Old Man Rhythm

Old Man Rhythm is one of those silly college musicals that were so popular during the Thirties. The plots are almost the same in every one of them, but they were diverting. One of the main differences in this one was that it had no football game or hero in it. But like all the others it had very little learning as well. In fact I can't recall a scene with a classroom.

The leads in Old Man Rhythm are an over the hill Buddy Rogers who was going on the downside of his film career. He's the son of wealthy toy manufacturer George Barbier and he's living it up real high on the hog in college. He's got two girl friends, good girl Barbara Kent and bad girl Grace Bradley. Grace is one of those who makes no bones about going to college to find a rich husband and she's got a prime prospect in Rogers.

All this is real unsettling to Barbier who decides to abandon his business even though he's in a battle with a hostile takeover by Erik Rhodes. But he's going to go back to school in any event.

The plot barely gets in the way of a whole lot of musical numbers which are serviceable for the plot, but nothing truly memorable comes from the score. The music is by Lewis Gensler and the lyrics are supplied by the great Johnny Mercer. This was one of the earliest film scores that Mercer did in his career and we do get the added treat of seeing him as a performer as well. Though he wrote some of the greatest songs of the last century, Mercer was a fine performer who for some reason rarely appeared on the big screen.

Old Man Rhythm also has some of the best character actors from the studio era in the cast. Besides those I already mentioned you can also enjoy Donald Meek and Eric Blore. Betty Grable has a featured role in this film as well as one of the shapely coeds and in a bit part you can spot Lucille Ball if you scan carefully.

Of course the film is utter nonsense, but it's delightful nonsense and easy to take.

In which a dad enrolls in college when he learns his son has become infatuated with a blonde (dad prefers a different gal for junior). Dad is soon strolling around campus in freshman beanie and getting into trouble for walking on the sophomore pathway. When he sees that sonny is set on sticking with the blonde, he gets advised from a fellow student in the know - she's a gold-digger. So - dad pretends his business is going bust to get the gold-digger to leave his son alone!

This film is a bit of fluff, mainly held together by some really good musical numbers. The opening scene features a train ride to college, full of the students singing a very catchy tune - I particularly enjoyed this number. Best of all - one of the students is played by a very young and beautiful Betty Grable who sings, tap dances on pointe, and charms her way across the screen to coming super-stardom - every time she is on screen she is all you can look at! The story in this isn't the greatest, and Buddy Rogers (who I love in silent films) is a bit of a dud here, though still pretty handsome to look at - he even sings (or is dubbed, I'm not sure) a rather lackluster number himself. Enjoyable, light fare.

This movie had some GREAT tunes, and not ones that became classics, these tunes will be new to you. I particularly like the one about going to college that the movie starts off with in the first scene. The movie is not about romantic rivalries between father and son, rather the father does not approve of the effect girls have on his son's grades and does not approve of his son's new fiancé' so he goes to college to sort things out.This is an older movie, but very watchable with none of the glitches that you sometimes see in these older films. It is rather an obscure movie from the early thirties, thus it has not been subtitled. I thought that this was a shame because I missed a few of the words to the songs and I would have liked to have heard every word. The kids were in the room when the movie started. They were on the computer and paying NO attention to Mom's old movie, but when the song about college came on, they drifted over and watched the whole, long song. I hope you enjoy this movie as much as I did. Thank goodness for TNT!

Any RKO movie with ERIC BLORE and ERIC RHODES in the supporting cast can't be all bad. This is a strictly second-rate little college musical with a trivial plot and a bevy of harmless tunes typical of the swing mood that was on the horizon. Vivacious BETTY GRABLE has one of her early campus sweetheart roles (sings a little, dances a little), and if you look hard enough you can spot LUCILLE BALL among the extras, the girl who would go on to buy the studio one day.

GEORGE BARBIER is the senior who wants to be a freshman (he wants to keep an eye on his son, BUDDY ROGERS) whom he thinks is failing subjects because his mind is on girls. Rogers is a blank in a colorless role. The female lead (unknown today) is pretty brunette BARBARA KENT. Silly nonsense with Barbier becoming a freshman subjected to student pranks with more attention on random song numbers than a plot.

The songs are strictly a blend of the type popular at the time but have the benefit of lyrics by Johnny Mercer which helps a lot and its surprising to see that the B&W photography is by Nick Musuraca who did all those great film noirs later at RKO.

Summing up: Harmless fun that passes the time quickly in 75 minutes.

The plot is silly and the songs are mostly unmemorable, but there are small pleasures to enjoy in this film. First, there's fifth-billed Betty Grable, who is featured in several songs. And she does a rapid-fire tap dance on her toes, ballet style, that seemed very difficult. I never thought her talent extended to the tips of her toes. Next, there's a character called "Blimp," played by heavy-set Sonny Lamont. He does acrobatic dancing usually reserved for people much lighter on their feet. I also enjoyed seeing the great lyricist, Johnny Mercer, in the first of his two acting roles. He seemed to have a natural acting talent that made me wonder why he didn't appear in more films. Finally, there was the challenge and pleasure in spotting Lucille Ball in an early uncredited nonspeaking part. She's there, but I had to re-run the tape and take my focus away from the action and look in the background.