Les Misérables

Reading the promotional interviews make it clear the writer was very unsuited for this project and has poor literary comprehension. On the continuing relevance of Les Misérables: "People are asking themselves 'how is it possible to live a good life in a world like this?'. You know, 'can we marry the ones we love, or are we going to have to settle for second best?'" Another charming quote: "I toyed with the idea of Javert having loveless sex with a 50-year old prostitute to 'clean the pipes out.'"

He seems very preoccupied with the musical and doesn't appear to realise Les Misérables is one of the most adapted works of all time, with many non-musical versions.

He gave Marius a "wet dream" not about Cosette but his neighbour the Jondrette girl, a teenage girl forced into prostitution by her father. Heartthrob material? Actor John O'Connor seems to be thinking of the dreaded musical when he says that Marius loves her as a sister.

Amusingly the more Hugo describes you as quiet and introverted, the more likely you are to begin roaring in Les Misérables (2018).

Critics have a history of getting it wrong with Les Misérables and that trend continues here. 1/10 for competent directing and some lovely shots.

Let me start to say that I have really enjoyed the current adaptation of les miserables by the BBC. Beautiful colours, scenery, script, a classic social story and of course good actors. What I do not enjoy are the contributions by what I have to describe as the race police. Les miserables is a story, written in a time when racial diversity was less then it is now. But to portray this story in this time with the actors we now have it would be strange to cast actors on basis of racial attributes dating back two centuries. It would be equally strange to defend the choice of actors for certain characters by explaining Javert could have been Haitian as there were some Haitians in France at that time, but then you would have to argue why Javert could be from Haiti, but not Valjean, which discussion to me seems even more nonsensical. Reading some of the contributions some people seem to think that a cast must not only mention actors skills but also race, but I do not agree. I think the public is well informed enough to look past these casting choices as long as the acting is top notch. In opera we see German women play Chinese princesses in Turandot, I even saw an Afro-American Brunhilde and why not, as long as the performance does not suffer. Coming back to Les Miserables, I like how Valjean and Fantine are played, I have some trouble with Javert though, maybe more because of the character than the way he is portrayed. His motivation is explained, but his actions are not always so clear cut to me, but maybe I'm missing something as it is only the second episode.

Let's be honest - this is one of the best tv series for the last years may be decades. I am expecting serious awards for the show and lead actors especially Dominic West. I am giving it 9 because of some little inconsistencies but otherwise outstanding acting and directing.

An excellent adaption of a masterpiece is almost ruined at the BBC's attempt to take political correctness to dizzying heights. There were most probably very few if any black people in France at this time - let alone a black policeman (a sergeant at that).

If you can filter this (major) distraction out of the film, this is not a bar adaption at all. Mesmerising in its delivery and very entertaining.

I found this excellent story telling. I also wanted to see a non musical version of a story of redemption and forgiveness story. So they cast a black man he if a good actor and did his character justice. The sadness and desperateness of the characters was well done. I will be watching all of this series. I just watched episode 2 and I am really liking this...Well done BBC......