The Mustang

"The Mustang" (2019 co-production from the US, France, and Belgium; 96 min.) brings the story of Roman. At the movie's beginning, we are informed that over 100,000 wild mustangs roam in the US, from which several hundreds are taken to prisons each year for training by inmates. The opening scenes bring us one of those round-ups, as a chopper is directing a herd of mustangs towards captivity. We are introduced to Roman, locked up (for what crime?) in a maximum security prison in Nevada. "I'm not good with people", he tells the reclassification officer, so she puts him in the outdoor maintenance program. Initially it's just cleaning up horse manure, but eventually he gets to work with one of the mustangs. In a parallel story, Roman is visited by his highly pregnant daughter, and their meeting is - strained... At this point we're 10 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the feature length directing debut of Laure de Clermont-Tonnerre (better known for her acting career in France), and what a debut it is! She also co-wrote the script. She brings a multi-faceted story: yes, there is the redemption side where a hardened criminal finds new hope when bonding with a mustang, but there is also the complicated father-daughter angle (which surprised me on several occasions as that played out), and of course there is the aspect of life in prison. Belgian actor Matthias Schoenaerts was made to play the role of Roman: a very physical yet nuanced performance (in the same way that it reminded me of Marlon Brando--but I'm not saying that Schoenaerts is in the league of Brando!). Bruce Dern has a small role as the heard of the mustang training program. The photography is eye-candy from start to finish. And then there are the mustangs, themselves a character in the movie. In the end, the biggest treasure that was uncovered in this film may well be Laure de Clermont-Tonnerre. I can't wait to see what she will do next. (Please note that Robert Redford is credited as Executive Producer.)

"The Mustang" premiered to immediate acclaim at this year's Sundance film festival, It is not a coincidence that this movie is currently certified 95% fresh on Rotten Tomatoes. "The Mustang" recently opened at my art-house movie theater here in Cincinnati. The Friday early evening screening where I saw this at was attended poorly (5 people to be exact, myself included). That is a shame. Maybe the movie will find a wider audience as it is released in different formats. If you are up for a top-quality movie with a dazzling performance from Matthias Schoenaerts, I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.

The story is great in terms of the human element. It is both beautiful and painful.

As a horse owner, I just couldn't get past how 100% ridiculous the actual horse stuff was. I loved that they used some participants in the program as actors, but the way they dramatized it left a really bad taste in my mouth. Viewers could have learned something about horses - even something basic like pressure and release - but instead what they were shown was that "anyone" can start a wild mustang with zero experience and everything will work out fine in 12 weeks. Not a single helmet in the entire film. Face palm.

Seven stars because I know I have to forgive the horse stuff and focus on what the film was actually about.

"The Mustang" is a heartfelt emotional drama that shows how connection and exploring and experiencing interactions can help a person. The tale is of a prisoner in rural Nevada who struggles to escape his past only to be helped and treated in a new social program. This involves training a stubborn Mustang named Marcus. Look for some good work from veteran Bruce Dern as a veteran trainer and other fellow inmates assist in this new program. All of this is a new heartfelt connection of hope and a challenge and chance to be a better person, something that all should take to.

Triumphs of the human spirit constitute perhaps cinema's most enduring story material, and this French film shot in Nevada brings a powerful existentialist message to the viewer without the preachiness one might expect of an American movie on the subject.

Matthias Schoenaerts, his shaven head and rock-solid physique suggesting a Vin Diesel, is magnificent in the lead role, a convict without hope or direction paralleled with the title wild horse he's tasked to train for sale to police departments or ranchers in a prison program run by craggy old Bruce Dern. Connie Britton makes the most of her two scenes as a prison psychologist working on rehabilitation.

Most of the cast is non-pro, actual prisoners from such a program giving solid performances for debuting feature director Laure de Clermont-Tonnerre. Echoes of "The Myth of Sysiphus" and other existential writings underpin the action, but Laure carefully makes it a visual cinematic experience, not one of those 1950s Playhouse 90 classics from TV's Golden Age. Free of sentimentalism, it also keeps the melodramatic subplot involving chicanery and violence in prison to an absolute minimum, and is a wholly satisfying movie with universal appeal.

Animals in Prisons ... a good idea? I would say yes - and there are apparently studies that confirm that it helps those incarcerated. Horses are symbols of freedom so this is not even a subtle attempt that is being conveyed to the viewer. But one that is very well done.

Robert Redford produced this and I reckon it is just another reminder of how (socially) active he is. Yes he is not just a good looking boy (he'll be forever young, no matter his current age), but one that uses his fame and his power to do something good. And I would say if at least some people watching this realize the potential - the good it can do to have programs like this in prisons ... it hopefully will help in the long run.

Now while that all may sound nice and dandy, there is also a lot grittiness, a lot of violence ... it is a prison after all. So do not be surprised if this does not hold back punches .. or stabs for that matter. The ending .. almost poetic though! Could not have been a better one ... and then the text about different states and statistics.