The Second 100 Years

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

'The Second Hundred Years' is nowhere near classic Laurel and Hardy, later films, short and feature, had stronger chemistry when fully formed and used their considerable talents better. At this point, Laurel was much funnier and more interesting while Hardy in most of the previous outings had too little to do. 'The Second Hundred Years' is still worth watching though and is an improvement on some of their previous short films, along with 'Duck Soup', 'While Girls Love Sailors' and 'Sailors, Beware!' it was up there as among Laurel and Hardy's best up to this point.

Personally would have liked more sly wit that made their later entries better.

The story is a bit busy at times and both slight and formulaic. Have to concur too with the ending sequence being too long and over-stretched.

Laurel however is very funny, and sometimes hilarious, like as was said for a few of his previous outings 'The Second Hundred Years' is worth seeing for him alone. Hardy is at least not wasted, and he does give one of his funniest and most interesting appearances of his pairings with Laurel up to this point despite his persona being not as fully formed as Laurel's. The chemistry is much more here than in previous outings of theirs if still evolving. Support is nice.

A good deal of the humour is well timed, hugely energetic and very funny, with everything going at a lively pace, and there is a lot of charm and good nature to keep one going. 'The Second Hundred Years' looks quite good.

To conclude, decent. 7/10 Bethany Cox

Comedian Stan Laurel, actor, writer and part-time director with 50 films under his belt, was hired by Hal Roach's studio in 1926 as a director and gagwriter. An accident in the kitchen that resulted in a severe burn from a hot leg of lamb sent Roach veteran actor Oliver Hardy to the hospital, giving Laurel an opportunity to appear before the camera again. He was asked to fill in for 'Ollie' in the studio's upcoming 'Get 'Em Young,' as well as the 1926's "45 Minutes from Hollywood." Laurel agreed.

Hardy, who had appeared in over 250 films, returned to work and found himself slotted in several shorts with Laurel. Observant studio director/writer Leo McCarey saw a certain chemistry between the two actors when they appeared together. Composing a script contoured to the pair's acting style, McCarey linked the two as a couple of convicts who share a prison cell together in October 1927's "The Second Hundred Years.". The pair make their getaway by stealing paint cans and brushes and impersonating themselves as painters. Stumbling upon a police officer, Laurel and Hardy paint railings, cars, shop windows, women's buttocks, anything to throw the cop off guard.

Hal Roach loved the interaction between the two and asked McCarey to oversee their on-screen presence. Despite directing only three Laurel and Hardy shorts in the next two years, McCarey was instrumental in their guidance by personally writing several of their screenplays and supervising others directing their films.

In "The Second Hundred Years," Roach realized McCarey's instincts were correct, launching one of cinema's most successful and funniest comedic pairing.

THE SECOND HUNDRED YEARS

Aspect ratio: 1.33:1

Sound format: Silent

(Black and white - Short film)

Two jail birds (Laurel and Hardy) escape from custody and assume the identities of French dignitaries who turn out to be prison inspectors (Otto Fries and Bob O'Conor) on their way to the very jail from which L&H have just escaped! Havoc ensues.

One of the best of L&H's silent comedies, and certainly their best collaboration with director Fred Guiol. This one features a full range of amusing set-pieces, including an inspired sequence in which The Boys elude a nosey cop by pretending to be painters (only to end up painting everything in sight, including someone's car!), and the lengthy scene in which they're mistaken for visiting VIP's and received at the prison as guests of honor by warden James Finlayson, only to cause chaos at the dinner table. The escalation of comic incidents is entirely believable throughout. However, the film also contains an offensive sight gag, when L&H accidentally slap white paint all over the face of an African-American passer-by.

The movie is amusing enough but it's far from being the best Laurel & Hardy silent comedy shorts. The movie is at certain points dragging to much for that, especially toward its stretched out ending.

It's a movie that certainly does have its great comical moments but not quite enough to really stand out as a comedy. The movie has a fun premise and some good comical moments and situations. However these moments and situations are rather stretched out in this movie, which causes them to be too long with as a result that it loses some of its comical power. This especially is the case in the ending of the movie, which takes too long. It makes the movie as a whole also feel too long, even though it of course is shorter than 20 minutes.

But yes, the good moments in this movie certainly make sure that you'll still be entertained by this movie as a whole.

The boys are in good form in this movie, which was one of their first teaming ups as a comedy duo. Especially Stan Laurel is in his element, while Oliver Hardy was still clearly searching and developing his character. It was a bit weird to see the boys without hair but unlike Samson, they don't lose any of their power. It's always fun to see James Finlayson in a Laurel & Hardy movie, even when it's a silent one. I thought I also noticed Walter Long as one of the convicts but I'm not too sure of this, also since he isn't credited.

Slightly disappointing when compared to Laurel & Hardy's other work but entertaining enough to watch nevertheless.

6/10

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Stan and Ollie are in prison and are constantly trying to escape. The problem is that they are idiots and every plan they try fails. Some of them are pretty funny and some a bit too silly in this film. This is one of the earlier Laurel and Hardy films, so I'm cutting it a bit of slack in scoring it a 6. The problem is that this prison comedy, while funny, also has a couple bits where the timing is just awful and they milk gags way too long--something you'd never see in their later and more polished films.

The first of these over-long bits is when prisoners Stan and Ollie try to escape by pretending to be painters. When a guard becomes suspicious and follows them out of the prison, they start painting EVERYTHING in sight. When I was a kid and saw this, I thought it was hilarious. Now, as an adult, it just seemed stupid--and NOT in a good way! The second was the awful dining scene where Stan chases a cherry all around the table with his spoon. This "funny" bit was often seen in films before this with other comics and it just isn't funny--and it goes on and on far too long.

Overall, even poor Laurel and Hardy is pretty funny and worth seeing. So give this one a look but understand it's not up to their usual high standards.