ÉVALUATION IMDb
7,8/10
35 k
MA NOTE
Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.
- Prix
- 2 victoires
Walter Woolf King
- Rudolfo Lassparri
- (as Walter King)
Sig Ruman
- Herman Gottlieb
- (as Siegfried Rumann)
Robert Emmett O'Connor
- Police Sergeant Henderson
- (as Robert Emmet O'Connor)
Enrique Acosta
- Nightclub Guest
- (uncredited)
Harry Adams
- Opera Spectator
- (uncredited)
Harry Allen
- Doorman
- (uncredited)
Sam Appel
- Dungeon Guard
- (uncredited)
King Baggot
- Dignitary
- (uncredited)
Marion Bell
- Lady looking for 'Aunt Minnie'
- (uncredited)
Edna Bennett
- Maid
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesIn exasperation after several attempts to have Groucho Marx read one of his lines in the manner director Sam Wood had requested, Wood exclaimed, "I guess you just can't make an actor out of clay." Groucho Marx instantly responded, "Nor a director out of Wood."
- GaffesRicardo is clearly standing on the dock as the ship pulls away, yet he turns up on board later as a stowaway.
- Citations
Otis B. Driftwood: It's all right, that's in every contract. That's what they call a sanity clause.
[Fiorello laughs loudly]
Fiorello: You can't fool me! There ain't no Sanity Claus!
- Autres versionsAll references to the first portion of the film taking place in Italy were edited from the original negative sometime after the original release. There is speculation that this was done during WWII when Italy was as Axis power, but it also may have been done in the late 1930's to appease Mussolini, who didn't like the way Italians were being portrayed. Either way, the film's first scene begins rather abruptly and is missing a musical number and references to Milan, Italy.
- ConnexionsEdited into Apaga y vámonos: Episode #1.5 (2013)
- Bandes originalesIl Trovatore: Di quella pira
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Leone Emanuele Bardare and Salvatore Cammarano
Sung by Walter Woolf King
with The MGM Symphony Orchestra
Commentaire en vedette
"A Night at the Opera" is great Marx Brothers entertainment. It has comedy, music, and a good cast - everything except Zeppo, who by this time had left the act. It fully deserves its reputation as one of the two best Marx Brothers films, along with "Duck Soup".
"A Night at the Opera" is probably slightly less funny than "Duck Soup" (it is no criticism to say that of any film), but it has more of a story to connect the great comic bits. There is a good supporting cast in both films - here Sig Ruman is especially funny, in addition to the perennial Margaret Dumont. It also has several fairly long musical interludes - some are operatic, but the most entertaining is Chico and Harpo's impromptu shipboard entertainment.
Of course, the real attraction in any of these films is the comedy, and there are some memorable bits in this one. The contract negotiations between Chico and Groucho, and the scene in Groucho's stateroom, are especially hilarious, and you have to see the stateroom scene more than once to catch everything. And for sustained zany humor, the climactic sequence at the opera might be the funniest part of all.
This is certainly a must for Marx Brothers fans.
"A Night at the Opera" is probably slightly less funny than "Duck Soup" (it is no criticism to say that of any film), but it has more of a story to connect the great comic bits. There is a good supporting cast in both films - here Sig Ruman is especially funny, in addition to the perennial Margaret Dumont. It also has several fairly long musical interludes - some are operatic, but the most entertaining is Chico and Harpo's impromptu shipboard entertainment.
Of course, the real attraction in any of these films is the comedy, and there are some memorable bits in this one. The contract negotiations between Chico and Groucho, and the scene in Groucho's stateroom, are especially hilarious, and you have to see the stateroom scene more than once to catch everything. And for sustained zany humor, the climactic sequence at the opera might be the funniest part of all.
This is certainly a must for Marx Brothers fans.
- Snow Leopard
- 17 juin 2001
- Lien permanent
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Détails
Box-office
- Brut – à l'échelle mondiale
- 5 320 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was A Night at the Opera (1935) officially released in India in English?
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