Une journaliste britannique infiltre les chaînes de propagande en ligne de l'État dit islamique, pour ensuite se faire enrôler par son recruteur.Une journaliste britannique infiltre les chaînes de propagande en ligne de l'État dit islamique, pour ensuite se faire enrôler par son recruteur.Une journaliste britannique infiltre les chaînes de propagande en ligne de l'État dit islamique, pour ensuite se faire enrôler par son recruteur.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 4 victoires et 7 nominations au total
Hollie Burgess
- Friend
- (uncredited)
Marie Hamilton
- Waitress
- (uncredited)
Irina Klimovich
- Journalist
- (uncredited)
Louis Martin
- Bouncer
- (uncredited)
Adam Scott-Rowley
- Journalist
- (uncredited)
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Avis en vedette
Good Thriller
"You wouldn't lie to me, would you?"
Profile follows a British journalist going undercover and infiltrating the digital propaganda channels of the so-called Islamic State, which has been mobilizing ever greater numbers of women from Europe. Her daily Internet contacts with an ISIS recruiter gradually pull her in and push the limits of her investigation. The makers of this have been hyping it up ever since the announcement of its release. Technically, it is a wide release, but I don't think I've seen it playing anywhere. Fortunately, I received a screener and watched it on a whim. The movie has a lot going for it. The story is quite interesting. It's inspired by a true story which makes it all the more crazy and intense. This is a really intense movie especially with how fast it goes by. There were times where I found myself on the edge of my seat waiting to see what move was to be played next. Valene Kane as Amy is really good. This is the first I've seen her in a lead role, but she carries the whole thing. She has to have two different personas-one personal and one for her interviews- but slowly they mold into one. Amy is a developed character. I wish the others were a bit more. Shasad Latif's character does have a good amount of development, and it works it the favor of the message and script. But with the twists and turns, it's dulled down to the obvious.
All of this is good, except one major thing. With the success of Unfriended and Searching, Profile utilizes the computer screen format. In some cases this does work in creating the anxiety. Honestly, though, all it does is limit the potential. Like I said, there's so much working for it, but that just doesn't always work. So many side plots are either not talked about enough to understand, or just dropped entirely. For example, there's a relationship and we hardly know a thing. The thought was there, but the execution kind of drew away from all the good. The conclusion didn't really feel like much of one. It had a chance to end on a different note to add more tension, but it ended just 10 minutes later. For almost every good thing, there's a disappointing aspect just around the corner. I will say I did enjoy Profile. It's not one I feel like revisiting, but with the direction by Timur Bekmambetov it's promising to those who are interested. And who knows, maybe someone will appreciate the computer screen aspect.
Profile follows a British journalist going undercover and infiltrating the digital propaganda channels of the so-called Islamic State, which has been mobilizing ever greater numbers of women from Europe. Her daily Internet contacts with an ISIS recruiter gradually pull her in and push the limits of her investigation. The makers of this have been hyping it up ever since the announcement of its release. Technically, it is a wide release, but I don't think I've seen it playing anywhere. Fortunately, I received a screener and watched it on a whim. The movie has a lot going for it. The story is quite interesting. It's inspired by a true story which makes it all the more crazy and intense. This is a really intense movie especially with how fast it goes by. There were times where I found myself on the edge of my seat waiting to see what move was to be played next. Valene Kane as Amy is really good. This is the first I've seen her in a lead role, but she carries the whole thing. She has to have two different personas-one personal and one for her interviews- but slowly they mold into one. Amy is a developed character. I wish the others were a bit more. Shasad Latif's character does have a good amount of development, and it works it the favor of the message and script. But with the twists and turns, it's dulled down to the obvious.
All of this is good, except one major thing. With the success of Unfriended and Searching, Profile utilizes the computer screen format. In some cases this does work in creating the anxiety. Honestly, though, all it does is limit the potential. Like I said, there's so much working for it, but that just doesn't always work. So many side plots are either not talked about enough to understand, or just dropped entirely. For example, there's a relationship and we hardly know a thing. The thought was there, but the execution kind of drew away from all the good. The conclusion didn't really feel like much of one. It had a chance to end on a different note to add more tension, but it ended just 10 minutes later. For almost every good thing, there's a disappointing aspect just around the corner. I will say I did enjoy Profile. It's not one I feel like revisiting, but with the direction by Timur Bekmambetov it's promising to those who are interested. And who knows, maybe someone will appreciate the computer screen aspect.
Well done
I was skeptical at first whether I would be able to hold out for long, virtually enduring only one camera angle, namely the one on Amy's laptop, for over 100 minutes. It succeeded and the reason is the cleverly made and well told story about a journalist who wants to uncover the recruiting actions of ISIS and in the process gets caught in the manipulative networks of her charming victim, who now in turn plays his cat and mouse game with her. The viewer knows no more than Amy, and what goes on in her head is ultimately what we experience. Well acted and straightforwardly told without frills. To what extent this is understandable and whether Amy's naivety is sometimes perhaps too much of a good thing, everyone must decide for themselves. For me it worked.
Brought to you by Skype
516. Profile. The whole movie takes place looking at a laptop screen, I thought I was going to be bored out of my mind, but I was wrong, it was well done. Again though, the trailer is most of the movie. But that is just the way things are these days, no surprises in cinema released movies. The story is about a journalist, Amy, posing as another younger girl, Miranda, and how she comes in contact with, Bilel who's part of a terrorist organization, and how that organization recruits young women from foreign countries, promising them love, then sell them into slavery. What a world!! It shows Amy's relationship with Bilel and how his words may be working on her, shows her work life and social life spiraling out of control! So basically, it's a public service announcement brought to you by Skype, Facebook, and Microsoft on watching who you talk to over the internet! Builds up to a pretty scary ending, that's apparently based on a true story, swell. Filmbufftim on FB.
A Hidden Gem!
I don't know why this movie doesn't have more exposure or popularity. It was a unique and well executed movie that kept me on the edge of my seat from start to finish. The fact that it's based on a true story makes it even better in my opinion. The desktop production gives you a very realistic feel. How someone can make an entire movie via FaceTime/Mac computer screen and it NOT get boring is down right amazing to me. The plot of this film opens your eyes and makes you understand how people can get drawn into these terrorist type groups or how normal every day people can be easily influenced to do the wrong thing. Loved this movie from start to finish. Very well done!
Profile
7/10 - probably my least favorite of the Screenlife thrillers (I have an unhealthy obsession with Unfriended and Searching), but still a really interesting true life story about ISIS recruiting all on the computer screen.
Le saviez-vous
- AnecdotesSome portions of the film were real documentary footage of true events.
- GaffesWhen Bilel is playing soccer and speaking to Amy on Skype there are several instances clearly showing the shadow of the sound man's boom mic and pole on the ground.
- ConnexionsReferenced in Vecherniy Urgant: Ani Lorak (2018)
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 744 740 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 730 290 $ US
- 16 mai 2021
- Brut – à l'échelle mondiale
- 1 856 730 $ US
- Durée
- 1h 46m(106 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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