Apollo 11

A half-century ago, Neil Armstrong stepped off the ladder of the Lunar Module Eagle and into the history books. In the decades since, that moment and the flights of NASA's Apollo program have been chronicled in seemingly countless documentaries. At the top of that list remains 1989's For All Mankind from the late Al Reinert and 2007's In The Shadow Of The Moon from British filmmakers David Sington and Christopher Riley. Up there with them now is 2019's Apollo 11, an exciting new film from Todd Douglas Miller that is begging for you to see it on the biggest screen possible.

Why?

In part because of Miller who, like those other great filmmakers of Apollo before him, wasn't content to merely do a rehash of what had come before. Miller's Apollo 11 is in part a deep dive into the NASA archives, uncovering things that even the most seasoned space enthusiast has likely never seen before. There's a wealth of pre-launch footage, for example, tracing the preparations from the rollout of the massive Saturn V rocket to the launch pad to multiple perspectives of the launch itself. Even when events move into space, there's still a wealth of rare material to experience including conversations between the astronauts themselves as well as between them and Mission Control in Houston. Even where footage that has become synonymous with the mission and the era such as the stage separations of the rocket or the Lunar Module's descent to the surface of the Moon, it's presented with clarity and scale rarely seen elsewhere. For that alone, the film renders excellent service.

It does so in other ways, as well. Unlike those two documentaries I mentioned at the top of this review, Miller doesn't use astronaut interviews (either aural or visual) to help tell the story. Instead, Apollo 11 unfolds entirely through archival sources ranging from the transmissions to the voice of NASA's public affairs or well-known TV commentators like Walter Cronkite. To help aid visually for parts of the mission where there isn't much or anything to show, the film employees simple animation alongside such commentaries. The film also makes effective use of split-screen and captions to portray mission control or to show events such as the actual walk on the Moon from multiple perspectives. As much as the footage itself on a cinema screen does, it presents the sheer scale of the endeavor but without losing the viewer in the technicalities involved in spaceflight.

In some ways, that's the greatest triumph of Apollo 11 the documentary. It's a film keen to present Apollo 11 the mission in awe-inspiring yet understandable terms, one that emphasizes how incredible in scope and achievement that flight five decades ago this July was. It's also a reminder, at a time when cinema screens find themselves increasingly dominated by would-be blockbusters and superhero flicks, of the raw power of cinema to present stories. Both of those are things we need reminding of, it seems, and the film does a superb job of both.

I had the chance to see an advance screening of the movie in Vienna, during a meeting of the UN Committee on the Peaceful Uses of Outer Space and the word that best sums it all up is "WOW". It is wonderful to be able to witness all the work that went into a momentous achievement. There is the great moment we all know, the "one step for a man, a giant leap for mankind" moment. But this movie pays a much-deserved tribute to all those men and women who joined efforts to make this possible. Fantastic.

Saw the Apollo 11 IMAX film last night. Highly recommend. No narration just the NASA announcer, communications between ship and ground plus a few other bits added such as Walter and JFK now and then. Images are amazing, esp in IMAX. It moves well, no slow moments, no soap opera, no agenda, lots of unseen footage and some new stories, pure documentary, the trip is the whole story. PDI is great, TLI is great, LM separation, footage of the crowd is great. Go see, you wont be disappointed. 90 minutes long.

"Apollo 11" (2019 release; 93 min.) is a documentary about the Apollo 11 mission. As the movie opens, we are informed it is "July 16, 1969" and a mere 3 hours away from the launch. We get full-color footage of the enormous crowds 15 mi. away from the launching pad. Meanwhile, through a quick photo montage, we get a quick glimpse at the three astronauts' life, as they are getting their space suits on. The TV commentator meanwhile talks about "the burdens and hope they carry for all mankind". It is then time for the astronauts to be driven to the Apollo. At this point we are then 10 min. into the movie.

Couple of comments: this documentary is directed and edited by Todd Douglas Miller. There have been many documentaries about the Apollo 11 mission before, so what sets this one apart? Several things: first and foremost, during the collaboration between the film makers and NASA, never before seen 70 mm full color footage was unearthed. That, combined with previously available 16 mm and 32 mm footage allowed the film makers to present this story in a way never before experienced. Frankly, words are not enough. The astronauts' elevator ride up to the top of the Apollo space ship (over 300 ft. tall) finally give a sense of how freaking high that is. Second, the film makers decided to use no voice-over or narrator, and instead let the TV commentary and the internal NASA discussions do all of the talking. Third, there is a fabulous electronic score, courtesy of composer Matt Morton. And get this: Morton used only instruments that were around at the time of Apollo 11's trip to the moon in July, 1969, including including the Moog modular Synthesizer IIIc, the Binson Echorec 2, and the Mellotron. Wow, just wow. When you combine all of these elements, it makes for outright compelling viewing. Even though we of course know the outcome, I nevertheless STILL felt tense as I was watching all of this unfold.

You may or may not be aware that Neil Armstrong spent the last 40 years of his life here in Cincinnati (where I live), including teaching at the University of Cincinnati. Upon his retirement, he became an even more private person than he already was, and public appearances were rare. I had the great fortune of seeing him narrate the "Lincoln Portrait" at a Cincinnati Pops performance in 2009, and the outpouring of love, respect and affection from the public for this true American hero made the hairs stand on my arms. Meanwhile, "Apollo 11" is an unforgettable movie experience, and highly recommended!

*UPDATE Jan 13, 2020* This past weekend I saw an edited version of the film called "Apollo 11 - First Steps Edition" at the Omnimax theater of the Cincinnati Museum Center. It is the exact same footage as in the original film, cut down to 45 min. so as to fit the IMAX/Omnimax schedules. I was incredibly excited beforehand, as I thought this would be true Imax/Omnimax footage, but alas, that is not the case. It's as before but projected on the half-dome screen that is the Omnimax. Still very enjoyable, and I love, LOVE the original score by Matt Morton blasting away in an Omnimax setting.

The film starts the morning of launch day July 16, 1969. There are no actors, no reenactments, no narrator. It is 100% restored archival footage and recorded audio, most of which I had never seen before. Opening footage of the crowds gathering around Kennedy Space Center gave you the sense it was apparent to everyone the magnitude of what was about to happen.

They had audio and video of (an issue I won't spoil, something during launch prep I had never heard of before). Obviously there is no external footage of the spacecraft from the time it leaves earth orbit until it arrived at the moon but the editing and coverage used are excellent and you never feel like you're in the dark or missing out.

There is no attempt made at politicizing the event or manipulating the viewer, it is raw, factual cinéma vérité. Although I did find Kennedy's speech moving, they made the excellent choice to NOT show the famous portion we've all heard about landing a man on the moon and returning him safely by the end of the decade. It was the rest of that speech, which I'm not sure I'd ever heard, that was astute, prophetic and even funny at one point.

My one very minor caution is that viewers who aren't already aware how critical/dangerous some maneuvers were could miss out on the gravity of the situation. The filmmakers do assist with this with the score, which is absolutely fantastic (and according to the credits, composed entirely with instruments available in July '69), and some minor on-screen graphics (e.g. FUEL 30 seconds, 1202 alarm). It's a trivial concern but viewers who are familiar with the space program in general, and this mission in particular, will get the most out of the experience.

The film wraps up after our astronauts are safely home and cleared from quarantine. During the credits there are a few more interesting shots of some of the celebrations.