemn defeat. Entering the scene like a fish out of water, Olsen's junior FBI agent Jane Banner must traverse the tricky cultural complexities if she's to understand the clues in front of her. Luckily she has Renner's local hunter Cory Lambert to assist, himself battling with a past family disaster. Renner and Olsen are both in terrific form, the former hiding his grief under a stoic veneer, the latter balancing big-city attitude with a genuine desire to find justice for the victim. Veteran character actor Gil Birmingham is also superb as a father unsure of how to deal with his earth-shattering loss. If this all sounds a bit heavy, well it is, but Sheridan's careful to inject a healthy dose of suspense and mild action to keep the drama gripping rather than overbearing; the finale in particular turns the movie on its head in an unpredictable but extremely effective manner. An intelligent, slow burning and provocative viewing that enthrals from start to finish, Wind River is an understated gem that deserves an audience.

This is a truly gripping, engaging and dramatic film. The first thing anyone will be aware of, is the quality of the production values, it is superbly made, gloriously acted, and meticulously filmed. A very classy production indeed.

You have to credit the sheer quality of the source material, a wonderful and sad plot, with plenty of twists and turns. Murder mystery fans will enjoy, thriller fans will also enjoy.

There are some truly big moments, one that will make you empathise with the victim's family, one that will leave you with your mouth open, as a big fight occurs.

So impressed by this movie. 9/10

One of the best movies I've seen in a long time. I enjoyed the subdued characters and acting. The story is unique and memorable. There is no gratuitous violence or nudity. The characters and story held my attention on their own.