Superman

If boredom had a cape and could fly, it would be this movie. Superman: Legacy manages to do the impossible: make the Man of Steel feel like a soggy paper towel.

Let's start with the plot-if we can even call it that. It's less of a storyline and more of a loosely taped collage of clichés, half-baked ideas, and scenes clearly written during a lunch break. We're introduced to a Superman who has all the charisma of a DMV employee and the emotional range of a brick.

The villain? An AI-generated placeholder with all the menace of a wet sock. The stakes? About as high as deciding between decaf or regular. And don't even get me started on the forced "emotional" moments, which had all the subtlety of a freight train and none of the impact.

The dialogue is painfully robotic, as if the characters are reading fortune cookies to each other while pretending it's Shakespeare. Clark Kent spends half the movie brooding like a sad influencer who lost his Wi-Fi, and the other half giving awkward pep talks that somehow manage to be both boring and unintentionally hilarious.

Visually, the CGI would've looked impressive back in 2006. But in 2025? Watching Superman fly looked more like someone struggling with a green screen TikTok filter.

And finally, the pacing: glacial. Entire civilizations have risen and fallen in the time it takes this movie to move from one dull scene to the next.

In summary, Superman: Legacy is less a cinematic experience and more a two-hour exercise in wondering what went wrong. If you're a fan of Superman, avoid this one to preserve your sanity-and your childhood.

Someone at Warner Bros must have looked at Superman and thought: "What if we made him weaker, less inspiring, and more annoying-then sprinkled in a script so thin it couldn't survive a sneeze?" Congratulations, they did it. This so-called Supermen movie is a catastrophe wearing a cape.

The writing is abysmal. Every line feels like it was churned out by an AI trained on bad fan fiction and energy drink commercials. The pacing? Imagine a snail on tranquilizers. Plot twists? Only if you count "Superman gets tired" as groundbreaking.

And then there's the Man of Steel himself. Since when does Superman bruise like a college freshman in a bar fight? The movie actually zooms in on a bruise, as if the audience is supposed to gasp at how "realistic" it is. No-what it really is, is pathetic. The whole point of Superman is that he's above this kind of nonsense. Stripping him down to some half-baked, fragile mortal doesn't make him relatable. It makes him unrecognizable.

The villains are cardboard cutouts, the CGI looks like leftovers from a PS3 cutscene, and the emotional beats land with the force of a wet napkin. By the end, you're not rooting for Superman. You're rooting for the credits to roll so you can escape.

This isn't just the worst Superman movie. It's the cinematic equivalent of kryptonite. If there's any justice in the universe, this film gets buried in the Phantom Zone where no one has to suffer through it again.

I honestly don't see how this movie could impress anyone older than 10. Sure, it's colorful, lighthearted, and has a few crowd-pleasing moments - but underneath the cape and charm, it feels more like a Saturday morning cartoon than the cinematic relaunch of an iconic hero. For a character as emotionally rich and symbolically heavy as Superman, this version felt oddly flat, even juvenile.

The movie opens with a tone that hints at something deeper - maybe a layered origin story or a grounded emotional arc. For a moment, it feels like James Gunn might give Superman the complexity he deserves. But that promise fades fast. Instead of evolving into something meaningful, the story flattens into a series of lighthearted moments, cheesy one-liners, and safe, predictable beats.

It's like the film is afraid to take itself seriously for more than five minutes. Every time it flirts with depth, it quickly retreats to humor or surface-level charm. That approach might work for younger audiences, but for anyone hoping for a mature or compelling Superman narrative, it's a letdown.

Most of the cast did a decent job - nobody was outright bad, but no one really stood out either. The performances felt safe, almost like everyone was playing within tight creative boundaries. Even characters who are supposed to command the screen - like Superman and Lex Luthor - felt surprisingly muted.

David Corenswet as Superman checks the boxes visually, but his performance doesn't leave much of a mark. There's no real emotional weight, no moment where you truly feel what Clark is going through. And Nicholas Hoult's Lex Luthor, while an interesting casting choice on paper, lacks the menace or charisma that makes the character memorable. He's just... there.

It's frustrating, because these are some of the most iconic roles in comic book history - and yet the film doesn't give the actors enough material to make them feel iconic.

Are bright, the costumes pop, and some of the early shots are eye-catching - at least for a second. But once you settle into the movie, it all starts to feel a bit stale. The CGI is fine, but nothing we haven't seen before. The action scenes are clean but lack intensity or creativity. There's no real visual identity that sets it apart from every other superhero film.

It's like eating candy with no flavor - it looks fun, but you stop caring pretty quickly.

Superman (2025) feels like a movie made to play it safe - colorful enough to distract, light enough to entertain kids, but ultimately hollow for anyone expecting more. It had the opportunity to bring real depth and emotion to one of the most iconic heroes in fiction, but instead settles for a flat, overly sanitized version of the character.

If you're under 10, you might love it. For everyone else, it's just another cape in the crowd.

This was probably one of the best superhero movies I've ever seen. I never was much of a fan of any of the DC movies prior to this. They were all well, forgettable. Knowing the characters growing up and what I envisioned them on screen after what Marvel has pulled off the Snyder DC movies never hit with me. The casting seemed off the story's didn't seem to follow a linear path. I mean Jason Mamoa as Aquaman?! The rock as Black Adam?? Now Jason as Lobo THAT fits. When it comes to this movie and what Superman represents this is 10/10. The movie embodies hope and you can see/feel it whenever Superman is on screen. David knocked it out of the park. The pacing seemed a fast but other than that I loved this movie. Yes Man of Steel was a great film, but it wasn't Superman. THIS is.

"Superman! Champion of the oppressed. The physical marvel who had sworn to devote his existence to helping those in need."

• Jerry Siegel

James Gunn's Superman (2025) arrives at a turbulent time for DC, aiming to rebuild a fractured universe with a fresh yet familiar take on the Man of Steel. David Corenswet's Superman stands between corrupt business and political powers, becoming a controversial figure as he fights for justice and exposes a deeply rigged system.

The film balances a darker, politically charged story with playful, charismatic performances. Corenswet's bond with Krypto (Murphy Weed) adds emotional warmth, while Rachel Brosnahan's Lois Lane and Nicholas Hoult's Lex Luthor embody the hopeful and sinister sides of this new DC world. Supporting heroes like Mr. Terrific, Guy Gardner, Hawkgirl, Metamorpho, and Jimmy Olsen hint at a larger universe in the making.

The real standout is the craft: Henry Braham's immersive cinematography, a powerful score, and sharp editing with near-invisible VFX create a grand, IMAX-worthy spectacle. It may not offer the seamless mythic weight of earlier Superman films, but it's a thrilling, emotionally charged experience that reminds us why we ever believed in heroes.