Une policière débutante accepte de prendre le dernier poste d'un commissariat récemment désaffecté pour tenter de découvrir le lien mystérieux entre la mort de son père et une secte vicieuse... Tout lireUne policière débutante accepte de prendre le dernier poste d'un commissariat récemment désaffecté pour tenter de découvrir le lien mystérieux entre la mort de son père et une secte vicieuse.Une policière débutante accepte de prendre le dernier poste d'un commissariat récemment désaffecté pour tenter de découvrir le lien mystérieux entre la mort de son père et une secte vicieuse.
Macedonia Alexis
- Cult Singer
- (voice)
Avis en vedette
Last Shift (2014) actually happened to be my favorite horror movie of that year. It was a huge surprise watch for me going in completely blind, not having even seen a preview... Malum is a remake/reimagining of that movie by the same writer/director, Anthony DiBlasi. I questioned the existence of this remake after I saw the trailer since it's only 9 years after the original, and I still question its existence after watching it.
Don't get me wrong, it's a decent watch & a solid horror movie with improved production, graphic gore and an expansion of the cult premise. With all of the added aspects it's strange that it's only 4 minutes longer than the original. But I feel like this is an example of "less is more" where the ambiguity of Last Shift worked more in its favor, while the expansion of the lore regarding the cult makes Malum feel more derivative. There is a particular creepy "jingle" that is used in both movies, but I feel it is over-used in this movie. Also, there are certain aspects of Malum where it can't seem to decide what it wants to be. There's just too much here that reminds me of Hereditary (and other movies), which is somewhat ironic since the same evil entity is mentioned in Last Shift, but not in Malum (if I remember correctly).
However, I can recommend this movie whether or not you've seen Last Shift, but you may enjoy it more if you haven't seen it. It manages to be effectively creepy like the original while being more polished. For streaming, maybe wait for the rental price to go down.
I gave Last Shift (2014) a 8/10. I give Malum (2023) a 6/10. A solid effort with improved production, but it overall falls short of the effectiveness of the original. It's definitely not a bad remake, just not a necessary one.
Don't get me wrong, it's a decent watch & a solid horror movie with improved production, graphic gore and an expansion of the cult premise. With all of the added aspects it's strange that it's only 4 minutes longer than the original. But I feel like this is an example of "less is more" where the ambiguity of Last Shift worked more in its favor, while the expansion of the lore regarding the cult makes Malum feel more derivative. There is a particular creepy "jingle" that is used in both movies, but I feel it is over-used in this movie. Also, there are certain aspects of Malum where it can't seem to decide what it wants to be. There's just too much here that reminds me of Hereditary (and other movies), which is somewhat ironic since the same evil entity is mentioned in Last Shift, but not in Malum (if I remember correctly).
However, I can recommend this movie whether or not you've seen Last Shift, but you may enjoy it more if you haven't seen it. It manages to be effectively creepy like the original while being more polished. For streaming, maybe wait for the rental price to go down.
I gave Last Shift (2014) a 8/10. I give Malum (2023) a 6/10. A solid effort with improved production, but it overall falls short of the effectiveness of the original. It's definitely not a bad remake, just not a necessary one.
*NON SPOILER*
First of all, although both films shadowed eachother (as Malum is a remake), especially on the randomness front, back in 2014 when we were introduced to the Last Shift it was totally original and a lot more atmospheric.
Both films masterfully play on intense minimal locations and a small cast to create an unsettling experience. In Last Shift, the protagonist, Officer Jessica Loren, is portrayed with nuance, and her descent into terror feels palpable and real. The film's pacing is tight, with each scare and revelation meticulously timed to keep viewers on edge. In contrast, Malum, which also has the same director Anthony DiBlasi, somehow loses the magic of the original. Despite having a bigger budget and better production values, Malum lacks the tight narrative and atmospheric dread that made Last Shift so effective.
In summary, while Malum has the technical polish that Last Shift lacked, it ultimately fails to deliver the same level of psychological horror and engaging storytelling. Last Shift remains a superior film, with its clever use of suspense and atmosphere making it a standout in the horror genre (and it was very original at the time), whereas Malum feels like a hollow imitation, focusing on superficial scares rather than true horror.
First of all, although both films shadowed eachother (as Malum is a remake), especially on the randomness front, back in 2014 when we were introduced to the Last Shift it was totally original and a lot more atmospheric.
Both films masterfully play on intense minimal locations and a small cast to create an unsettling experience. In Last Shift, the protagonist, Officer Jessica Loren, is portrayed with nuance, and her descent into terror feels palpable and real. The film's pacing is tight, with each scare and revelation meticulously timed to keep viewers on edge. In contrast, Malum, which also has the same director Anthony DiBlasi, somehow loses the magic of the original. Despite having a bigger budget and better production values, Malum lacks the tight narrative and atmospheric dread that made Last Shift so effective.
In summary, while Malum has the technical polish that Last Shift lacked, it ultimately fails to deliver the same level of psychological horror and engaging storytelling. Last Shift remains a superior film, with its clever use of suspense and atmosphere making it a standout in the horror genre (and it was very original at the time), whereas Malum feels like a hollow imitation, focusing on superficial scares rather than true horror.
I want to preface this review with the fact that I had a good time with this movie. It was fun, scary and successful as a stand alone. Being a fan of its predecessor, Last Shift, inevitable parallels and comparisons will be made. While both had their own pros and cons, I think at the end of the day I personally liked Last Shift better. Two of my main criticisms with Last Shift was the backstory/elaboration on plot and the budget.
Right out the gate Malum does a great job at giving a little bit more background on the characters and their story, making it feel like a more well-rounded throughline with a cohesive and concise point. However, as quickly as it took up for the slack in the story, it added another element specifically regarding the main girl and her involvement that almost negated its prior clarity and was left open ended and me scratching my head. Now, with all that said, at its foundation this is still an entertaining, intriguing story regardless and they did a good job at really sticking to its original core.
As far as the budget goes, the picture quality was great in this and vastly improved from Last Shift. I think that ended up being a positive and a negative aspect because while Malum was "aesthetically superior", something about the grittiness of last shift with the picture quality and special effects almost made it a little bit more real, down to earth and therefore creepier. Something about Malum just wasn't quite as spooky as I wanted it to be and it definitely relied on jump scares. There were for sure some cool moments involving the breaking of appendages and gnarly movie make up, but even then, star-faced Hellraiser guy looked pretty silly... so it's a tossup.
As far as everything else goes, I thought it was generally successful. The scenery, props, lighting, makeup and effects were all very cool. The acting was decent across the board, if not a little mediocre. The main girl did a fine job, but was particularly successful in scenes of high intensity emotion. There was one stand out performance from a woman playing a prostitute that is to be of note.
I was really excited about this reimagining, and while it didn't hit exactly what I wanted it to be, it was still successful in its own right. I hope it gets the attention it deserves along with the director and Last Shift. Would recommend.
Right out the gate Malum does a great job at giving a little bit more background on the characters and their story, making it feel like a more well-rounded throughline with a cohesive and concise point. However, as quickly as it took up for the slack in the story, it added another element specifically regarding the main girl and her involvement that almost negated its prior clarity and was left open ended and me scratching my head. Now, with all that said, at its foundation this is still an entertaining, intriguing story regardless and they did a good job at really sticking to its original core.
As far as the budget goes, the picture quality was great in this and vastly improved from Last Shift. I think that ended up being a positive and a negative aspect because while Malum was "aesthetically superior", something about the grittiness of last shift with the picture quality and special effects almost made it a little bit more real, down to earth and therefore creepier. Something about Malum just wasn't quite as spooky as I wanted it to be and it definitely relied on jump scares. There were for sure some cool moments involving the breaking of appendages and gnarly movie make up, but even then, star-faced Hellraiser guy looked pretty silly... so it's a tossup.
As far as everything else goes, I thought it was generally successful. The scenery, props, lighting, makeup and effects were all very cool. The acting was decent across the board, if not a little mediocre. The main girl did a fine job, but was particularly successful in scenes of high intensity emotion. There was one stand out performance from a woman playing a prostitute that is to be of note.
I was really excited about this reimagining, and while it didn't hit exactly what I wanted it to be, it was still successful in its own right. I hope it gets the attention it deserves along with the director and Last Shift. Would recommend.
Wow, I don't even know where to begin... it's not the worst thing ever made, but it's definitely not anywhere near as good as last shift. I'm a way, it feels like it's all around a worse film. I'm not really sure what the aim was in all of this?
There was moments that weren't terrible, but I can't think of anything that I enjoyed better than I did Last Shift?! It was just silly and dull til the end where it almost became haunted house level bad looking and tried way too hard to be "weird".
I'd highly recommend that you see Last Shift instead and don't really invest too much time or care into this one. I was rather excited for it, but in the end, I'm just underwhelmed.
There was moments that weren't terrible, but I can't think of anything that I enjoyed better than I did Last Shift?! It was just silly and dull til the end where it almost became haunted house level bad looking and tried way too hard to be "weird".
I'd highly recommend that you see Last Shift instead and don't really invest too much time or care into this one. I was rather excited for it, but in the end, I'm just underwhelmed.
I'm still trying to wrap my brain around why "Last Shift" needed a "re-imagining"? As one of the truly great horror films of the last 10 years, I was actually looking forward to the writer/directors next film, and when I heard it was going to be a "re-imagining" of the movie, it raised several alarms. After watching the film, I can confidently say that the only reason this was done was to race swap the main character, and to me, this is one of the most offensive things anyone can do to an already established franchise.
Aside from some great acting by the Male cast members, and some great SFX and gore, this movie is less frightening, less dynamic and definitely less memorable than Last Shift. In fact, I watched this with my partner and in the end he said, "The person who made this should never be allowed to make another movie in their lives". Was this the reaction the creative team was going for, because I'm guaranteed he wouldn't have had the same reaction to Last Shift.
As it stands, I'm getting tired of these creative teams forcing diversity and race-swapping characters just to meet a quota. But I guess that precious ESG score to guarantee funding for projects is more important than creative integrity these days, isn't it?
Summary; Don't watch this movie and just watch Last Shift again. This re-imagining is worse in almost every possible way, and wont be remembered nearly as fondly as the film it claims it is.
Aside from some great acting by the Male cast members, and some great SFX and gore, this movie is less frightening, less dynamic and definitely less memorable than Last Shift. In fact, I watched this with my partner and in the end he said, "The person who made this should never be allowed to make another movie in their lives". Was this the reaction the creative team was going for, because I'm guaranteed he wouldn't have had the same reaction to Last Shift.
As it stands, I'm getting tired of these creative teams forcing diversity and race-swapping characters just to meet a quota. But I guess that precious ESG score to guarantee funding for projects is more important than creative integrity these days, isn't it?
Summary; Don't watch this movie and just watch Last Shift again. This re-imagining is worse in almost every possible way, and wont be remembered nearly as fondly as the film it claims it is.
Le saviez-vous
- AnecdotesThe film is a remake/reimagining of director Anthony DiBlasi's earlier 2014 film Last Shift (2014).
- GaffesAt the climax of the film Jessica is carrying a shotgun and uses it, then drops it to the floor. A few minutes later she reaches for it and grabs it, but when she pulls it closer to herself, she is suddenly holding a handgun instead of a shotgun.
- Générique farfeluThe chant that the worshipers used to sing is heard at the end of the credits roll.
- ConnexionsFeatured in Horrible Reviews: The Horrors Of 2023: Malum | Video review (2023)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Malum?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Астрал. Ритуал Малум
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 221 738 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 221 738 $ US
- 2 avr. 2023
- Brut – à l'échelle mondiale
- 704 776 $ US
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 2.00 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant