Varathan

If Girirajan Kozhi was a rich, influential and would do anything cheap to get the girl in bed he eyes for, then that is Varathan for you.

Varathan is a thriller-action drama movie directed by Amal Neerad starring Fahadh Faasil, Aishwarya Lekshmi, Sharafudheen, Dileesh Pothan and various other talented faces and it tells the story of Abin and Priya, a couple settled in Dubai who after going through some hurdles in their personal and professional lives decides to move to Priya's father's estate back in Kerala. But things are not so friendly over there and the couple is faced with men who crave for a woman's body and a society of people who mock at a man and woman together. Varathan is truly an entertaining movie, but it has it share of problems. However let us start with the good stuff first. Firstly, the cinematography is jaw-dropping. Littil Swayamp has done it once in Parava and has done it again in Varathan and he is proving he is one of the most talented people in the industry. The camera shots and setting are presented beautifully and there is some amazing stuff to be seen towards the end of the movie. Secondly, the acting. Fahadh Faasil knocks it out of the park once again as Abin, which we should be expecting at this point. He is one of the best in the malayalam industry. This is not in anyway the maximum of his potential as his character is one which does not have a lot of depth but its fine. Aishwarya Lekshmi gives out a genuinely good performance. Her character could have been annoying but she handles it with grace. Dileesh Pothan is fine as his character however he does not have much to do. The absolutely amazing performances of the movie belong to Sharafudeen and Vijilesh. They were fricking amazing, menacing, ruthless and genuinely annoying. The background score and action scenes are very well done and put out a good show. The bad parts of the movie are prominent. The movie falls into cliche territory, with a lot of the plot being predictable. You can see stuff happening miles before they actually happen and this is bad for any movie. This predictability makes the majority of the movie difficult to get through and thus the movie lags a lot. The plot is stretched out for so long. The director is intending to build the characters and the plot, however personally I feel as if these characters does not have much to be built about as they are caricatures of what they portray. Also a minor nitpick I have with this movie is that the songs does not really match the tone of the movie. Some of the songs break up that tone of the movie with booming EDM music which I thought were unnecessary. However, I must mention the final 15-20 minutes of the film which will shake up the theatre. The action sequences are so goddamn good! All in all, Varathan is an enjoyable thriller-action flick with some fine acting, good bgm, incredible cinematography and action sequences that will stick on your mind long after the credits roll.

Yes, the core theme of 'Varathan' is heavily inspired by the 1971 home-invasion thriller 'Straw Dogs'. But what makes it worth a viewing is the way master-director Amal Neerad has incorporated all necessary elements to essentially 'Malayali-fy' it. The film opens in Dubai and moves quickly to an estate in Vagamon, Kerala. Having actors like Fahadh Fazil and Aishwarya Lekshmi portraying key characters (Abin and Priya) only elevates an already-intriguing plotline (especially for those who haven't seen 'Straw Dogs').

The new environs aren't the friendliest, to say the least, and it is Priya who notices this first. She is terrified at the fact that her former classmates are lusting after her even when she's a married woman. The tactics employed by Pappaali Josy (Sharafudheen) and his cronies to taunt Priya are ones that give women sleepless nights. Aishwarya Lekshmi plays the helpless (but wanting-to-give-it-back-to-em locals) woman to the T. Fahadh lends much-needed composure to the character of Abin, until he has no choice but to lay the baddies to waste.

The film is a slow-burn thriller with a payoff that boasts ample doses of masala. The quintessential 'break-point' arrives around the 90/100 min mark, and when it does, one or two retaliation strategies used by Abin, manage to leave the viewer reasonably pumped up. The music and background score (by Sushin Shyam) do add to the eerie feel of the film. Amal Neerad's directorial skills are also ably complemented by the subtle frames chosen by cinematographer Littil Swayamp. If only had Amal done away with some of his regular cinematic tropes (such as the excessive use of slow-motion, his choice to include a badly choreographed muddy rain fight as opposed to slower yet more effective, hard-hitting methods to inflict pain on the antagonists, and not giving the female protagonist enough masala moments as the male), 'Varathan' would have turned out to be a more thrilling cinematic experience.

In its current form, 'Varathan' is memorable while it lasts but the finale feels a little rushed and as I mentioned above, the punishment meted out to the baddies felt insufficient. Enjoy it for its realistic performances, brilliant camerawork, and splendid storytelling.

This makes you see how hypocritically minded our society is. You might think like this is just a movie, but the truth is not far away. The reality is, regardless of the literacy and our hyped moral status, the majority of the people in our society are actually narrow minded ...and cannot accept any world other than theirs... This is in a way another angle of what happened to Madhu, the adhivasi who got killed coz he was suspected of thievery.

Although this movie was not much fun/enjoyable, I hope it helps people to understand the reality.

A movie everyone waited for a long time. ABI, the character portrayed by Fahad is something everyone wish to be. Atleast Once in life YOU would've experienced what the movie showcases. He did what everyone wants to DO when PRIVACY of his life gets threatened. Priya, played by Aishwarya is amazing at the moments when it needed in building the emotions. . . Amal Neerad has proven that he is a DIRECTOR whom can make movies relevant to the current perceptions (never ending) of our society. (GOOD JOB) . Script of the movie is a QUESTIONING to our HYPOCRYTIC society who surveils on everything we DO. . Littil swayamp being behind the lens has once again proven that he is amazing. When it comes to those thrilling last sequences, without brilliant cinematographer movie would've gone to zero. (Great work) . . Worth watching if you love Thrillers.