Une influenceuse et son conjoint mannequin sont invités sur un yacht de luxe, dont le capitaine est un alcoolique marxiste.Une influenceuse et son conjoint mannequin sont invités sur un yacht de luxe, dont le capitaine est un alcoolique marxiste.Une influenceuse et son conjoint mannequin sont invités sur un yacht de luxe, dont le capitaine est un alcoolique marxiste.
- Nommé pour 3 oscars
- 25 victoires et 81 nominations au total
Zlatko Buric
- Dimitry
- (as Zlatko Burić)
Histoire
Le saviez-vous
- AnecdotesCharlbi Dean unexpectedly died shortly after the film's release from sepsis, which was caused by the bacteria called Capnocytophaga. This was complicated by the fact that she had lost her spleen several years before in a car accident. She was just 32.
- GaffesFirst time we see Therese, she has right sided hemiplegia and aphasia both consistent with a left brain infarct. When she is pulled to shore, her hemiplegia switches sides and for the rest of the movie she has left hemiplegia.
- Citations
Clementine: [picking up a live grenade] Winston, look. Isn't this one of ours?
- Autres versionsRelease in two versions, one for general worldwide release, and an edited cut for People's Republic of China. Respective runtimes are "2h 27m (147 min)" and "2h 13m (133 min) (Mainland China Censored Version) (China)".
- Bandes originalesBorn Free
Written by M.I.A. (as Maya Arulpragasam), Dave Taylor, Alan Vega, Martin Rev and John Hill
Performed by M.I.A.
© Concord Copyrights London Ltd, Saturn Strip Ltd, Switch Werd Music/Rodeoman Music © WC Music Corp. administered by Warner Chappell Music Scandinavia P 2010
Licensed courtesy of XL Recordings Ltd
Commentaire en vedette
Writer-Director Ruben Ostlund fancies himself as a filmmaker specializing in social satires. As the title hints at, his heavy-handed TRIANGLE OF SADNESS is broken up into three chapters. What connects the three are a fashion modeling pair, Carl (Harris Dickson) and Yaya (Charlbi Dean; in her final role).
The conceited couple end up on a luxury cruise ship which includes a contingent of Russian oligarchs. It's captained by an erratic commander in Woody Harrelson, leaving much of the crew discipline up to Paula (Vicki Berlin). As in FORCE MAJEURE and THE SQUARE, Ostlund is fond of having a big set piece at the center: the avalanche in FORCE, the ape man at the fundraiser in SQUARE. In TRIANGLE OF SADNESS it's a Captain's Dinner set during a storm. Anybody who's seen Marco Ferrari's LA GRAND BOUFFE or Monty Python's MEANING OF LIFE will be prepared for the aftermath of the combo of fine dining and sea-sickness that follows. And, then things get even worse for Carl, Yaya and the rest of the guests and crew.
Ostlund has never been a subtle filmmaker, but, even by his standards, TRIANGLE OF SADNESS hits its targets too directly and on point from the very start with an over-extended prologue showing how superficial the fashion world is - stop the presses! Ostlund is too talented for the movie to be totally bereft of humor, but, he beats his targets over the head so firmly that whatever insights or laughs get drowned out in the process.
The final act, the aftermath of the cruise ship's calamities, has a certain effectiveness even if it's too drawn out. Dolly De Leon as Abigail, a cleaning woman, comes to the fore in this section and gives the movie a genuine spark or two. The rest of the cast do what they can with the the script (Ostland's first primarily in the English language - maybe the nuances got lost in the translation). Zlatko Buric is particularly effective as a boorish Russian passenger. Production-wise, TRIANGLE is well made with good use of the locations, including the main setting on the Cristina O yacht; But in the end, it's the failure of Ostlund to have anything to say -- let alone with wit and wisdom - that sinks this production.
The conceited couple end up on a luxury cruise ship which includes a contingent of Russian oligarchs. It's captained by an erratic commander in Woody Harrelson, leaving much of the crew discipline up to Paula (Vicki Berlin). As in FORCE MAJEURE and THE SQUARE, Ostlund is fond of having a big set piece at the center: the avalanche in FORCE, the ape man at the fundraiser in SQUARE. In TRIANGLE OF SADNESS it's a Captain's Dinner set during a storm. Anybody who's seen Marco Ferrari's LA GRAND BOUFFE or Monty Python's MEANING OF LIFE will be prepared for the aftermath of the combo of fine dining and sea-sickness that follows. And, then things get even worse for Carl, Yaya and the rest of the guests and crew.
Ostlund has never been a subtle filmmaker, but, even by his standards, TRIANGLE OF SADNESS hits its targets too directly and on point from the very start with an over-extended prologue showing how superficial the fashion world is - stop the presses! Ostlund is too talented for the movie to be totally bereft of humor, but, he beats his targets over the head so firmly that whatever insights or laughs get drowned out in the process.
The final act, the aftermath of the cruise ship's calamities, has a certain effectiveness even if it's too drawn out. Dolly De Leon as Abigail, a cleaning woman, comes to the fore in this section and gives the movie a genuine spark or two. The rest of the cast do what they can with the the script (Ostland's first primarily in the English language - maybe the nuances got lost in the translation). Zlatko Buric is particularly effective as a boorish Russian passenger. Production-wise, TRIANGLE is well made with good use of the locations, including the main setting on the Cristina O yacht; But in the end, it's the failure of Ostlund to have anything to say -- let alone with wit and wisdom - that sinks this production.
- gortx
- 24 oct. 2022
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- How long is Triangle of Sadness?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Triangle of Sadness
- Lieux de tournage
- Chiliadou beach, Evoia, Grèce(group stranded on the beach)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 € (estimation)
- Brut – États-Unis et Canada
- 4 608 096 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 214 602 $ US
- 9 oct. 2022
- Brut – à l'échelle mondiale
- 26 214 659 $ US
- Durée2 heures 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.40 : 1
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