Le policier Asger Holm entre dans une course contre la montre quand il répond à l'appel d'urgence d'une femme enlevée.Le policier Asger Holm entre dans une course contre la montre quand il répond à l'appel d'urgence d'une femme enlevée.Le policier Asger Holm entre dans une course contre la montre quand il répond à l'appel d'urgence d'une femme enlevée.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 38 victoires et 43 nominations au total
Jessica Dinnage
- Iben
- (voice)
Omar Shargawi
- Rashid
- (voice)
Johan Gotthardt Olsen
- Michael
- (voice)
- (as Johan Olsen)
Jacob Lohmann
- Bo
- (voice)
- (as Jacob Hauberg Lohmann)
Simon Bennebjerg
- Junkie
- (voice)
Laura Bro
- Journalist
- (voice)
Caroline Løppke
- Fuld kvinde
- (voice)
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Avis en vedette
The Guilty
"The Guilty" is one of those one-man show movies that revolve around a single character in a single location working through some sort of dramatic situation. In this film, the character is a cop who's been put on 911 call center duty while he awaits trial for misconduct on the job. The way he handles the emergency that falls into his lap and the way he goes about making decisions, most of them bad ones, tells us a lot about him and how he probably ended up on trial in the first place.
Movies like this are always going to feel to a certain extent like gimmicks and will have to deal with the distractions that come with that (How will it maintain dramatic tension? How will it remain visually engaging?) This one uses a plot twist that serves to both throw the audience for a loop and reveal much about our main character, namely that he makes a whole heap of assumptions when dealing with a crisis scenario, not the best attribute for a police officer.
A slick, effective little thriller that's well worth your time.
Grade: A-
Movies like this are always going to feel to a certain extent like gimmicks and will have to deal with the distractions that come with that (How will it maintain dramatic tension? How will it remain visually engaging?) This one uses a plot twist that serves to both throw the audience for a loop and reveal much about our main character, namely that he makes a whole heap of assumptions when dealing with a crisis scenario, not the best attribute for a police officer.
A slick, effective little thriller that's well worth your time.
Grade: A-
Forgot to drink my beer
I watched this in theatre, and when it finished I found out that I didn't finish my overpriced beer. Haven't been this engaged in a movie in a while
10/10!
Hanging at the edge of my seat.
Had the chance to see the movie weeks prior to its official release on ocotbre 18th here in Switzerland at the Zurich Film Festival.
I'm usually not a fan of crime/thriller movies but this one has earned a special place in my heart. The simple premise (police officer with troubling past, has to work at the emergency hotline, just when his shift ends a woman who is being abducted reaches his line, the chase begins) took me in immediately and didn't let up until the end credits showed. The movie has two main plots: The abducted woman and Asger Holm's (main character, police officer) past. In the beginning we do not know much about either plot, but as the movie goes on more and more secrecy is peeled off. Both stories have their climax at the very same moment and make that moment in the movie all the more dramatic.
So much about the plot, on to the cinematography and other technicalities:
The whole movie takes place in the emergency phone central of Kopenhagen Denmark and is filmed in two rooms, the main office and a smaller one desk room. Lots of closeups of the main character let us really get into his head. The story of the movie is told only through phonecalls that he makes to a number of people all involved in the abduction. The movie was shot in only 13 days, which makes the cinematography even more impressive; all the shots have a purpose and hit their beats excellently. Feelings and character development is mostly conveyed through facial expression and dialogue. The sound design is on par with the acting, exciting at highpoints and subtle in quiet moments but always present.
The plot stays quite unpredictable for a long time and even if you have a hunch, some details about it may still come as a surprise.
Very good first time experience, however I am unsure about the rewatchability. On the other hand I still like to rewatch Fightclub, Memento and Shutter Island as well.
I'm usually not a fan of crime/thriller movies but this one has earned a special place in my heart. The simple premise (police officer with troubling past, has to work at the emergency hotline, just when his shift ends a woman who is being abducted reaches his line, the chase begins) took me in immediately and didn't let up until the end credits showed. The movie has two main plots: The abducted woman and Asger Holm's (main character, police officer) past. In the beginning we do not know much about either plot, but as the movie goes on more and more secrecy is peeled off. Both stories have their climax at the very same moment and make that moment in the movie all the more dramatic.
So much about the plot, on to the cinematography and other technicalities:
The whole movie takes place in the emergency phone central of Kopenhagen Denmark and is filmed in two rooms, the main office and a smaller one desk room. Lots of closeups of the main character let us really get into his head. The story of the movie is told only through phonecalls that he makes to a number of people all involved in the abduction. The movie was shot in only 13 days, which makes the cinematography even more impressive; all the shots have a purpose and hit their beats excellently. Feelings and character development is mostly conveyed through facial expression and dialogue. The sound design is on par with the acting, exciting at highpoints and subtle in quiet moments but always present.
The plot stays quite unpredictable for a long time and even if you have a hunch, some details about it may still come as a surprise.
Very good first time experience, however I am unsure about the rewatchability. On the other hand I still like to rewatch Fightclub, Memento and Shutter Island as well.
How come Danish films are often just so good?
In the vein of Locke, this super low-budget but effective thriller had me on the edge of my seat. It had the appropriate twists and turns to keep the audience guessing. It played with my emotions and had me in tears. How come Danish films are often just so good?
Unfolding in real time, this immediately involving story bends and turns in surprising, sometimes horrifying ways. Enriched by Oskar Skriver's marvelous sound editing, which takes us from a speeding van to a bloodcurdling crime scene with equal authenticity, the movie smoothly blends police procedural with character study. What's happening on the end of Asger's phone line is gripping enough, but what's happening inside his head - illuminated by Jasper Spanning's almost abusive close-ups - is every bit as fascinating.
Unfolding in real time, this immediately involving story bends and turns in surprising, sometimes horrifying ways. Enriched by Oskar Skriver's marvelous sound editing, which takes us from a speeding van to a bloodcurdling crime scene with equal authenticity, the movie smoothly blends police procedural with character study. What's happening on the end of Asger's phone line is gripping enough, but what's happening inside his head - illuminated by Jasper Spanning's almost abusive close-ups - is every bit as fascinating.
a very minimalistic, but genuinely gripping thriller
Considering all the action is taking place in one room and happens via phone call in Danish language, it's incredible how it keeps you on the edge of your seat with strong character development, great acting and intriguing plot twists
Le saviez-vous
- AnecdotesThe genesis of the film was a YouTube clip of a kidnapped woman calling an emergency dispatcher while her kidnapper sat nearby. Director Gustav Möller was struck by how much an audio clip could convey on its own with no visual accompaniment.
- GaffesWhen Asger is having a phone conversation (1:11:30) his forefinger is on the cell phone but in the next scene the forefinger is on his cheek.
- Citations
Vagtleder Nordsjælland: Good job, Asger.
- ConnexionsFeatured in La noche de...: La Noche de... The Guilty (2022)
- Bandes originalesUntitled
Composed by Lasse Martinussen
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- How long is The Guilty?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 207 140 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 60 050 $ US
- 21 oct. 2018
- Brut – à l'échelle mondiale
- 4 598 051 $ US
- Durée
- 1h 25m(85 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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