Dans un proche avenir, les détenus ont la possibilité de subir des expériences médicales pour raccourcir leur peine. L'un des sujets, injecté d'une drogue qui génère des sentiments d'amour, ... Tout lireDans un proche avenir, les détenus ont la possibilité de subir des expériences médicales pour raccourcir leur peine. L'un des sujets, injecté d'une drogue qui génère des sentiments d'amour, commence à remettre en question ses émotions.Dans un proche avenir, les détenus ont la possibilité de subir des expériences médicales pour raccourcir leur peine. L'un des sujets, injecté d'une drogue qui génère des sentiments d'amour, commence à remettre en question ses émotions.
- Director
- Writers
- Stars
Daniel Booko
- Air Traffic Controller
- (uncredited)
Elliot Chenery
- Inmate
- (uncredited)
Jordyn Curet
- Vocalist - Youth Choir
- (uncredited)
Michaela Da Costa
- Inmate
- (uncredited)
Avis en vedette
Spiderhead banks heavily on its lead performers, and both Hemsworth and Teller deliver the goods when the plot struggles to. Very early on, you smell a lighter version of Ex-Machina (replace the robot with mind-control drugs), with several random tonal shifts. The writers (Rhett Rheese & Paul Wernick) are known for tickling the funny bone, but I think this film would have benefited from a more serious, psychological approach - which, credit where it's due - it did to some extent. The romantic subplot, while nice to see, ended up being exploited (such a cliché) as expected. The conclusion isn't all that exciting, because by then, Spiderhead has fully embraced its weirdness and is unfortunately stuck between making viewers care and giving closure to the plot.
It was a good premise but it was executed in the wrong genre. I feel that this should have been a psychological horror.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
Colorful cinematography and spirited editing contrast with the characters' tragic backstories. In the end its a morality tale, one that goes too far and too fast.
Spiderhead starts very well, with a serious tone and lots of conversation, kinda similar to Ex Machina. However, the story doesn't holds itself well and the plot gets convuluted without much of a development for the characters.
Though it starts with promise, "Spiderhead" is heavy weighted sci-fi stuff that doesn't intrigue much with it's elements due to weak development, and leaves it's mark as a disappointment, rather than being something impressive.
My Rating : 5/10.
Though it starts with promise, "Spiderhead" is heavy weighted sci-fi stuff that doesn't intrigue much with it's elements due to weak development, and leaves it's mark as a disappointment, rather than being something impressive.
My Rating : 5/10.
Firstly, flawless acting performances from the main cast, you can see the emotions switch with the most subtle of facial changes. This film was just, okay. Not terrible, not amazing, just okay for Friday night viewing. But the makers seemingly didn't know what genre of film they were creating. It starts off all light hearted and you're lured into believing its a comedy, then you're fixed within a drama/thriller through the middle, only for it to end as a light hearted comedy in its climax?
Le saviez-vous
- AnecdotesRogan (played by Nathan Jones) is reading a book titled "Tenth of December" by George Saunders and first published in book-form on January the 8th, 2013, by Random House. It contains the short story "Escape from Spiderhead" on which this movie is based.
- GaffesAt the start when the seaplane arrives at the jetty 2 staff come out to secure the seaplane to jetty. But it is already fastened despite having just arrived.
- ConnexionsFeatures Joust (1982)
- Bandes originalesThe Logical Song
Written by Roger Hodgson and Rick Davies (as Richard Davies)
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
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- How long is Spiderhead?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La cabeza de la araña
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $ US (estimation)
- Durée
- 1h 46m(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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