Avis Metacritic

Though it’s not outright scary, Midsommar will no doubt unsettle even the most steeled of viewers. It will also satiate those who may have feared a sophomore slump from Aster. Hardly. This film’s the real deal, and if anything, it’s more audience-friendly than his first. Don’t miss it.

This is the kind of mad science filmmaking worth rooting for: Aster refashions “The Wicker Man” as a perverse breakup movie, douses Swedish mythology in Bergmanesque despair, and sets the epic collage ablaze. He may not land every big swing, but the underlying vision is hard to shake even when it falters.

Midsommar is a shocking piece of filmmaking—unnervingly competent even when the film yaws into silliness, even when it risks tedium. This film will alienate a lot of people (much like Hereditary, its audience exit polling is likely going to be abysmal), but there’s a wonderfully audacious confidence to the way Midsommar is built.

More unsettling than frightening, it's still a trip worth taking.

Aster’s bold flourishes occasionally fall flat, but Florence Pugh holds the film together — especially when its plotting stumbles or its shocks grow predictable.

It’s an admirably strange, thematically muddled curiosity from a talented filmmaker who allows his ambitions to outpace his execution.

While Midsommar never bores or truly overstays its welcome, its languor wobbles into meandering tonal shifts, with unlikely intrusions of absurdist humor.

The most ambitious horror blurs the line between the psychological and the mythic, between ordinary human emotions and symbol-laden Blakean nightmares, and Aster is very ambitious and very blurry.

Admirable, ambitious and impressive, but ultimately aloof, Midsommar has its delights for sure, but it lacks the emotional depth to match the sharp insights it has into the evils of the ambivalent, wishy-washy relationship (run as fast as you can).

None of its core characters, including the female protagonist (played by Florence Pugh, “Fighting With My Family”), make any rational decisions (while being too distant to care about anyway).