L'histoire extraordinaire et effrayante de l'escroc de carrière Robert Freegard qui s'est fait passer pour un agent du MI5 et la femme qui est tombée amoureuse de lui, puis l'a fait tomber.L'histoire extraordinaire et effrayante de l'escroc de carrière Robert Freegard qui s'est fait passer pour un agent du MI5 et la femme qui est tombée amoureuse de lui, puis l'a fait tomber.L'histoire extraordinaire et effrayante de l'escroc de carrière Robert Freegard qui s'est fait passer pour un agent du MI5 et la femme qui est tombée amoureuse de lui, puis l'a fait tomber.
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Interesting story about conman Robert Freegard, well played by James Norton.
Handsome and amiable, Freegard is able to convince people he is a secret agent for MI6, isolate them, take their money, and take off.
A slow-moving but disturbing psychological study, realizing this is a true story, Freegard's hold over these people is horrifying and thought-provoking. How the character of Rose lived in the street basically waiting to get into a new spy program - watching it was shattering.
All the performances were good if underplayed. At the time of the film, Freegard had been released from prison, his life sentence amended, and was still swindling people. He has since been caught again.
My biggest complaint is not with the film but the law - if indeed the definition of kidnapping includes persuasion using fraud to leave one's family, how was this overturned later?
Norton is perfect and evil, about as far from Grantchester here as you can get. Always with a fake smile.
Handsome and amiable, Freegard is able to convince people he is a secret agent for MI6, isolate them, take their money, and take off.
A slow-moving but disturbing psychological study, realizing this is a true story, Freegard's hold over these people is horrifying and thought-provoking. How the character of Rose lived in the street basically waiting to get into a new spy program - watching it was shattering.
All the performances were good if underplayed. At the time of the film, Freegard had been released from prison, his life sentence amended, and was still swindling people. He has since been caught again.
My biggest complaint is not with the film but the law - if indeed the definition of kidnapping includes persuasion using fraud to leave one's family, how was this overturned later?
Norton is perfect and evil, about as far from Grantchester here as you can get. Always with a fake smile.
Clearly I was expecting a different watch based on the title, but was pleasantly surprised when the story started unravelling. Newb filmmakers Adam Patterson and Declan Lawn co-wrote and co-directed, and aside from slow pacing (especially the first half), they put together a nice suspenseful film. The last half got crazy tense and wow, what an intense true story this was. James Norton and Gemma Arterton played their roles great. Had the pacing been a little faster and/or the 115 min runtime trimmed down to around 95 mins, this film would've been near perfect. If anything, just watch it for the mind-boggling story from true events.
Despite the negative reviews I thought I would give this a viewing. I'm glad I did as I enjoyed it. The first half hour or so was a bit slow but once the story gets going the film really drew me in to wanting to watch it to the conclusion. I thought the acting was excellent particularly by the two leading actors. The story is based on a true life event and I think there is a lesson here for everybody, be careful who you trust!
I went in to this with low expectations, for no other reason than struggling to find something that looked decent to while away a Friday night.
How pleasantly surprised I was with the way it turned out. The story is engaging and difficult to watch in equal measure. Norton is brilliant as the protagonist, while Arterton is believable as the victim who realises she's been had. Rather than thinking the other victims are just stupid for being sucked in, you realise how understandable it could be.
Credit to the director. This is a worryingly realistic portrayal and kept me engaged for the 2 hour runtime.
How pleasantly surprised I was with the way it turned out. The story is engaging and difficult to watch in equal measure. Norton is brilliant as the protagonist, while Arterton is believable as the victim who realises she's been had. Rather than thinking the other victims are just stupid for being sucked in, you realise how understandable it could be.
Credit to the director. This is a worryingly realistic portrayal and kept me engaged for the 2 hour runtime.
I already have watched the documentary which was a real eye opener. Admittedly the film covers how Robert Freegard was tracked down one of his victims. The acting by Gemma was a bit wooden and I know she's better than this performance. The film lacked atmosphere so I am assuming it didn't have a big budget.
The ending was completely different from the real life ending which took place in an airport.
Overall it could have been a lot better with a bigger budget.
The ending was completely different from the real life ending which took place in an airport.
Overall it could have been a lot better with a bigger budget.
Le saviez-vous
- AnecdotesAfter his prison release he continued his criminal lifestyle and was caught again. At present he is in pre-trial detention in France. As it turns out, he really can't change.
- GaffesIn 39:27'', at the lighthouse scene, Robert (James Norton) is clearly seen turning off a Revival iStream3 Radio, a digital device that was not introduced until 2017 and was certainly not available in the late 90's - early 00's.
- Bandes originalesThe Paperboy in a Hurricane
Written by The Cloudyhead
Performed by Simon Chilvers, Bob Field and Paul Birch
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Agente oculto
- Lieux de tournage
- South Foreland Lighthouse, Dover, Kent, Angleterre, Royaume-Uni(Exterior, lighthouse)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 192 880 $ US
- Durée1 heure 55 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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