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Justice brutale

Titre original : Dragged Across Concrete
  • 2018
  • 18A
  • 2h 38m
ÉVALUATION IMDb
6,9/10
61 k
MA NOTE
POPULARITÉ
2 485
855
Mel Gibson, Don Johnson, Vince Vaughn, Tory Kittles, Thomas Kretschmann, Michael Jai White, Jennifer Carpenter, and Justine Warrington in Justice brutale (2018)
A stolid, old guard policeman, Ridgeman and his volatile younger partner, Anthony, find themselves suspended when a video of their strong-arming tactics become the media's special du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their due, but instead find far more than they wanted awaiting them in the shadows.
Liretrailer1:43
1 vidéo
86 photos
braqueComédie noireEnquête policièreCriminalitéDrameMesureThriller

Une fois que deux flics sont suspendus à la police, ils plongent dans le monde des criminels afin de recevoir ce qui leur est dû.Une fois que deux flics sont suspendus à la police, ils plongent dans le monde des criminels afin de recevoir ce qui leur est dû.Une fois que deux flics sont suspendus à la police, ils plongent dans le monde des criminels afin de recevoir ce qui leur est dû.

  • Réalisation
    • S. Craig Zahler
  • Scénariste
    • S. Craig Zahler
  • Vedettes
    • Mel Gibson
    • Vince Vaughn
    • Tory Kittles
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,9/10
    61 k
    MA NOTE
    POPULARITÉ
    2 485
    855
    • Réalisation
      • S. Craig Zahler
    • Scénariste
      • S. Craig Zahler
    • Vedettes
      • Mel Gibson
      • Vince Vaughn
      • Tory Kittles
    • 779Commentaires d'utilisateurs
    • 208Commentaires de critiques
    • 60Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 5 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:43
    Official Trailer

    Photos85

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 81
    Voir l’affiche

    Distribution principale47

    Modifier
    Mel Gibson
    Mel Gibson
    • Brett Ridgeman
    Vince Vaughn
    Vince Vaughn
    • Anthony Lurasetti
    Tory Kittles
    Tory Kittles
    • Henry Johns
    Michael Jai White
    Michael Jai White
    • Biscuit
    Thomas Kretschmann
    Thomas Kretschmann
    • Lorentz Vogelmann
    Jennifer Carpenter
    Jennifer Carpenter
    • Kelly Summer
    Laurie Holden
    Laurie Holden
    • Melanie Ridgeman
    Don Johnson
    Don Johnson
    • Chief Lt. G. Calvert
    Udo Kier
    Udo Kier
    • Friedrich
    Fred Melamed
    Fred Melamed
    • Mr. Edmington
    Justine Warrington
    Justine Warrington
    • Cheryl
    Matthew MacCaull
    Matthew MacCaull
    • Grey Gloves
    Primo Allon
    Primo Allon
    • Black Gloves
    Jordyn Ashley Olson
    Jordyn Ashley Olson
    • Sara Ridgeman
    Myles Truitt
    Myles Truitt
    • Ethan Johns
    Vanessa Bell Calloway
    Vanessa Bell Calloway
    • Jennifer Johns
    Tattiawna Jones
    Tattiawna Jones
    • Denise
    Clare Filipow
    Clare Filipow
    • Female Cashier
    • Réalisation
      • S. Craig Zahler
    • Scénariste
      • S. Craig Zahler
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs779

    6,960.7K
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    Avis en vedette

    8outkastpharaoh-734-457064

    Lionsgate slept on it

    I just read about how this didn't get a theatrical release because it was too long, these suits have no vision. So happy this director trusted his vision enough to not let it be butchered by the studio. I would have loved to see this in theaters.

    I think the pacing was awesome. Some people are saying it was too slow but I think the time it took to get us more indepth with each character paid off. If you really enjoy a good film and don't need action packed explosions to keep your attention, you will really appreciate this film.

    I am now a fan of this writer/director as I don't find many who get it right. Often these writer/director films go off kilter and don't have the right checks and balances. This guy should be given the steering wheel more often and trusted whole heartedly by the studios.
    7johankarp

    Cool movie...oldschool 70's style

    No way near the negative reviews...something kept you hanging on to it and you get to know the characters.... interesting to also include 2 German known actors....liked it....unusual movie these days...and like someone said...it's a movie movie where you have to put time in it....enjoy...
    8InnerWisdom1000

    Slow burner becomes superb in second half

    This film is a difficult watch for the first half. There are many who may even say it is boring, tedious and laborious. And I would be one of them. And yes, perhaps some scenes could have been quickened up and other scenes re-shot to give the opening half of the film more pace.

    Having said that, this was unquestionably a serious character-driven film that had many sad and serious undertones but also welcome moments of light humour. I believe this was absolutely deliberate by a very out-there and intelligent director who brought an initially slow script to life and copperfastened by excellent acting throughout, particularly from Gibson and Vaughn.

    For me, it is the real-life questions that are asked of us, the viewer, not during this excellent film, but long afterwards, that mark this film out from many others which have considerable less impact.

    I would most definitely recommend this film as an excellent watch. But you will need to pass the endurance test of the first half or so, and then you will get your reward over the second half.
    7pob75

    The reviews are polarised - I'll try and indicate which camp you would fall in.....NO SPOILERS

    The reviews on here are more polarised than I think I've seen before. So which is it - a low scoring film worth 3/10 or less, or a film worthy of 7/10 or more? I think it is the latter. The current IMDB average of 7/10 seems about right. It is not perfect but it is very good. The answer for you depends on what you are like and what you are prepared to bring to it.

    My aim in writing a review was to try and give ways to separate the one-out-of-tenners from the high scorers so you can tell if you want to give it 150+ minutes of your time. Here goes.... If you love the 10+ minute scene of a gunman trapping a fly in his gun at the start of Once Upon a Time in the West, give this a try. If it drove you nuts, don't. If you've ever enjoyed an early Takeshi Kitano (a master of underacting) and the inactivity as well as cinematic poetry are enjoyable to you, and the flare ups of sudden violence are acceptable to you, give this a try. If you often watch a film with your phone in your hand and your attention split - just don't bother with this. If you always need fast-paced action, shouting, loud music and overacting this is not for you and you will end up with a rating of less than 3 or 4. If your cinema diet is mainly fast, loud blockbusters, don't bother with this. This is not for those that need the film to constantly poke at them to keep them engaged. If you are one of them then just move on to another film. Don't waste your time. A lot of the one star reviews basically just say nothing more than "boring", "slow" or "worst film ever." They say nothing about the film unless you know the reviewer. Do people really mark films down for "moral ambiguity" or because some questionable characters do ok and don't get their come-uppance? Come on! It's not a fairy tale - the world is not fair. This film rewards concentration. It is dark (visually and in tone) but even has some quiet humour. If you appreciate some of the more subtle or poetic films that are not afraid to be understated with their acting and sparing with their action give it a try.

    I am no great fan of Mel Gibson. He probably peaked with Mad Max for me as far as enjoyment of his films. Vince Vaughn is growing on me but I would have avoided him completely not too long ago. There is certainly no star loyalty inflating my score here. The film is languorous at times. It lingers. Deliberately. The camera is almost fixed for each scene which feels like it is deliberate as well - your eyes get time to explore. It is not as poetic and metaphor-laden as Kitano but it is very nicely visually put together and immerses you in the world the director has built. The lighting and pace fit and are cohesive and consistent with the world of the film. The lack of soundtrack is quite stark - the only music during the film is from characters' car stereos. There is no flashiness or gimmickry. Relative to most films there is a lack of close-ups or zooms. The runtime was not an issue for me - there is not much padding out. It could probably have a light trim without losing much. It has the pace and character focus of a good quality TV mini-series (maybe 3 episodes) and if it was one I suspect people would accept it more. It is not typical of the films we seem to generally be served up. And that is a good thing for me.

    Hopefully this may guide you on whether you should align yourself with the 1 stars or the 7+ stars..... before you watch and invest 2.5 hours. Enjoy. Or avoid.
    8DawnMarieFerrara

    Solid Film

    Hadn't heard anything about this film before it came up on my Netflix. When I saw the 2 hour and 39 minute runtime I almost took a pass on the film. I'm so glad I didn't. Honestly, once the film started I was drawn into the story by the characters and the acting. The characters are well developed and the acting is solid. Really interesting pairing of Mel Gibson and Vince Vaughn, they work brilliantly opposite each other as do Michael Jai White and Tory Kittles. The dialogue reminded me of Quentin Tarantino. Though I really enjoyed the film, It is extremely slow paced and it could have used some more editing but over all this film is worth watching.

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    Criminalité
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    Drame
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    Mesure
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Vince Vaughn, while working with Mel Gibson on Hacksaw Ridge, showed Gibson the screenplay for this film, and talked-up writer/director S. Craig Zahler and his vision. Gibson was responsive to the material and agreed to star immediately.
    • Gaffes
      When we first see the getaway car near the end, it's a white Chevrolet Tahoe. In the next scene it's inexplicably a white Dodge Durango. Then it goes back to being a white Chevrolet Tahoe again.
    • Citations

      Brett Ridgeman: Is that a guy or a girl singin' that song?

      Anthony Lurasetti: Can't tell.

      Brett Ridgeman: Not that there's much of a difference these days.

      Anthony Lurasetti: I think that line was obliterated the day men started saying we're pregnant when their wives were.

    • Connexions
      Featured in Elements of a Crime: The Making of 'Dragged Across Concrete' (2019)
    • Bandes originales
      A Better Place for Us
      Written by Jeff Herriott & S. Craig Zahler

      Performed by S. Craig Zahler

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    FAQ21

    • How long is Dragged Across Concrete?Propulsé par Alexa
    • What is the name of the song used in the trailer?
    • Which film is more suitable for a 16 year old, violence-wise, between this and Brawl in cell block 99?
    • What are the names of the two songs played in Biscuit's car during the scenes that take place in Biscuit's Car?

    Détails

    Modifier
    • Date de sortie
      • 22 mars 2019 (United States)
    • Pays d’origine
      • Canada
      • United Kingdom
      • United States
    • Sites officiels
      • Official Facebook
      • Official site (Japan)
    • Langues
      • English
      • Spanish
    • Aussi connu sous le nom de
      • Dragged Across Concrete
    • Lieux de tournage
      • Vancouver, Colombie-Britannique, Canada
    • sociétés de production
      • Summit Entertainment
      • Unified Pictures
      • CINESTATE
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 15 000 000 $ US (estimation)
    • Brut – à l'échelle mondiale
      • 660 132 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 38m(158 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39 : 1

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