Une mère de trois enfants embauche une nounou de nuit pour l'aider avec son nouveau-né.Une mère de trois enfants embauche une nounou de nuit pour l'aider avec son nouveau-né.Une mère de trois enfants embauche une nounou de nuit pour l'aider avec son nouveau-né.
- Prix
- 4 victoires et 31 nominations au total
Histoire
Le saviez-vous
- AnecdotesCharlize Theron gained fifty pounds for the role. She adhered to an excessive diet of junk food, processed foods, In-N-Out Burger, and milkshakes. Theron would eat macaroni and cheese at 2 a.m. to help keep on the weight. Theron said that her youngest child had mistaken her for being pregnant, given the extensive weight gain, and that it took a year and a half for her to shed the weight.
- GaffesEarly in the film, an elderly woman looks disapprovingly at the main character ordering a decaf coffee (after telling her that caffeine is bad for the fetus). In fact, caffeine is bad primarily because it raises blood pressure without providing any nutrients to the fetus. This is not the case with decaf coffee. The blood pressure change associated with decaf coffee is not statistically significant and puts the baby at no risk of harm. Theoretically, if a pregnant mother drank dozens of cups of decaf coffee it *might* increase her blood pressure but it is very unlikely (not to mention very difficult to actually achieve that level of consumption). Most experts agree that caffeine is safe during pregnancy if limited to 200 mg or less per day.
- ConnexionsFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
- Bandes originalesRide into the Sun (Demo Version)
Written by John Cale (as John Davies Cale), Sterling Morrison (as Holmes Sterling Morrison), Lou Reed, Maureen Tucker
Performed by The Velvet Underground
Published by Garnant Music and Oakfield Avenue Music LTD
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film and TV Licensing
Commentaire en vedette
TULLY is a funny and frustrating look at motherhood through the eyes of a very tired, borderline post-partum depressed mom, played by Charlize Theron. We first meet Theron when she's very pregnant, and already very stressed taking care of the two kids she has already. A nervous daughter who is smart but way too hard on herself, and a son who clearly is "on the spectrum" somewhere, and is becoming a real problem at his private school. A school his parents can't really afford. The baby that's on its way is clearly seen as a mixed blessing at best by Theron and her somewhat absent husband (played by Ron Livingston.)
The baby arrives, and sure enough, it's too much for Theron to handle. Her brother (Mark Duplass), who is doing QUITE well in business, suggests she hire a night nanny (a gift from him)...essentially a person who will take care of your newborn during the night so you can get a good night's sleep yourself. Reluctant at first, but finally buckling to her own crushing exhaustion, Tully enters Theron's life. Mackenzie Davis plays Tully as a nearly perfect answer to Tully's need. She is empathetic. She is patient. She is understanding & funny. And most importantly, she takes care of the baby, cleans the house and even makes snacks for the kids. Theron finally gets some sleep. And with sleep, she re-engages with her household...finally serving something other than frozen pizza for dinner, being attentive to her older kids and just generally being in a better mood.
Much of the film revolves around the amusing night-time conversations between Theron and Tully, and an unusual friendship develops. It is here that the dialogue (from Oscar winner Diablo Cody) really sparkles. We come to feel the relationship between these two women very closely, and invest our attention into looking forward to what happens next, and next, and next. There are amusing surprises in store.
Director Jason Reitman keeps things moving along briskly. This indie-spirit film moves at the clip of a mainstream movie...making it extremely engaging. Theron is really terrific, and throws herself into this unflattering role in a way that makes us sympathize for her greatly even while we're frustrated by some of her actions. Davis is delightful as the free-spirited Tully, and Livingston, in his understated way, makes for a good foil. The actors playing Theron's kids are very sharp as well. This is a movie that really delights the viewer with excellent performances that are sparked by a script with heart and a fair amount of wit.
Why not 5 stars? It's a close call, really. I docked it a half star or so because some of the scenes of chaos in Theron's life are perhaps just a bit too broad and hard to believe. Cody has written them on a very fine line between believable and "too much." That teetering takes some of the film's potential power away. Specifically, scenes between Theron and various leaders at her son's school paint the school officials with a very big "villain" brush, and with no subtlety. And I like Mark Duplass in some things, but his characteristic smugness makes him too one-dimensional in this film.
These gripes aside, TULLY is amusing, sometimes sad and VERY frequently surprising. It takes you down a few predictable roads, which only makes the surprise detours all the more impactful. It's absolutely worth checking out, especially for just about anyone who has had to raise kids.
The baby arrives, and sure enough, it's too much for Theron to handle. Her brother (Mark Duplass), who is doing QUITE well in business, suggests she hire a night nanny (a gift from him)...essentially a person who will take care of your newborn during the night so you can get a good night's sleep yourself. Reluctant at first, but finally buckling to her own crushing exhaustion, Tully enters Theron's life. Mackenzie Davis plays Tully as a nearly perfect answer to Tully's need. She is empathetic. She is patient. She is understanding & funny. And most importantly, she takes care of the baby, cleans the house and even makes snacks for the kids. Theron finally gets some sleep. And with sleep, she re-engages with her household...finally serving something other than frozen pizza for dinner, being attentive to her older kids and just generally being in a better mood.
Much of the film revolves around the amusing night-time conversations between Theron and Tully, and an unusual friendship develops. It is here that the dialogue (from Oscar winner Diablo Cody) really sparkles. We come to feel the relationship between these two women very closely, and invest our attention into looking forward to what happens next, and next, and next. There are amusing surprises in store.
Director Jason Reitman keeps things moving along briskly. This indie-spirit film moves at the clip of a mainstream movie...making it extremely engaging. Theron is really terrific, and throws herself into this unflattering role in a way that makes us sympathize for her greatly even while we're frustrated by some of her actions. Davis is delightful as the free-spirited Tully, and Livingston, in his understated way, makes for a good foil. The actors playing Theron's kids are very sharp as well. This is a movie that really delights the viewer with excellent performances that are sparked by a script with heart and a fair amount of wit.
Why not 5 stars? It's a close call, really. I docked it a half star or so because some of the scenes of chaos in Theron's life are perhaps just a bit too broad and hard to believe. Cody has written them on a very fine line between believable and "too much." That teetering takes some of the film's potential power away. Specifically, scenes between Theron and various leaders at her son's school paint the school officials with a very big "villain" brush, and with no subtlety. And I like Mark Duplass in some things, but his characteristic smugness makes him too one-dimensional in this film.
These gripes aside, TULLY is amusing, sometimes sad and VERY frequently surprising. It takes you down a few predictable roads, which only makes the surprise detours all the more impactful. It's absolutely worth checking out, especially for just about anyone who has had to raise kids.
- RMurray847
- 7 janv. 2021
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Cuộc Chiến Bỉm Sữa
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 9 369 755 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 282 610 $ US
- 6 mai 2018
- Brut – à l'échelle mondiale
- 15 636 462 $ US
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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