Ajouter une intrigue dans votre langueAn abused woman finds love in the arms of a famous novelist.An abused woman finds love in the arms of a famous novelist.An abused woman finds love in the arms of a famous novelist.
Histoire
Le saviez-vous
- AnecdotesA surviving copy is held at the Library of Congress.
- Citations
Ronald Roberts: She is only an ocean waif whom I am protecting.
Ruth Hart: Is kissing part of the protection?
- Autres versionsKino International copyrighted and released a video in 2000, which was restored from the Library of Congress Motion Picture Conservation Center preservation print. It was produced by Jessica Rosner, has a piano score composed and performed by Jon Mirsalis and runs 40 minutes.
- ConnexionsFeatured in Le jardin oublié: La vie et l'oeuvre d'Alice Guy-Blaché (1996)
Commentaire en vedette
The Ocean Waif (1916)
** 1/2 (out of 4)
Silent melodrama about author Ronald Roberts (Carlyle Blackwell) who gets word that his latest book is a huge seller so he's asked to write another. He winds up in a small location to write but he ends up getting involved with a young woman named Millie (Doris Kenyon) who is trying to get away from her abusive father.
Alice Guy directed this film, which has enough good moments to make it worth viewing, although there's no doubt that it's still far from being a classic or even a good movie for that matter. I think the main reason to watch it is for the performances that are actually pretty good. Blackwell certainly makes you believe his character but it's Kenyon who steals the picture. I thought she was very good no matter what type of emotion her character was playing and I especially liked the chemistry of the two actors.
The film features some nice cinematography and there's no doubt that Guy has a good way to build up the relationship. With that said, even for 1916 standards the story itself really isn't anything we hadn't already seen and there's no question that it's quite predictable. Fans of silents will want to check it out.
** 1/2 (out of 4)
Silent melodrama about author Ronald Roberts (Carlyle Blackwell) who gets word that his latest book is a huge seller so he's asked to write another. He winds up in a small location to write but he ends up getting involved with a young woman named Millie (Doris Kenyon) who is trying to get away from her abusive father.
Alice Guy directed this film, which has enough good moments to make it worth viewing, although there's no doubt that it's still far from being a classic or even a good movie for that matter. I think the main reason to watch it is for the performances that are actually pretty good. Blackwell certainly makes you believe his character but it's Kenyon who steals the picture. I thought she was very good no matter what type of emotion her character was playing and I especially liked the chemistry of the two actors.
The film features some nice cinematography and there's no doubt that Guy has a good way to build up the relationship. With that said, even for 1916 standards the story itself really isn't anything we hadn't already seen and there's no question that it's quite predictable. Fans of silents will want to check it out.
- Michael_Elliott
- 4 nov. 2015
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Détails
- Durée40 minutes
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was The Ocean Waif (1916) officially released in Canada in English?
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