Un jeune couple se rend sur une île isolée pour manger dans un restaurant exclusif où le chef a préparé un menu somptueux, avec quelques surprises choquantes.Un jeune couple se rend sur une île isolée pour manger dans un restaurant exclusif où le chef a préparé un menu somptueux, avec quelques surprises choquantes.Un jeune couple se rend sur une île isolée pour manger dans un restaurant exclusif où le chef a préparé un menu somptueux, avec quelques surprises choquantes.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 2 victoires et 66 nominations au total
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Sommaire
Reviewers say 'The Menu' is a darkly comedic satire critiquing pretentious fine dining and elite culture. Themes include social commentary on class disparity and the absurdity of high-end dining. Critics praise Ralph Fiennes, Anya Taylor-Joy, and Nicholas Hoult's performances. Some find the satire inconsistent, questioning pacing, plot coherence, and character development. Despite mixed feelings, many appreciate the unique premise and stylish direction.
Avis en vedette
decent but unsatisfying
"The Menu" is pretty good. It offers a fresh and wonderful visual. The setting itself is on the edge of the island, and they have an elegant set design, so it's great to look at. The cast is excellent, so I could feel all the suspense and thrills throughout the movie thanks to their outstanding acting. Some strange quirks have appeared since the mysterious appearance of Hong Chau as Elsa at the beginning. Then came the unexpected quirks in the chef's and kitchen crew's acts. The tension had risen to the point where I was anticipating and planning too far ahead. So, I was ready to see that something wilder might be coming. And then I was surprised every time the bloody scene appeared. It's brutal, but nothing really happened. So, I might say that it gives me a ready but not-so-ready feeling. Besides, you can tell that the movie is carefully made and directed because there is a representation of food creation and the restaurant experience from the perspectives of customers and critics. I would recommend it if anyone asks, though, not gonna lie, I did expect more from the ending. The beginning is excellent, but the ending is a bit unsatisfying for me. When the movie is coming to an end, I feel like there are still some things I need to chew on before then. Perhaps it's because the background stories have already been given, but they are still lacking, or I just need to rewatch it again to get a clearer picture.
Haunting and beautiful
What I took away from this movie is that nothing ruins true passion like pretentiousness and hunger for monetary gain. It's a brilliant ode to the thin line between love and obsession and the difference between them both. Ralph Fiennes is perfection in the role as Chef Slowik, once again has he achieved the task of making one feel compassion and tenderness for a character committing unspeakable deeds. Anya Taylor-Joy is brilliant as always, her strong portrayal of "Margot" is awe inspiring, what ever life throws at her, she's ready to face it. Another important, and comforting aspect I learned from this movie is that student loans aren't always a bad thing.
Great satire
The Menu isn't the first to satirise the rich and their incompetence and isn't saying anything new but that definitely doesn't prevent it from being a great satire that pokes fun at everything it can in ways that are often consistently funny, playful and extremely stylish.
Ralph Fiennes gives a terrific performance full of awkward unease that only enhances his commanding screen presence. Anya Taylor-Joy is a perfect audience surrogate amongst a sea of deliberately unlikeable characters of which the best is Nicholas Hoult whose almost too good at making his character hilariously pathetic.
Mark Mylod's direction is excellent, the film has more than enough visual style to match the pretentiousness of its characters and is really good at building tension. The music by Colin Stetson is fantastic, striking a unusual balance between beautiful and unnerving.
Ralph Fiennes gives a terrific performance full of awkward unease that only enhances his commanding screen presence. Anya Taylor-Joy is a perfect audience surrogate amongst a sea of deliberately unlikeable characters of which the best is Nicholas Hoult whose almost too good at making his character hilariously pathetic.
Mark Mylod's direction is excellent, the film has more than enough visual style to match the pretentiousness of its characters and is really good at building tension. The music by Colin Stetson is fantastic, striking a unusual balance between beautiful and unnerving.
Original, but ultimately, not completely satisfying.
I waited months for this film, and there is nothing quite like the let down of expecting something great, and it turning out to be just really good.
While the plot is pretty original (which normally scores high points with me) and while the film is mostly quite beautiful to look at, it missed some of the main point: sweet gratification and utter satiation.
Outright scares are not included on the menu; it is mostly unsatisfyingly light on gore; comedic value exists but it is layered under and presented as filling; interesting dialogue is present, but is heavily peppered throughout; the build-up of characters and backstory is distinctly in short supply, as well as somewhat bland; context intentions are nondescript. The main course was both 'cheesy' and a bit less than completely fulfilling. Yes, I greedily took it all in, but by the time dessert was to be served, the previous dishes laid still a bit leaden and undigested.
I'd like to speak to the manager, please.
While the plot is pretty original (which normally scores high points with me) and while the film is mostly quite beautiful to look at, it missed some of the main point: sweet gratification and utter satiation.
Outright scares are not included on the menu; it is mostly unsatisfyingly light on gore; comedic value exists but it is layered under and presented as filling; interesting dialogue is present, but is heavily peppered throughout; the build-up of characters and backstory is distinctly in short supply, as well as somewhat bland; context intentions are nondescript. The main course was both 'cheesy' and a bit less than completely fulfilling. Yes, I greedily took it all in, but by the time dessert was to be served, the previous dishes laid still a bit leaden and undigested.
I'd like to speak to the manager, please.
A very tasty treat indeed!
The Menu is a real treat. It will have you laughing while on the edge of your seat as it navigates you through a restaurant experience to remember.
We are treated to a fantastic ensemble cast. Nicholas Hoult steals the show with a pitch perfect performance of a pretentious foodie. Fiennes is so wonderfully unhinged as the mysterious creator of the eponymous menu in a very layered role. Anya Taylor Joy as always is so watchable, providing such an easy way in for the audience. The writing gives them all such brilliant material which the whole cast executes with ease.
The style and staging of the piece can't be faulted at all. It is precise, inventive, and so clean and polished which makes for a very visually appealing film.
It must be said there are a few rough edges when it comes to the plot, and when you get down to the nuts and bolts the premise isn't necessarily groundbreaking. It is very on the nose at times and subtlety isn't exactly it's strong suit. However it manages to strike a well tuned balance between satire, comedy, and thriller which isn't an easy feat and is impressively managed here.
With its sharp social observations and satire, clean style, and stellar performances, the Menu is a feast that you won't want to end.
We are treated to a fantastic ensemble cast. Nicholas Hoult steals the show with a pitch perfect performance of a pretentious foodie. Fiennes is so wonderfully unhinged as the mysterious creator of the eponymous menu in a very layered role. Anya Taylor Joy as always is so watchable, providing such an easy way in for the audience. The writing gives them all such brilliant material which the whole cast executes with ease.
The style and staging of the piece can't be faulted at all. It is precise, inventive, and so clean and polished which makes for a very visually appealing film.
It must be said there are a few rough edges when it comes to the plot, and when you get down to the nuts and bolts the premise isn't necessarily groundbreaking. It is very on the nose at times and subtlety isn't exactly it's strong suit. However it manages to strike a well tuned balance between satire, comedy, and thriller which isn't an easy feat and is impressively managed here.
With its sharp social observations and satire, clean style, and stellar performances, the Menu is a feast that you won't want to end.
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Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesScreenwriter Will Tracy came up with the idea of the story while on his honeymoon in Bergen, Norway, when he took a boat to a fancy restaurant (Cornelius Sjømatrestaurant) on a nearby private island and realized they were stuck (or trapped) on the island until the meal was done. There are numerous references to restaurant Noma (Copenhagen) in The Menu, starting from the location, idea, concept, and ending with the menu itself.
- GaffesIn the opening shot of Margot lighting a cigarette, the cigarette color changes from all black (presumably a clove cigarette) to a traditional looking tobacco cigarette.
- Citations
Chef Slowik: Where did you go to school?
Felicity: Brown.
Chef Slowik: Student loans?
Felicity: No.
Chef Slowik: Sorry, you're dying.
- Générique farfeluOPENING CREDIT: "Searchlight Pictures Invite you to experience 'The Menu.'"
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: The Menu (2022)
- Bandes originalesHappy Birthday to You
Written by Patty S. Hill (as Patty Hill) and Mildred J. Hill
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- How long is The Menu?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Menu
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 38 501 125 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 004 957 $ US
- 20 nov. 2022
- Brut – à l'échelle mondiale
- 79 628 200 $ US
- Durée
- 1h 47m(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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