Une jeune femme, hantée par un traumatisme passé, s'en prend à des hommes prédateurs qui ont le malheur de croiser sa route.Une jeune femme, hantée par un traumatisme passé, s'en prend à des hommes prédateurs qui ont le malheur de croiser sa route.Une jeune femme, hantée par un traumatisme passé, s'en prend à des hommes prédateurs qui ont le malheur de croiser sa route.
- Réalisation
- Scénariste
- Vedettes
- A remporté 1 oscar
- 116 victoires et 195 nominations au total
Ray Nicholson
- Jim
- (as Raymond Nicholson)
Sam Richardson
- Paul
- (as Samuel Richardson)
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Avis en vedette
The revenge thriller of the year!
Promising Young Woman is a stunningly original revenge drama that shocks you, offers loads of dark humour and the same time makes you reassess every mildly sexist or politically incorrect statement/thought you have made/had in your life.
Director Emerald Fennel turns the mirror on all of us, ripping her narrative right from the headlines of famous sexual harassment stories happening around us.
Carey Mulligan is electric as the troubled 'Cassie', still reeling from the shock of losing her best friend. It is no surprise she got the nod for an Oscar Best Actress nomination.
Bo Burnham and Jennifer Coolidge shine in the supporting roles.
The best revenge thriller since Django Unchained for me. Two hours went by so fast, I didn't even realise it.
A must watch!
#MovieReview #SpoilerFree #OscarsBinge #PromisingYoungWoman #OscarNomineeForBestPicture.
Director Emerald Fennel turns the mirror on all of us, ripping her narrative right from the headlines of famous sexual harassment stories happening around us.
Carey Mulligan is electric as the troubled 'Cassie', still reeling from the shock of losing her best friend. It is no surprise she got the nod for an Oscar Best Actress nomination.
Bo Burnham and Jennifer Coolidge shine in the supporting roles.
The best revenge thriller since Django Unchained for me. Two hours went by so fast, I didn't even realise it.
A must watch!
#MovieReview #SpoilerFree #OscarsBinge #PromisingYoungWoman #OscarNomineeForBestPicture.
Daring, disturbing and funny
I remember seeing the trailer for this film before it came out, and it's very striking. It seemed funny, but kind of scary, and that's indeed what this film is.
I think the casting for this is great, because a lot of guys in this world seem so friendly, but hide this darkness. Most abstain from the evil that runs through their minds, but a few give in.
The stark image mirroring reality is a hard thing to stomach, as you watch this movie, especially near the end, but director/writer Emerald Fennell is phenomenal, and shows us a character who chooses to divert the plans of rapists using herself as the bait.
Mulligan plays the character well, showing the unexpected emotions that pop up when she develops feelings for the Bo Burnham character. As the plot progresses, ups and downs and multiple events happen that make this a roller coaster, with a smirk of dark humor ingrained in the final product. It's a hard film to sit through, because we know who's lurking outside the theater, in the real world.
I recommend this for adults, who can take a little chocolate and whip cream on their poison. (Dark comedy and thriller fans.)
I think the casting for this is great, because a lot of guys in this world seem so friendly, but hide this darkness. Most abstain from the evil that runs through their minds, but a few give in.
The stark image mirroring reality is a hard thing to stomach, as you watch this movie, especially near the end, but director/writer Emerald Fennell is phenomenal, and shows us a character who chooses to divert the plans of rapists using herself as the bait.
Mulligan plays the character well, showing the unexpected emotions that pop up when she develops feelings for the Bo Burnham character. As the plot progresses, ups and downs and multiple events happen that make this a roller coaster, with a smirk of dark humor ingrained in the final product. It's a hard film to sit through, because we know who's lurking outside the theater, in the real world.
I recommend this for adults, who can take a little chocolate and whip cream on their poison. (Dark comedy and thriller fans.)
Powerful
"I'm a nice guy."
"Are you?"
Carrie Mulligan is, as always, fantastic, and I love how 'Promising Young Woman' mixed in some elements of comedy and even romance into what was such a searing indictment of rape culture. For a film making such a strong statement, it's layered and intelligent, bringing out emotional aspects not usually present in revenge-type films. Instead of indulging in the bloodlust of a killing spree, it has her character trying to make others feel something - what it's like to be deceived, frightened, vulnerable, exploited, humiliated, or scarred for life.
The film goes after not just the bros who believe themselves to be nice guys and offer pathetic excuses for their behavior, but also the power structure protecting them, and it does so in a stylish way (that soundtrack!). The conversation with the dean of the medical school who looked the other way because she didn't want to """ruin a young man's life""" was particularly devastating, and yet isn't that what happens all the time? The film plays out in unexpected ways which is a part of its strength, and I was impressed that it threaded the needle between being depressing and uplifting. It felt emblematic of the era, and powerful.
Carrie Mulligan is, as always, fantastic, and I love how 'Promising Young Woman' mixed in some elements of comedy and even romance into what was such a searing indictment of rape culture. For a film making such a strong statement, it's layered and intelligent, bringing out emotional aspects not usually present in revenge-type films. Instead of indulging in the bloodlust of a killing spree, it has her character trying to make others feel something - what it's like to be deceived, frightened, vulnerable, exploited, humiliated, or scarred for life.
The film goes after not just the bros who believe themselves to be nice guys and offer pathetic excuses for their behavior, but also the power structure protecting them, and it does so in a stylish way (that soundtrack!). The conversation with the dean of the medical school who looked the other way because she didn't want to """ruin a young man's life""" was particularly devastating, and yet isn't that what happens all the time? The film plays out in unexpected ways which is a part of its strength, and I was impressed that it threaded the needle between being depressing and uplifting. It felt emblematic of the era, and powerful.
A tour de force performance by Mulligan
At first I wasn't quite sure where this movie was going, even after reading the plot line on IMDB. There were so many directions this could have gone from the exaggerated cartoon like portrayal to the mundane, but if you got the feeling the lack of predictability was going to be what kept you around, you'd have been right.
First off, Carrie Mulligan has become one of those actors that doesn't seem to do bad movies, so when you see she's in a film, you count on it being good. She is a tour de force in this film. From start to finish, she displays such human qualities on an almost unconsciously precise level. You can see her as a caring person, loving person and hurt person, but also as a sociopath and someone so dangerously close to the edge you're not entirely confident she won't or hasn't already gone over it or how far she'll end up going if she does.
That's the beauty of this film, is it keeps you guessing. It's not impossible to see some of the twists it takes, you will likely say once or twice that you saw whatever happens coming, but that's much like life itself, no one existence is totally unpredictable or predictable. This is also what makes this so good as well, the relatability of something most viewers have never been through. This movie tells the story without giving away the entire story until it's time for the viewer to know, a very powerful tool. Warning, there are some fairly graphic parts, some drawn out parts of the gruesome details of the story, but they appear at the climax of the story and serve to punctuate a point rather than try and glorify something grotesque.
There were a couple of small things that did suffer from some exaggeration. The boss at the coffee shop interrogating the boyfriend was a bit overdone, as was the conversation between Casie and Madison (the second one), but with the coffee shop boss you would assume it's because they care and the Madison conversation because they just want to move on from it. Either way, small details in an otherwise great movie.
A good cast of characters playing a wide display of not so great people in an amazing movie. For some reason I also enjoyed it being set in Ohio. Made it seem more human. The way it was filmed focused very heavily on the story, rather than the background, but having Ohio as the backdrop deglamorized it and made it human.
Great flick. Check it out.
First off, Carrie Mulligan has become one of those actors that doesn't seem to do bad movies, so when you see she's in a film, you count on it being good. She is a tour de force in this film. From start to finish, she displays such human qualities on an almost unconsciously precise level. You can see her as a caring person, loving person and hurt person, but also as a sociopath and someone so dangerously close to the edge you're not entirely confident she won't or hasn't already gone over it or how far she'll end up going if she does.
That's the beauty of this film, is it keeps you guessing. It's not impossible to see some of the twists it takes, you will likely say once or twice that you saw whatever happens coming, but that's much like life itself, no one existence is totally unpredictable or predictable. This is also what makes this so good as well, the relatability of something most viewers have never been through. This movie tells the story without giving away the entire story until it's time for the viewer to know, a very powerful tool. Warning, there are some fairly graphic parts, some drawn out parts of the gruesome details of the story, but they appear at the climax of the story and serve to punctuate a point rather than try and glorify something grotesque.
There were a couple of small things that did suffer from some exaggeration. The boss at the coffee shop interrogating the boyfriend was a bit overdone, as was the conversation between Casie and Madison (the second one), but with the coffee shop boss you would assume it's because they care and the Madison conversation because they just want to move on from it. Either way, small details in an otherwise great movie.
A good cast of characters playing a wide display of not so great people in an amazing movie. For some reason I also enjoyed it being set in Ohio. Made it seem more human. The way it was filmed focused very heavily on the story, rather than the background, but having Ohio as the backdrop deglamorized it and made it human.
Great flick. Check it out.
Is this my new favourite movie?
I'm flabbergasted that I'm only discovering this movie 3 years after it came out. I love every single actress and actor in this movie, and I'm shocked it wasn't a book made into a movie, it was so good and full of character depth. The plot centred around revenge was a very appealing bonus. All that said, the movie had a lot to live up to and IT. DID. It blew me away, and I would watch it again immediately except it left me feeling both sick and empty inside because there is just so much truth to the society we live in. The plot twists were almost too easy to see.... why? Because.... men. I actually don't hate men, I don't want to. But here I am bawling about men anyway. Now to feel better, I'll need to watch an uplifting fictional movie with men as the heroes; shouldn't be hard to find. Also, the soundtrack was wonderful. Thank you for this masterpiece.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesThe very first scene writer Emerald Fennell thought of was a female character lying on a bed while someone takes her pants down, as she is drunkenly asking "What are you doing?", then asking the same question in a completely sober manner. She wrote the rest of the film based on this idea, and the full scene did end up in the finished film.
- GaffesCarey Mulligan has a noticeable and distinct mole on the left side of her face, next to her lips. Around the 1 hour 5 minute mark, when Mulligan's and Burnham's characters get back together in the coffee shop, it is apparent that the image is reversed, as the mole now appears on the right side of her face.
- Générique farfeluThe copyright date appears twice, once during the opening credits as "MMXX" and once during the closing credits as "2020."
- ConnexionsFeatured in IMDb Originals: A Salute to Women Directors (2020)
- Bandes originalesBoys (Droeloe Remix)
Written by Ingrid Andress, Jerker Hansson, Lauv (as Ari Leff), Cass Lowe, Michael Pollack & Emily Warren (as Emily Schwartz)
Performed by Charli XCX
Courtesy of Atlantic Recording Corp./Warner Music UK Ltd.
By arrangement with Warner Music Group Film & TV Licensing
Remixed by Droeloe
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Une jeune femme pleine de promesses
- Lieux de tournage
- Campus South, 3530 Pomona Boulevard, Pomona, Californie, États-Unis(various locations)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 6 460 965 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 719 305 $ US
- 27 déc. 2020
- Brut – à l'échelle mondiale
- 18 854 166 $ US
- Durée
- 1h 53m(113 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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