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Sa maison

Titre original : His House
  • 2020
  • TV-14
  • 1h 33m
ÉVALUATION IMDb
6,4/10
53 k
MA NOTE
POPULARITÉ
3 569
662
Wunmi Mosaku and Sope Dirisu in Sa maison (2020)
After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.
Liretrailer2:16
1 vidéo
99+ photos
Horreur populaireHorreur psychologiqueHorreur surnaturelleDrameHorreurThriller

Après avoir réussi à fuir les horreurs de la guerre qui ravage le Soudan du Sud, un jeune couple de réfugiés peine à s'adapter à sa nouvelle vie dans une petite ville anglaise rongée par un ... Tout lireAprès avoir réussi à fuir les horreurs de la guerre qui ravage le Soudan du Sud, un jeune couple de réfugiés peine à s'adapter à sa nouvelle vie dans une petite ville anglaise rongée par un mal profond et indicible.Après avoir réussi à fuir les horreurs de la guerre qui ravage le Soudan du Sud, un jeune couple de réfugiés peine à s'adapter à sa nouvelle vie dans une petite ville anglaise rongée par un mal profond et indicible.

  • Réalisation
    • Remi Weekes
  • Scénaristes
    • Remi Weekes
    • Felicity Evans
    • Toby Venables
  • Vedettes
    • Sope Dirisu
    • Wunmi Mosaku
    • Malaika Wakoli-Abigaba
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,4/10
    53 k
    MA NOTE
    POPULARITÉ
    3 569
    662
    • Réalisation
      • Remi Weekes
    • Scénaristes
      • Remi Weekes
      • Felicity Evans
      • Toby Venables
    • Vedettes
      • Sope Dirisu
      • Wunmi Mosaku
      • Malaika Wakoli-Abigaba
    • 435Commentaires d'utilisateurs
    • 168Commentaires de critiques
    • 72Métascore
  • Voir l’information sur la production à IMDbPro
    • A remporté le prix 1 BAFTA Award
      • 8 victoires et 36 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:16
    Official Trailer

    Photos135

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 130
    Voir l’affiche

    Distribution principale48

    Modifier
    Sope Dirisu
    Sope Dirisu
    • Bol Majur
    • (as Sopé Dìrísù)
    Wunmi Mosaku
    Wunmi Mosaku
    • Rial Majur
    Malaika Wakoli-Abigaba
    • Nyagak
    Matt Smith
    Matt Smith
    • Mark Essworth
    Javier Botet
    Javier Botet
    • The Witch
    Yvonne Campbell
    Yvonne Campbell
    • South Sudanese Woman
    Vivienne Soan
    Vivienne Soan
    • Neighbour
    Lola May
    Lola May
    • Nyagak's Mother
    Kevin Layne
    • The Cameroonian
    Maureen Casey
    Maureen Casey
    • Detention Custody Officer
    Homer Todiwala
    Homer Todiwala
    • Iraqi Man
    Dominic Coleman
    Dominic Coleman
    • Lead Officer
    Sally Plumb
    • Secondary Officer
    Roland Manookian
    Roland Manookian
    • Barber
    Andy Gathergood
    Andy Gathergood
    • Church Man
    Rasaq Kukoyi
    Rasaq Kukoyi
    • William
    Gamba Cole
    Gamba Cole
    • George
    Bradley Banton
    Bradley Banton
    • Phillip
    • Réalisation
      • Remi Weekes
    • Scénaristes
      • Remi Weekes
      • Felicity Evans
      • Toby Venables
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs435

    6,453.4K
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    Avis en vedette

    CinemaClown

    One Of The Better Horror Entries In Netflix Canon.

    Exploring themes of grief, trauma, immigration, assimilation, remorse & acceptance through a horror lens, His House is a haunting & harrowing depiction of the refugee experience and, in addition to capturing their inward & outward struggle in adjusting to new life in new place, also delivers as a thrilling & effective haunted house chiller.

    Written & directed by Remi Weekes, the film blends character drama & genre thrills into one finely layered narrative and holds nothing back when unleashing the terror that dwells within the walls of their new home. While there are times when the story becomes perplexing, everything adds up & makes sense once the full picture of the characters' backstory is revealed.

    The atmosphere within the rundown residence is palpably tense & often unsettling, and though Weekes relies on jump scares to frighten the viewers, most of them do work out in the film's favour. Wunmi Mosaku & Sope Dirisu play the young refugee couple seeking asylum after escaping their war-torn homeland, and they both chip in with performances that are credible, grounded & convincing.

    Overall, His House is a welcome entry in the world of horror and also marks a solid debut for Remi Weekes' directorial career. The proper care with which he sketches the characters' troubled past, vulnerable present & uncertain future, and brings it in sync with the immigrant issues gives his picture a relevant touch & relatable appeal. One of the better horror entries in Netflix canon, His House is certainly worth a shot.
    8downstage_right

    Brilliant on several levels. We need more of this and less junk in the horror genre.

    There are so many terrible films, particularly in the horror genre, on Netflix at the moment. This is not one of them. All the horrors I've watched recently are either far too dumb, or too far the other way - relying on being artsy or having powerful imagery but sacrificing a satisfying story. This one gets it just right. It is genuinely intriguing but leaves you with a resolution. There are layers of interpretation, but also a nice clear cut story.

    I found for a good part of the film I thought it was just a theme of asylum seeking; a couple fleeing something bad and arriving at a not-beautiful side of Britain, with the man trying to adjust to a new culture and then woman conversely holding onto her roots, all through the narrative of an apparently haunted house. The pair being explicitly warned that they might be sent "back" if they made any trouble, or didn't integrate properly, emphasised this theme. But it turned out to be about something quite different - something I can't really say without giving away the plot substantially. It could have been based on anyone with a past, and the fact that the main characters were refugees worked well for the narrative but was not the entire theme.

    It was well cast and very well acted, which is not actually all that typical in many films being streamed at the moment. Matt Smith is in it but as a side character: they don't try to force him into it beyond his welcome just to exploit the well known name; also refreshing. He is good in his part, but the two leads are allowed to shine.

    I'm not much of an artistic critic but I felt they built and maintained the atmosphere brilliantly. I can't even tell you if it was visuals or score or lighting or whatever because I'm not the type of audience to dissect that - I just know it gripped me and took me with it emotionally. The tension is good and there were jump scares that work well. Personally I can't stand a film that's just reliant on jumpy moments or gore and lacks any actual substance. This, to me, gives the best of all worlds. And when it ended I felt genuinely glad I'd watched it, and watched it to the end.

    Honestly this little film buried far below the (poorer quality) netflix recommendations was a very positive surprise for me and I would definitely recommend watching.
    8nancyhotz

    Very Good Not what you think

    It starts well, midway you think it's following a standard horror movie course, but stick with it! Very well done. Terrific ending!
    6arungeorge13

    Better than a good chunk of Netflix's offerings in the horror genre! [+62%]

    The horrors that asylum-seekers have to put themselves through when meshed with a haunted house storyline is what we get in Netflix's His House. Bol (Dirisu) and Rial (Mosaku) are refugees fleeing their war-torn country of Sudan; they brave bullets, rough waters, and even lose their daughter as they finally arrive in Britain where they're granted probational asylum. They're temporarily moved into a shabby, crumbling house in the London suburbs, and that's when the past begins to haunt them.

    His House is a pretty strong directorial debut from Remi Weekes, who has also written the screenplay. It may just be a 93-minute film, however, His House manages to dive equal parts deep into the struggles of immigrants as well as survivor guilt. While Bol tries to blend in with the new surroundings (he sings football anthems at bars, changes his attire, and prefers to use tables while eating), Rial holds firmly onto their culture (she wears their daughter's necklace, dresses in vibrant colors, and sits on the floor while eating).

    The scares, the greatest thing about horror films, are well-conceived. Weeks mixes jumpscares with more atmosphere-heavy ones in an effort to keep viewers on edge. Practical and visual effects are put to solid use in these sequences, though some fare better than others. A little inspiration has been drawn from films like The Conjuring and Lights Out, in a good way. Weekes, through some effective crafting that blur the lines between fantasy and reality, elevates His House beyond the conventional haunted house movie.

    Not everything works though. The final act switches horror for a somewhat predictable twist, and while the closing frames make for a powerful set of metaphors, it feels slightly sketchy from a closure standpoint. The performances are good for a film that revolves mostly around two (or three, if you include the beast) characters - Dirisu and Mosaku showcasing credible, lived-in feats.
    6mbhgkmsgg

    His House

    His House starts great and it also ends strongly. However, that beginning and that ending feel like they are from two different movies. It's quite unfortunate that it made me feel that way because I do think that there is a lot of things that this movie gets right.

    Let's start with the first half of the movie. What I would consider the horror half. This film began very quickly and left very little time for the viewer to get situated. The first 45 minutes were indeed very scary, and I was drawn to the screen. But what made that first half so great, was that it didn't just rely on the usual horror tropes. His House explored themes of racism and all the other challenges that refugees face. These issues were explored in a way that caused tension even outside of the house that works as the centrepiece of the story. Another aspect that created its own horror was distrust and challenges of marriage. This film managed to create an atmosphere of constant terror and tension, and I, for one, really liked it.

    The second half, however, moves into a completely different direction. What started as a pure horror film, shifts more and more into a drama as the run time moves towards its end. The horror changes from the typical haunted house style more into creature horror. That's also where the movie stopped being scary for me. I have never found creature horror to be particularly scary and this film didn't change that. I do realize that that is a personal problem, and most people will probably find the second half to be nearly as scary as the first one. But it's not just the normal horror stuff that changes. The two aforementioned aspects of immigration and marriage are almost completely forgotten about. And it is quite unfortunate that this is the case. I felt that they added so much to this movie and made it more than just another haunted house film.

    With that being said, I did like the second half nearly as much as I liked the first one. His House end up becoming a rather touching drama by the time it finishes. And if it forgot about the challenges of immigration and marriage, it replaced it with the conundrum of whether to leave ones home country in the first place. Although a new home promises a better life, is that always going to be the reality?

    There is a lot to like about His House. I think that it fantastically approached horror by making it about more than just jump scares and a scary atmosphere. I also liked that it was a haunted house film that didn't take place in an abandoned mansion. And, I also liked the second half with everything it had to offer. The thing that lessened my excitement was the fact that I felt like I ended up watching two different films. Had there been more cohesion between the two halves, I'm certain that I would've liked this film quite a bit more.

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    Intérêts connexes

    Florence Pugh in Midsommar: Solstice d'été (2019)
    Horreur populaire
    Daniel Kaluuya in Get Out (2017)
    Horreur psychologique
    Daveigh Chase in Le cercle (2002)
    Horreur surnaturelle
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
    Mia Farrow in Le bébé de Rosemary (1968)
    Horreur
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      While researching his screenplay, Remi Weekes was struck by how many immigrants were sold on coming to the United Kingdom because it's the land of Charles Dickens, Jane Austen and the royal family. In reality, for immigrants, it's grey concrete housing estates in deprived areas, something that he wanted to visually bring to his film.
    • Gaffes
      At around 29 minutes when Rial is getting her blood drawn, the woman drawing her blood fills a purple top tube while the yellow top is clearly shown to be empty. When drawing blood, however, the purple top (EDTA) tube is always drawn last after all other tubes to avoid cross contamination of tube additives.
    • Citations

      Bol: Your ghosts follow you. They never leave. They live with you. It's when I let them in, I could start to face myself.

    • Connexions
      Featured in FoundFlix: His House (2020) Ending Explained (2020)
    • Bandes originales
      Fixing Love in Me
      Composed by Emmanuel Diu Deng Kachuol

      Performed by Yogoman

      Published by Sheer Publishing

      Courtesy of Sheer Publishing

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    FAQ17

    • How long is His House?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 octobre 2020 (Canada)
    • Pays d’origine
      • United Kingdom
      • United States
    • Site officiel
      • Official site
    • Langues
      • English
      • Dinka
    • Aussi connu sous le nom de
      • His House
    • Lieux de tournage
      • West London Film Studios, Londres, Angleterre, Royaume-Uni(Studio)
    • sociétés de production
      • Regency Enterprises
      • BBC Film
      • New Regency Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33m(93 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39:1

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