Shadow in the Cloud

Shadow in the Cloud: Feels like a mix between the Amazing Stories episode "The Mission", The Twilight Zone episode Nightmare at 20,000 Feet and Memphis Belle, with even a homage to Aliens. Maude (Chloe Grace Moretz) hitches a ride on a B-17 going from Auckland to Samoa, she's carrying secret documents but even though she's a WAAF pilot the crew give her a hard time. She has to go into the belly bubble gun-turret for take off but ends up being trapped there. Then a gremlin, a large bat/rat/ape creature appears and starts damaging a wing and attacking her turret, the crew disbelieve her at first. Much of the action is based in the bubble and the outside of the plane, with the airmen only being heard over the intercom until Moretz gets back into the fuselage. It's not just the monster that they have to fear though, Japanese Zeros also attack. The gremlin is quite convincing as are the hand to hand battles with it and the dog fights with the Zeros. Some of the events do require a suspension of disbelief but Moretz literally kicks gremlin, misogynist and Zero ass. A couple of interesting plot twists makes this into an Air Ace scary pulp story. Directed and Co-written by Roseanne Liang. 7/10.

Imagine a double feature. Imagine taking the powerful, claustrophobic WWII drama "Das Boot" (1981) and immediately following it with "Mega Shark vs. Giant Octopus" (2009). Afterwards you can bet the cleaning crews will be scraping rancid vegetables off the movie screen all night. And, from the look of most reviews on imdb, that's how many viewers reacted to this flick.

"Shadow in the Cloud" is really 2 different movies, and if you plan on riding it all the way through without a dumpster full of rotten produce, you have to realize when it shifts. The first act is a powerful, minimalist drama which is really along the lines of "Das Boot" (a tense drama set entirely in a dark, cramped submarine). The entire first part of "Shadow" is just Chloë Grace Moretz stuck in a cramped 5ft square ball turret on the belly of a B-17 Flying Fortress. The camera remains exclusively on her as she delivers a fantastic performance that could've easily been a 1 act play.

But be prepared. Abruptly, the entire film shifts to an action packed popcorn flick. If you can swallow this, you'll have a wild ride all the way to the end. But if you continue expecting this film to be a heavy, realistic drama, you will certainly be as irritated as if a German U-Boat were to suddenly fly up into the sky and get eaten by a prehistoric shark. (For the record, I consider both "Das Boot" & "Mega Shark" to be masterpieces of cinematic genius.)

You may have noticed that I haven't said a word about the plot. That's deliberate. I was told to go into this film blindly, which I did, and maybe that's the key to swallowing all the twists, turns, and violations of the laws of physics that happen. I mean, hey, if we can accept that a dude can dress up as a bat with a Home Depot tool belt and save the world multiple times, why can't we have fun with a wildly inventive thriller set on a WWII airplane?

"Shadow in the Cloud" has the honor of being the first major movie release of 2021, on the very first of January, and it was very welcome as far as I'm concerned. It is an often choice for studios to drop the movies they don't have a lotta faith in early in the year, and, as expected (courtesy of the so-so trailer), "Shadow in the Cloud" is a flawed adventure, but an entertaining one. To me it seems that critics woke up in such excellent spirits that the flaws are easier to assign less weight to, and the general audience is getting hanged up on gender problems of this film, a film that doesn't demand an in-depth analysis or much arguing. It is someplace inbetween, where this shlocky B voyage lands itself.

Flight Officer Garrett (Chloe Grace Moretz) has a secret mission, and an assignment to join Captain Reeves's team on his plane, aptly named "The Fool's Errand". Guys are, of course, shocked seeing a woman climb on-board, and for much of the movie, "Shadow in the Cloud" will poke a lot of fun at men being stupid and naughty, wherein lies the bothers of all those 1/10 reviews. As the crew is making peace with their newest addition, they put her in the "aquarium" or the small cockpit with big guns under the plane. This is where we'll spend first half of the film, the set-up a.k.a. the better part of the film.

Full disclosure, "Shadow in the Cloud" is hardly ever realistic or very hard on serious social commentary, it's a B-kind of shlock horror, just without much horror in this case, but the mechanics of the world are comic-book worthy, and, as a sum, it is mostly self-aware popcorn fun, infused with women-empowering lead like many exploitation flicks in the decades before this.

And so "Shadow in the Cloud" has just enough fun, somehow mostly exactly when camera doesn't leave Chloe stuck in that cockpit for the first two acts. The plot, however slowly and shallowly, develops from there, through the commendable acting of Chloe Grace Moretz. Such a solid performance definitely deserved a better movie, but it also helps a worse one. Say what You will, but she's a fine actress. So, carrying a lot of emotion and not very surprising twists, she fights jokesters and gremlins, the latter of which ultimately has very little place and meaning in "Shadow in the Cloud". The horror element rests. The third act is all bullets, explosions, fights and deaths, but it's also the least surprising and least tense act. Gremlins are also the only manifestations of iffy cgi, graphical inconsistencies. Style is a 50/50 factor for this movie, I liked the cinematography, and the synth hey-it's-the-80's soundtrack, though I couldn't figure if it feels displaced or not. For a movie tributing the 80's, it's not 80's enough. Though, being over-the-top and a little ridiculous, maybe it is 80's enough... Sound editing is odd at times, during scenes outside of a flying plane, where there should be screams of skies storming, we kind of have an awkward silence, as if a couple sound layers were muted.

There's a trivial backstory on why perhaps there's such discussion and dissatisfaction with the feminist nature of this film, it was originally written by Max Landis. Max Landis is now dealing with allegations of sexual abuse, and the script got heavily rewritten by director Roseanne Liang. You may entertain a couple of scenarios with this information, but personally I don't see any big problems with "Shadow in the Cloud" in regards to what's being so criticized.

"Shadow in the Cloud" is more expensive looking B blockbuster, straight-forward popcorn entertainment, a typical but thin creature feature, a ww2 action romp in the skies, and, really, not the worst offering in the first days of new hope. 2021, I mean. My rating: 5/10.

Bad script, so bad, I am not sure how it went to production with so much nonsense that makes no sense and just doesn't work. The acting was pretty nice by most actors and there were good moments, nice cgi. Script absolutely ruined the movie. Could've been a blockbuster if they just reworked it a bit( it is not that hard, I can clearly see about 10 possibilities without even thinking about it)

4.6/10

Before watching this, I looked a bit into those really bad reviews here. So I decided to get the experience myself... And it was quite good. I did like those dialogues over intercom very much. Once in a uniform, some men think they are oblieged to talk...well, like idiots. There's similiar idiotic talk I heard myself during the time I served, decades ago. But the movie isn't about how idiotic men can be, but what a certain group of women can do, if they have to, at least about what we believe they can do. However, the movie continued to surprise me, the climbing scene was completeley captivating, I liked even becoming a bit dizzy...after that I thought 'Why do people hate this movie so much ? - It's just crazy !" (and not ludicruous, of course unrealistic, but nevertheless very effective). People seem to hate the movie because of the supernatural element. And I agree, mostly, that this was just a bad idea, which draws the movie "down" from its potential class, which would be "wartime drama" and is much more respectable than "fantasy action". However, technically there is not much to criticise, camera, cut, direction, music, fx, all decent, and of course, we can see that Chloe is able to singlehandedly carry a movie. So, I give 8 Stars. Wait, 8 ? That's a very good movie in my ranking system - how could that be ? Well, because I did like the freshness and the lighthearted verve of this little gem. And the little thing in the bag ;-)