The Banishing

I love Smith's other 6 features, but this one....not so much. It is a slow burn, and that I have no problem with. Trouble is, it really doesn't go anywhere. The cast tries, but the script is lacking on multiple fronts. It doesn't help that Smith's trademark pitch black humor - which somehow even showed up in moments of Black Death - is totally absent here. It almost seems like he knew this was hopeless and put in minimal effort. If not for seeing "Directed by Christopher Smith" in the credits, it could have been made by literally anyone. Very disappointing to see a director with so much ability just phoning it in. Hopefully this is just an aberration.

The Banishing (2021) is the latest film from Christopher Smith, director of such chillers as Creep (2005), Severance (2006) and Triangle (2009). This is a very drama focused horror film, and as such there is a bit of time investment required by the viewer before 'The Banishing' offers up some scares.

The Banishing is a restrained and rather muddled ghost story set in pre-WW2 Britain. Taking a more traditional approach to the haunted house tale, the film focuses more on characters and drama. There is great emphasis on the film's context, not just the parallels with the foreboding and inevitable conflict with fascism, but also the social isolation felt by the mother and her illegitimate child.

The bulk of "The Banishing" consists of Marianne (Jessica Brown Findlay; from Downton Abby) facing the demons that have emerged from the tarnished history of Borley. Jessica Brown Findlay is the saving grace of this moody ghost story her superior performance. She is a great actress and kept the film engaging.

On its technical merits, the film is quite satisfactory. It is well-shot, with creative framing in many scenes. The soundtrack is chilling and unnerving when it needs to be. The Banishing admittedly provides a genuine threat, though the ending itself was too similar to that which many past horror films have used as misdirection before unveiling their real ending. It is worth a watch for the period setting of the 1930's WWII Britain and the standout performance of Jessica Brown Findlay.

As I sat down to watch the 2020 horror movie titled "The Banishing", I must admit that I was expecting to be in for more of a haunted house or ghostly movie of sorts. Little did I imagine that I would be in for a snoozefest of epic proportions.

And it is no secret that the movie's cover/poster definitely caught my attention, with its promise of something otherworldly or supernatural.

I have to admit that I am somewhat baffled that three writers - David Beton, Ray Bogdanovich and Dean Lines - could collectively manage to come up with a script so devoid of a proper storyline, interesting characters or anything even remotely scary. So that made "The Banishing" a rather boring and unappealing movie actually. And I got up and turned it off with just 40 minutes left to watch. But by that time, having suffered through a heap of nothingness, then I was just fed up with the lack of anything worthwhile.

It should be said, though, that the acting performances were actually fair enough, and had the actors and actresses been given a more well-written script to work with, then they could have put on stellar performances. Just a shame that they literally had nothing to work with to bring the movie to life on the screen.

The atmosphere in the movie was good and it could have been utilized so well to compliment the story effectively, if only the movie actually had a proper script in the first place.

For a horror movie then "The Banishing" was a very weak and watered-down cup of stale, cold tea. Believe you me. And if you, like me enjoy a proper horror movie, do yourself a favor and stay clear of this 2020 movie from director Christopher Smith, because it is simply a waste of time.

My rating of "The Banishing" lands on a three out of ten stars, not because of the movie's script and storyline, but because of the acting performances and the atmosphere of the movie. However, I have zero interest in returning to watch the last 40 minutes of "The Banishing", as I just don't care one ounce about the storyline or the characters milling about aimlessly and without purpose.

There is a lot to enjoy in this somewhat by-the-numbers haunted house movie. Sean Harris gives it everything to almost comic effect and Jessica Brown Findlay is very good. True, there's nothing new to see here and it drags a touch but it's certainly more engaging than many recent mid-budget ghost films.

A vicar and his wife and her child are sent to a failing parish, but the vicarage holds a ghastly secret.

Decent performances, the standout being the occultist, who has a certain look and intensity that suited the part - although I had trouble catching some of his lines. Otherwise, the sound design is good, with effective music, and the cinematography makes the most of an old location and does justice to the director's flair for mirror trickery and surreal images.

But the screenplay is an absolute mess. This is supposed to be a story of righting a historical wrong, of laying a ghost to rest - think Ringu for pure simplicity with clever story telling ... and then run a mile from this. It's burdened with a preposterous fascist subplot, but also has the cheek to open with a scene that is never integrated into the main plot yet is far more gruesome than anything that comes after, then intrigues with a tango scene - again, pointless - before stabbing away at some blaaah about illegitimate child bearing, before resolving on a completely under-powered encounter at the end. All sorts of themes are tossed in, with an unserious take on religion, resulting in a lack of drive or coherence. Because of this, nothing can really work, and the whole thing is drained of frights.

How do actors, and the director and cinematographer, find the will to go on with this kind of material? Beats me.