Private Life

The entire cast turns in wonderful performances. The script is infused with droll humor, and the multiple instances of awkwardness come off as genuine, bolstered by sensitive pacing. The storyline feels a bit worn and redundant at times, but this might have been intentional, considering the subject matter. In contrast, many contemporary American films strive to include way too many plot points. The city scenes and interiors made me miss New York -- the production design was quite good. There are a few subtle surprises in the script which worked well. Highly recommended.

I have always had a soft corner for well written, ultra realistic dramas like this one, so I liked it anyway. But what makes this noteworthy is its intriguing brand of humour, which is so subtle, suppressed even. And very cinematic all the same, communicated via cuts and mis-en-scene. The soundtrack is one of the best I have heard in the past few years and the performances are very very good too.

The plot may make it seem like this lacks universal appeal but it spoke a lot to me about how we all inadvertently do so much for brief reprieves from the abyss, and how that is both futile and necessary. Netflix funding some real good stuff these days.

Obviously a film about infertility is going to carry a weight, and that should be expected by the viewer. That being said, this was marketed on Netflix as a comedy, so the frustration by viewers who wanted a funny feel good movie is understandable. I did not go into this expecting a comedy, so I was not disappointed. I enjoyed Private Life. The aesthetic of Richard and Rachel's apartment and style was visually appealing, and I think the various moods of the story were conveyed well. Richard and Rachel, and every character, are flawed people, portrayed as such in what I consider a very accurate way. The seemingly endless loop and obsession Rachel has with getting pregnant was hard to watch because you can see her pain, and as a viewer you want to reach out to her and pull her away from the tunnel vision she has, not because of Kathryn's acting (which is superb as usual). Sadie's personality is grating at times, but that's because she is a real, dimensional person who has facets and flaws. The relationship between her and Richard and Rachel is what you're meant to focus on. The relationships between all characters is what drives the story. In the end, this is just a look into the lives of a couple who are struggling immensely with infertility. It's a snapshot of what their lives have become now. The ending scene, where they sit in an Applebee's several states over, waiting for a donor who will probably never show up (yet again) further drives this home. There's no happy ending or message in here. This is just a story that starts and ends in the middle. Don't watch this expecting gut busting laughs, or a happy ending, don't watch this if you "adore New York" and then complain that it takes place mostly in an apartment. This isn't about New York, it's about infertility

I found myself laughing at several moments. Very smooth and the characters were likeable. A difficult subject which was kept in perspective. The irony in the movie may be lost on some people and it did drag on longer than needed, but better than a lot of your 'franchised' drivel out there.

An interesting portrait of a couple who tries everything to fulfill their dream and become parents but forgetting what their relationship is all about in the process. A very personal film that handles about a very personal topic, wonderfully put in scene and written by Tamara Jenkins who finally presents us a follow up project after "The Savages" and it is just as realistic and natural. To make a rather sad and to some extends tragic story a dramedy thanks to very well chosen comedic moments was the right decision. She found two great actors who both know how to do drama and comedy and the mix of that. Paul Giamatti absolutely shines and gives one of his best performances in ages. The quality of his performance goes back to his "Sideways" days. Kathryn Hahn once again proves her talent as one of the most underrated versatile actresses of her generation. Glad she got to show her acting powers in such a juicey role. John Caroll Lynch also gets to show that he not only can plays psychopaths and losers. Molly Shannon is wonderful in a supporting role and commands every scene she is in. Another great performance by another great and underrated actress.Kayli Carter is a great new discovery and she will go places. An intimate portrait of a marriage that is put to a test. Absolutely recommendable.