ÉVALUATION IMDb
7,6/10
45 k
MA NOTE
En 1980 à New York, trois jeunes hommes adoptés se rencontrent et découvrent qu'ils ont été séparés à la naissance. Ils découvrent ensuite pourquoi.En 1980 à New York, trois jeunes hommes adoptés se rencontrent et découvrent qu'ils ont été séparés à la naissance. Ils découvrent ensuite pourquoi.En 1980 à New York, trois jeunes hommes adoptés se rencontrent et découvrent qu'ils ont été séparés à la naissance. Ils découvrent ensuite pourquoi.
- Réalisation
- Scénariste
- Vedettes
- Nommé pour 3 prix Primetime Emmy
- 12 victoires et 58 nominations au total
Robert Shafran
- Self
- (as Bobby Shafran)
Eddy Galland
- Self
- (archive footage)
Richard Kellman
- Self
- (archive footage)
Justine Wise Polier
- Self - President, Louise Wise Services
- (archive footage)
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Avis en vedette
Three Identical Strangers (2018)
Normally, I'm not super into documentaries unless the subject matter is something I have a heightened interest in. I watched Won't You Be My Neighbor? earlier this year and thought it was actually excellent. So was hoping for a similar type of reaction with Three Identical Strangers. The trailer did a job of garnering interest because it seemed like a rather incredible set of circumstances. Overall, this documentary absolutely delivers, and is surprisingly quite dark.
The film is about the real life events of three men finding each other and realizing that they are in fact identical triplets. What's more crazy, is the fact that each of them have the same mannerisms and many of the same tastes in everything. Of course, questions arose as to why the triplets were separated at birth and not adopted together. The dark secrets of the adoption center are revealed in this documentary and questions arise as to the ethical nature as to what happened to these triplets.
From beginning to closing credits, this is an enthralling story. I have never even heard about this case, despite the brothers being located in New York. Its super hard to talk about the film without the twist that comes halfway through the film. It actually is crazy and makes you consider how dark and twisted human nature can be when they feel their actions is considered important and necessary. Its super hard not to talk about it, all I can say is you need to see this film.
Its a film about an event that is extremely joyous in the beginning. But as the film goes on you realize that the lives of these separated triplets is marred by tragedy and controversy. Its a documentary that will get you to think and wonder and talk. Its an important film for its social context and its psychology. There are some good stuff out this summer and this is something I hope people see.
7.5/10
The film is about the real life events of three men finding each other and realizing that they are in fact identical triplets. What's more crazy, is the fact that each of them have the same mannerisms and many of the same tastes in everything. Of course, questions arose as to why the triplets were separated at birth and not adopted together. The dark secrets of the adoption center are revealed in this documentary and questions arise as to the ethical nature as to what happened to these triplets.
From beginning to closing credits, this is an enthralling story. I have never even heard about this case, despite the brothers being located in New York. Its super hard to talk about the film without the twist that comes halfway through the film. It actually is crazy and makes you consider how dark and twisted human nature can be when they feel their actions is considered important and necessary. Its super hard not to talk about it, all I can say is you need to see this film.
Its a film about an event that is extremely joyous in the beginning. But as the film goes on you realize that the lives of these separated triplets is marred by tragedy and controversy. Its a documentary that will get you to think and wonder and talk. Its an important film for its social context and its psychology. There are some good stuff out this summer and this is something I hope people see.
7.5/10
A superior documentary
On July 12, 1961 in Glen Oaks, New York: Robert Shafran, Eddie Galland, and Robert Kellman were born as identical triplets to a single mother and later adopted in different families. This documentary chronicles their story which includes their eventual reunion and beyond.
This is one of those documentaries which reinforces the belief that truth is stranger than fiction. It can also join superior documentaries like "Bus 174" (2002 - Brazil) and "Tower" (2016 - USA) as non-fiction films that end up as mysterious thrillers for audiences who are unaware of the events exposed in each film. An odd twist about "Strangers" though, is that some information remains incomplete by the end - this is no fault by any means of the filmmakers who do a superb job. Without giving anything away, there is a perverse reason that so much information is denied to the viewer and to the many involved in this bizarre story.
Some movies finish with happy endings. This one starts with a happy beginning. There is much joy in the reunion and the enormous ripple effect this causes. Once the thrill starts to settle down, the young men naturally want to learn more about their birth and adoption circumstances. What they learn turns the film into a sinister mystery.
Once all the talking heads are introduced within the first twenty minutes or so, a keen observer will notice that another mystery is yet to unfold as the film chronologically reveals the lives of the triplets. Once the mystery is revealed, the emotional impact is stunning.
As if this film isn't rich enough, it even digs into issues of class. Each boy grew up in different circumstances from each other. This further fuels the debate of nature vs nurture. One thing though is not debatable: "Three Identical Strangers" is one of the most fascinating documentaries ever. Not since the Dionne quintuplets were born in 1934 has there been such a fascinating story of identical siblings from a multiple birth. - dbamateurcritic
This is one of those documentaries which reinforces the belief that truth is stranger than fiction. It can also join superior documentaries like "Bus 174" (2002 - Brazil) and "Tower" (2016 - USA) as non-fiction films that end up as mysterious thrillers for audiences who are unaware of the events exposed in each film. An odd twist about "Strangers" though, is that some information remains incomplete by the end - this is no fault by any means of the filmmakers who do a superb job. Without giving anything away, there is a perverse reason that so much information is denied to the viewer and to the many involved in this bizarre story.
Some movies finish with happy endings. This one starts with a happy beginning. There is much joy in the reunion and the enormous ripple effect this causes. Once the thrill starts to settle down, the young men naturally want to learn more about their birth and adoption circumstances. What they learn turns the film into a sinister mystery.
Once all the talking heads are introduced within the first twenty minutes or so, a keen observer will notice that another mystery is yet to unfold as the film chronologically reveals the lives of the triplets. Once the mystery is revealed, the emotional impact is stunning.
As if this film isn't rich enough, it even digs into issues of class. Each boy grew up in different circumstances from each other. This further fuels the debate of nature vs nurture. One thing though is not debatable: "Three Identical Strangers" is one of the most fascinating documentaries ever. Not since the Dionne quintuplets were born in 1934 has there been such a fascinating story of identical siblings from a multiple birth. - dbamateurcritic
One of the best documentaries and thrillers of the year.
Three Identical Strangers is a documentary to die for: it has camera-ready, outgoing triplet brothers, who discover each other 19 years after birth (1980), become media darlings, and provide filmmaker Tim Wardle with one of the best thrillers of the year. Read this review but not those that will disclose the mysterious underpinnings of one of the best docs this year.
Yes, things do not all turn well after the initial exaltation over their finding each other. The doc expertly distributes the dark revelations as if we were their friends slowly learning astonishing facts about the triplets from separation to owning a restaurant called, what else, Triplets. Not only do we see the nuances of differences among the triplets, but we also get tantalizing looks into the machinery of adoption, not all happy to be sure.
As adults, Robert Sheridan, David Kellman, and Eddy Galland are outgoing and articulate (only two are talking heads, while Eddy's part is archival footage). Good for director Wardle letting them tell the story without prompting, for effective docs mostly let the camera roll and the subject talk. This doc will grab you and not let you go-you'll hunger for more.
As the background of the adoption and the testimony reveals startling information, our natural inclination is to contrast the three different social backgrounds to see the effects of nature vs. nurture. Indeed social scientists are here plying their trade, sometimes in unethical ways yet food for the thriller part of this engrossing film.
Although the nature/nurture debate is never fully deconstructed, I was pleased with the taste of it, as most social scientists must be in such a delicious dramatic stew. I'm done writing for fear of spoiling one of the delights of this documentary: What comes next?
Don't even Google because you can find the details there. Most desirable is to witness how artfully through excellent film you can find in reality that truth can be stranger than fiction. And definitely not fake.
Three Identical Strangers is one of the year's best documentaries. It has it all but the definitive answer to the central mystery. Learn more by seeing it, not Googling it.
Yes, things do not all turn well after the initial exaltation over their finding each other. The doc expertly distributes the dark revelations as if we were their friends slowly learning astonishing facts about the triplets from separation to owning a restaurant called, what else, Triplets. Not only do we see the nuances of differences among the triplets, but we also get tantalizing looks into the machinery of adoption, not all happy to be sure.
As adults, Robert Sheridan, David Kellman, and Eddy Galland are outgoing and articulate (only two are talking heads, while Eddy's part is archival footage). Good for director Wardle letting them tell the story without prompting, for effective docs mostly let the camera roll and the subject talk. This doc will grab you and not let you go-you'll hunger for more.
As the background of the adoption and the testimony reveals startling information, our natural inclination is to contrast the three different social backgrounds to see the effects of nature vs. nurture. Indeed social scientists are here plying their trade, sometimes in unethical ways yet food for the thriller part of this engrossing film.
Although the nature/nurture debate is never fully deconstructed, I was pleased with the taste of it, as most social scientists must be in such a delicious dramatic stew. I'm done writing for fear of spoiling one of the delights of this documentary: What comes next?
Don't even Google because you can find the details there. Most desirable is to witness how artfully through excellent film you can find in reality that truth can be stranger than fiction. And definitely not fake.
Three Identical Strangers is one of the year's best documentaries. It has it all but the definitive answer to the central mystery. Learn more by seeing it, not Googling it.
The ethics of the pursuit of knowledge.
What starts off as a light-hearted story of seeming coincidence slowly takes an meandering twist into darkness. I'm interested in original, well told stories and this one is exception. I find it amazing the lengths people will go to in the name of science, the trouble is, those people tend to lack certain human qualities and as a result people often end up suffering greatly on the basis of their decisions.
Ultimately, I think the testament of a great, well told story is that it leaves you asking yourself big questions. The subject matter of the film leaves you wondering that, but the ethics behind it does not make it right and it just amazes me that it was ever allowed to happen and who was ultimately accountable for that.
Ultimately, I think the testament of a great, well told story is that it leaves you asking yourself big questions. The subject matter of the film leaves you wondering that, but the ethics behind it does not make it right and it just amazes me that it was ever allowed to happen and who was ultimately accountable for that.
An emotional roller-coaster with some questions left lingering
Stories about Twins (and other pairs of siblings) separated at birth aren't all that uncommon - but, triplets? Director Tim Wardle takes that rare occurrence and runs with it in the breathless and highly entertaining first section of his Documentary THREE IDENTICAL STRANGERS. Wardle also cleverly edits his footage (including the interviews) in order to preserve as many surprises about the secrets and lies to come later in the movie. Some might argue that Wardle's technique is a bit of cheat, but, for those who enter without knowing the full story it enhances the viewing, even if it does cause some issues later on.
The story is told quite sequentially, and, again, that is in service of providing more drama as the Doc unfolds. Because the events go back to the 60s, many of the participants aren't around any longer to speak for themselves. Still, Wardle and his team managed to assemble a good cross-section of survivors to go on the record. Because the story was such a cause celebre in the early 80s (and in the NYC area to boot) we are also able to see a decent amount of historical footage of the triplets and their rise to fame including trips to the Today show, Donahue and a brief cameo in Susan Seidelman's DESPERATELY SEEKING SUSAN (supposedly at the behest of star Madonna). Some fairly minor dramatic re-enactments are also employed, and aren't distracting (Wardle also maintains the proper aspect ratio in much of the vintage footage - to his credit).
As the true tale turns darker, a few issues with the filmmaking arrive. I won't delve into spoilers (I avoided them myself in order for the Doc to have maximum impact), but, the old Nurture vs. Nature debate becomes a key point of contention - as it does with all of these 'separated at birth' cases. Because of the way Wardle structures his editing, we mostly get the 'Nature' perspective until very late in the process. Further, a major cache of evidence is dropped in at the very last moment, and isn't sufficiently analyzed. It's understood that after five years in the making, Wardle, Raw, Neon and other production entities wanted to get their movie done and released, but one can't help but feel the editing was wrapped up in order to get a prized Sundance Film Festival spot. Wardle also includes a couple of curious montages repeating what we've seen earlier as if he had an eye on TV showings (CNN is set to show it). But, these problems pale compared to Wardle's casting a light on some highly unethical behavior that effected the triplets' lives.
These relatively minor issues aside, THREE IDENTICAL STRANGERS again shows why there is a bit of Documentary boom going on. In a cinema dominated by Superhero and Animated flicks, there is a yearning among some adults for movies of substance and reality. STRANGERS is a true emotional roller-coaster.
The story is told quite sequentially, and, again, that is in service of providing more drama as the Doc unfolds. Because the events go back to the 60s, many of the participants aren't around any longer to speak for themselves. Still, Wardle and his team managed to assemble a good cross-section of survivors to go on the record. Because the story was such a cause celebre in the early 80s (and in the NYC area to boot) we are also able to see a decent amount of historical footage of the triplets and their rise to fame including trips to the Today show, Donahue and a brief cameo in Susan Seidelman's DESPERATELY SEEKING SUSAN (supposedly at the behest of star Madonna). Some fairly minor dramatic re-enactments are also employed, and aren't distracting (Wardle also maintains the proper aspect ratio in much of the vintage footage - to his credit).
As the true tale turns darker, a few issues with the filmmaking arrive. I won't delve into spoilers (I avoided them myself in order for the Doc to have maximum impact), but, the old Nurture vs. Nature debate becomes a key point of contention - as it does with all of these 'separated at birth' cases. Because of the way Wardle structures his editing, we mostly get the 'Nature' perspective until very late in the process. Further, a major cache of evidence is dropped in at the very last moment, and isn't sufficiently analyzed. It's understood that after five years in the making, Wardle, Raw, Neon and other production entities wanted to get their movie done and released, but one can't help but feel the editing was wrapped up in order to get a prized Sundance Film Festival spot. Wardle also includes a couple of curious montages repeating what we've seen earlier as if he had an eye on TV showings (CNN is set to show it). But, these problems pale compared to Wardle's casting a light on some highly unethical behavior that effected the triplets' lives.
These relatively minor issues aside, THREE IDENTICAL STRANGERS again shows why there is a bit of Documentary boom going on. In a cinema dominated by Superhero and Animated flicks, there is a yearning among some adults for movies of substance and reality. STRANGERS is a true emotional roller-coaster.
Le saviez-vous
- AnecdotesThe movie that the triplets had a cameo in is Recherche Susan désespérément (1985).
- GaffesBobby owned a 1970 Volvo. In archive footage it's shown to be a Volvo 164 but in the reenactment scenes set in 1980 it's a newer Volvo 244.
- Citations
Robert Shafran: When I tell people my story, they don't believe it. I guess I wouldn't believe the story if someone else were telling it, but , I'm telling it and it's true, every word of it.
- ConnexionsFeatured in WatchMojo: Top 10 Movies You Missed This Summer (2018)
- Bandes originalesSince You Been Gone
Written by Russ Ballard
Performed by Rainbow
Published by Union Square Music Songs Ltd., a BMG Company
Courtesy of Polydor Records (US)
Under license from Universal Music Operations Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Three Identical Strangers
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 12 320 845 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 171 503 $ US
- 1 juill. 2018
- Brut – à l'échelle mondiale
- 13 448 497 $ US
- Durée
- 1h 36m(96 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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